Musical
Original

1) Mean Girls (Original)

Joué durant   actuellement

Nb de preview: 29 previews

Première preview: lun. 12 mars 2018
Première: dim. 08 avril 2018
Dernière: Open end

Compositeur: Jeff Richmond •  
Parolier: Neil Benjamin •  
Libettiste: Tina Fey •  

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Metteur en scène: Casey Nicholaw •  
Chorégraphe: Casey Nicholaw •  

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Avec: Erika Henningsen  (Cady Heron), Taylor Louderman  (Regina George), Ashley Park  (Gretchen Wieners), Kate Rockwell  (Karen Smith), Kerry Butler  (Mrs. Heron/Ms. Norbury/Mrs. George), Grey Henson  (Damian Hubbard), Cheech Manohar  (Kevin Gnapoor), (), Kyle Selig  (Aaron Samuels), Barrett Wilbert Weed  (Janis Sarkisian), Rick Younger  (Mr. Duvall), (), Stephanie Lynn Bissonnette  (Ensemble), Collins Conley  (Ensemble), Ben Cook  (Ensemble), DeMarius R. Copes  (Ensemble), Kevin Csolak  (Ensemble), Devon Hadsell  (Ensemble), Curtis Holland  (Ensemble), Myles McHale  (Ensemble), Nikhil Saboo  (Ensemble), Jonalyn Saxer  (Ensemble), Brendon Stimson  (Ensemble), Riza Takahashi  (Ensemble), Kamille Upshaw  (Ensemble), Zurin Villanueva  (Ensemble), Gianna Yanelli  (Ensemble) 

Commentaire:   

Presse: "Let me say up front that if I were asked to choose among the healthy lineup of girl-power musicals now exercising their lungs on Broadway, you would have to count me on Team Regina. That’s a reference to the alpha leader of the nasty title characters of Mean Girls, the likable but seriously over-padded new show." Ben Brantley for New York Times

"Tina Fey’s new Broadway musical Mean Girls delivers a fizzy blast that tickles the ears, eyes and funny bone." Joe Dziemianowicz for New York Daily News

"Mean Girls’s gospel of female self-actualization is borne out in the platform it provides for some of the most exciting young performers in musical theater. They bring a lot to the cafeteria table." Adam Feldman for Time Out New York

"Director-choreographer Nicholaw infuses the production with his customary playful energy, and his dance moves have an almost awkwardly explosive quality that seems organic to the teenage characters. Even the splashy ensemble numbers, two of which make memorable use of cafeteria trays, suggest a nervous burst of hormonally charged adolescence that makes Mean Girls sing." David Rooney for Hollywood Reporter

"Tina Fey’s catty book and Nell Benjamin’s saucy lyrics pump laughs into this smart, funny, musical-comedy version of the 2004 movie." Marilyn Stasio for Variety

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Spectacle

23) Home for the Holidays Home for the Holidays ()

Joué durant  1 mois 1 semaine

Nb de preview: 6 previews

Nb de représentations: 47 représentations

Première preview: 17 November 2017
Première: 21 November 2017
Dernière: 30 December 2017

Compositeur: *** Divers •  
Parolier: *** Divers •  
Libettiste: *** Divers •  

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Metteur en scène:  
Chorégraphe:  

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Avec: Candice Glover, Josh Kaufman, Bianca Ryan, Kaitlyn Bristowe, Danny Aiello, Evynne Hollens, Peter Hollens 

Commentaire:   

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Musical
Original Broadway

22) Groundhog Day (Original Broadway)

Joué durant  5 mois

Nb de preview: 31 previews

Nb de représentations: 176 représentations

Première preview: 16 March 2017
Première: 17 April 2017
Dernière: 17 September 2017

Compositeur: Tim Minchin •  
Parolier: Tim Minchin •  
Libettiste: Danny Rubin •  

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Metteur en scène: Matthew Warchus •  
Chorégraphe: Peter Darling •  

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Avec: Andy Karl (Phil Connors), Barrett Doss (Rita Hanson), Rebecca Faulkenberry (Nancy), John Sanders (Ned Ryerson) 

Commentaire:   

Presse: "Repetition is an art of infinite variety as it’s practiced by Andy Karl in “Groundhog Day,” the dizzyingly witty new musical from the creators of “Matilda.”... “Groundhog Day” reimagines a much-loved film about instant karma with such fertile and feverish theatrical imagination that you expect to see it implode before your eyes." Ben Brantley for New York Times

"If a groundhog sees its shadow, there’ll be six more weeks of winter. If you see “Groundhog Day,” there’ll be 2 hours and 45 minutes of kinetic and sometimes witty but ultimately wearying antics. Fortunately, there’s a silver lining: musical-comedy dreamboat Andy Karl, who puts his own irresistible stamp on the arrogant TV weatherman played in the 1993 film by Bill Murray." Joe Dziemianowicz for New York Daily News

"While there are likeable, inspired elements in this musical adaptation of the great Bill Murray movie, time crawls as you wait for boorish weatherman Phil Connors to surrender to human kindness and true romance." David Cote for Time Out New York

"Unlike far too many musicals regurgitated from hit movies, Groundhog Day is a delirious reinvention with its own defiantly unique personality, a relentless forward-backward spin that leaves you smiling, exhilarated and giddy, much like the Tilt-a-Whirl ride that briefly occupies the stage in the show's second act." David Rooney for Hollywood Reporter

"As musical theater performers go, you couldn’t ask for a more personable fellow than Andy Karl. His high-energy athleticism kept “Rocky” on its toes. And his comic chops earned him plenty of notice in “On the Twentieth Century.” Now, in “Groundhog Day,” he proves he can carry an entire show on his back." Marilyn Stasio for Variety

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Musical
Original

21) Jersey Boys (Original)

Joué durant  11 ans 2 mois 1 semaine

Nb de preview: 38 previews

Première preview: 04 October 2005
Première: 06 November 2005
Dernière: 15 January 2017

Compositeur: Bob Gaudio •  
Parolier: Bob Crewe •  
Libettiste: Marshall Brickman • Rick Elice •  

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Metteur en scène: Des McAnuff •  
Chorégraphe: Sergio Trujillo •  

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Avec: J. Robert Spencer (Nick Massi), Christian Hoff (Tommy DeVito), Daniel Reichard (Bob Gaudio), John Lloyd Young (Frankie Valli), Peter Gregus (Bob Crewe), Mark Lotito (Gyp DeCarlo), Donnie Kehr (Norm Waxman), Jennifer Naimo (Mary Delgado), Tituss Burgess (Hal Miller), Erica Piccininni (Lorraine), Michael Longoria (Joey), Steve Gouveia (Hank Majewski), Sara Schmidt (Francine) 

Commentaire:   

Presse: BEN BRANTLEY of the NEW YORK TIMES says “The real thrill, at least for those who want something more than recycled chart toppers and a story line poured from a can, is that Mr. Young (Frankie Valli) has crossed the line from exact impersonation into something more compelling. ”
HOWARD KISSEL of the NEW YORK DAILY NEWS says "There's no point in beating around the bush — I had a great time."
CLIVE BARNES of THE NEW YORK POST says "It's a show still dynamically alive in music while, as a drama, it catches the very texture, almost the actual smell, of its time. "
CHRIS JONES of CHICAGO TRIBUNE says "They'd better start digging more tunnels from New Jersey, because when word gets out on this thing, every Garden State wiseguy is going to be calling for a limo and adding to the traffic clog."
MICHAEL SOMMERS of STAR-LEDGER says "Love classic rock 'n' roll? Enjoy juicy behind-the-scenes true stories? Then without a doubt -- and especially for Baby Boomers -- "Jersey Boys" is a hot new Broadway show for you."
JACQUES LE SOURD of the JOURNAL NEWS says "The book by Marshall Brickman and Rick Elice is a little long on narration, and you may find your eyes glazing over until the point, two-thirds of the way through the first act, when the boys break into television with an appearance on "American Bandstand." From that point on, though, you snap awake and happily ride the wave."
MICHAEL FEINGOLD of the VILLAGE VOICE says "For a new musical, Jersey Boys seems amazingly like a rerun."
ELYSA GARDNER of USA TODAY says "Flawed but unexpectedly winning homage to Frankie Valli and the Four Seasons"
MICHAEL KUCHWARA of ASSOCIATED PRESS says "Shows there still is theatrical life in mining pop hits from the past."
FRANK SCHECK of the HOLLYWOOD REPORTER says "Director Des McAnuff has delivered a fast-paced production that flows in cinematic fashion, thankfully avoiding the bombast that afflicts so many similarly themed musicals."

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Musical
Revival

20) Little Shop of Horrors (The) (Revival)

Joué durant  10 mois 3 semaines

Nb de preview: 40 previews

Nb de représentations: 372 représentations

Première preview: 29 August 2003
Première: 02 October 2003
Dernière: 22 August 2004

Compositeur: Alan Menken •  
Parolier: Howard Ashman • Howard Ashmand •  
Libettiste: Howard Ashmand •  

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Metteur en scène: Jerry Zaks •  
Chorégraphe: Kathleen Marshall •  

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Musical
Revival

19) Flower drum song (Revival)

Joué durant  5 mois

Nb de preview: 25 previews

Nb de représentations: 169 représentations

Première preview: 23 September 2002
Première: 17 October 2002
Dernière: 16 March 2003

Compositeur: Richard Rodgers •  
Parolier: Oscar Hammerstein II •  
Libettiste: Joseph Fields • Oscar Hammerstein II •  

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Metteur en scène: Robert Longbottom •  
Chorégraphe: Robert Longbottom •  

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Avec:  

Commentaire: Une toute nouvelle version du musical de Rodgers et Hameerstein de 1958.  (plus) 

Presse:

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Musical
Original

18) Smokey Joe's Café (Original)   Top

Joué durant  4 ans 10 mois 3 semaines

Nb de preview: 25 previews

Nb de représentations: 2036 représentations

Première preview: 09 February 1995
Première: 02 March 1995
Dernière: 16 January 2000

Compositeur: Jerry Leiber • Mike Stoller •  
Parolier: Jerry Leiber • Mike Stoller •  
Libettiste: *** Revue •  

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Metteur en scène: Jerry Zaks •  
Chorégraphe: Joey McKneely •  

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Avec: Ken Ard, Adrian Bailey, Brenda Braxton, Victor Trent Cook, B. J. Crosby, Pattie Darcy Jones, DeLee Lively, Frederick B. Owens, Michael Park, Louis St. Louis 

Commentaire:   

Presse: The theatre critic for the magazine Variety, in reviewing the Los Angeles tryout, noted that "the songwriters, director Jerry Zaks and choreographer Joey McKneely don't do enough packaging of the material, don't go far enough taking songs first heard on transistor radios and re-imagining them for the stage...There are a couple of halfhearted attempts at structure. The show opens and closes with the 1974 obscurity "Neighborhood," which suggests this will be a scrapbook of memories."
Ben Brantley, the theatre critic for The New York Times wrote that the revue "is a strangely homogenized tribute to one of popular music's most protean songwriting teams...There has obviously been a decision not to go for literal period nostalgia, so the songs are freed from their distinctive original contexts...Too often, though, the performers are simply singing into space without any ostensible reason for being there."
The theatre critic for The Guardian (London), noted that the London cast consists of "acting singers rather than singing actors, which suits a show where there's almost no acting to be done. Whew - no pesky plot development or subtexts, just a glut of glowing pop tunes...There's no attempt at chronology, or even biography."
According to the theatre critic for the Washington Post, Peter Marks, the revue "never quite attained smash-hit status", but it made popular the musical fashioned on the existing work of "pop composers already beloved by baby boomers."

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Musical
Revival

17) My Fair Lady (Revival)

Joué durant  4 mois 3 semaines

Nb de preview: 16 previews

Nb de représentations: 165 représentations

Première preview: 26 November 1993
Première: 09 December 1993
Dernière: 01 May 1994

Compositeur: Frederik Loewe •  
Parolier: Alan Jay Lerner •  
Libettiste: Alan Jay Lerner •  

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Metteur en scène: Howard Davies •  
Chorégraphe: Donald Saddler •  

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Musical
Original

16) City of Angel (Original)

Joué durant  2 ans 1 mois 1 semaine

Nb de preview: 24 previews

Nb de représentations: 879 représentations

Première preview: 21 November 1989
Première: 11 December 1989
Dernière: 19 January 1992

Compositeur: Cy Coleman •  
Parolier: David Zippel •  
Libettiste: Larry Gelbart •  

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Metteur en scène: Michael Blakemore •  
Chorégraphe: Walter Painter •  

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Avec: Stine … Gregg Edelman
Stone … James Naughton
Irwin S. Irving/Buddy Fidler … René Auberjonois
Oolie/Donna … Randy Graff
Alaura Kingsley/Carla Haywood … Dee Hoty
Bobbi/Gabby … Kay McClelland
Dr. Mandril/Barber … James Cahill
Margaret/Stand-In … Carolee Carmello
Munoz/Pancho Vargas … Shawn Elliott
Orderly/Officer Pasco/Gene … Tom Galantich 

Commentaire:   

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Musical
Original Broadway

15) Carrie (Original Broadway)   Flop

Joué durant  

Nb de preview: 18 previews

Nb de représentations: 5 représentations

Première preview: 28 April 1988
Première: 12 May 1988
Dernière: 15 May 1988

Compositeur: Michael Gore •  
Parolier: Dean Pitchford •  
Libettiste: Lawrence D. Cohen • Lawrence D. Lawrence D. Cohen Cohen •  

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Metteur en scène: Terry Hands •  
Chorégraphe: Debbie Allen •  

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Avec: Margaret White … Betty Buckley
Carrie White … Linzi Hateley
Miss Gardner … Darlene Love
Sue … Sally Ann Triplett
Chris … Charlotte d'Amboise
Tommy … Paul Gyngell
Billy … Gene Anthony Ray
Jamie … Jamie Beth Chandler
Cath … Catherine Coffey
Michéle … Michele DuVerney 

Commentaire:   

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Musical
Revival

14) On your toes (Revival)

Joué durant  1 an 2 mois 2 semaines

Nb de preview: 7 previews

Nb de représentations: 505 représentations

Première preview: 01 March 1983
Première: 06 March 1983
Dernière: 20 May 1984

Compositeur: Richard Rodgers •  
Parolier: Lorenz M. Hart •  
Libettiste: Geoffrey Abbott • Richard Rodgers •  

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Metteur en scène: George Abbott •  
Chorégraphe: George Balanchine •  

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Musical
Original

13) Annie (Original)

Joué durant  3 mois 2 semaines

Première preview: Inconnu
Première: 16 September 1981
Dernière: 24 October 1981

Fait partie de: Broadway Run

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Compositeur: Charles Strouse •  
Parolier: Martin Charnin •  
Libettiste: Thomas Meehan •  

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Metteur en scène: Martin Charnin •  
Chorégraphe: Peter Gennaro •  

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Musical
Original

12) Copperfield (Original)   Flop

Joué durant  1 semaine

Nb de preview: 26 previews

Nb de représentations: 13 représentations

Première preview: 25 March 1981
Première: 13 April 1981
Dernière: 26 April 1981

Compositeur: Al Kasha • Joel Hirschhorn •  
Parolier: Al Kasha • Joel Hirschhorn •  
Libettiste: Al Kasha • Joel Hirschhorn •  

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Metteur en scène: Robert Iscove •  
Chorégraphe: Robert Iscove •  

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Avec: David Ray Bartee, Ralph Braun, Katharine Buffaloe, Maris Clement, Michael Connolly, Michael Danek, Daniel Dee, Leslie Denniston, Spence Ford, Beulah Garrick, Heather Lea Gerdes, Michael Gorman, David Horwitz, Barrie Ingham, George S. Irving, Mary Mastrantonio, Carmen Mathews, Brian Matthews, Pamela McLernon, Darleigh Miller, Dana Moore, Gary Munch, Keith Perry, Linda Poser, Richard Warren Pugh, Brian Quinn, Evan Richards, Lynne Savage, Bruce Sherman, Christian Slater, Mary Stout, Claude Tessier, Missy Whitchurch, Lenny Wolpe 

Commentaire:   

Presse: In his review in the New York Times, Frank Rich said, "This is the kind of musical that sends you out of the theater humming every score other than the one you've just heard . . . of course, derivativeness is nothing new in Broadway musicals that aspire to be pure commercial entertainments. The real problem with Copperfield is that its authors are not good mimics. From the music to the scenery to the cast, everything about this show looks tacky in comparison to its prototypes. And when the writers actually attempt to come up with fresh ideas - well, look out! The show's book manages to miss the human comedy, the tears and even the point of Dickens's novel. This is no longer the story of a boy's hard-won growth to emotional manhood, but a clunky, often incoherently told melodrama in which all the villains literally wear black . . . the title character seems an almost peripheral figure in the proceedings. He's played by two decent singers - one boy, one man - who are nothing if not chips off the same block. The block is made of wood . . . Some of the music is mildly tuneful, after its many fashions, but the lyrics are, at best, unintentionally funny . . . Rob Iscove's choreography departs from the show's norm, in that it seems to have been culled from flops rather than hits . . . it could be argued that Copperfield might be entertaining for young children, whose innocent minds aren't sullied by memories of the superior shows that this one dimly recalls. But it's hard to imagine what parent - short of an evil Dickensian one - would take the family to the ANTA when Annie, Barnum and The Pirates of Penzance are in town." New York Times, Frank Rich

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Musical
Revival

11) Whoopee! (Revival)

Joué durant  5 mois 4 semaines

Nb de preview: 8 previews

Nb de représentations: 204 représentations

Première preview: 14 February 1979
Première: 14 February 1979
Dernière: 12 August 1979

Compositeur: Walter Donaldson •  
Parolier: Gus Kahn •  
Libettiste: William Anthony McGuire •  

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Metteur en scène: Frank Corsaro •  
Chorégraphe: Dan Siretta •  

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Avec: Kevin Scannell (Sheriff Bob), Carol Swarbrick (Mary Custer), Bob Allen (Judson Morgan), Beth Austin (Sally Morgan), Charles Repole (Henry Williams), Franc Luz (Wanenis), Leonard Drum (Black Eagle), Garrett M. Brown (Chester Underwood), Catherine Cox (Harriet Underwood), Peter Boyden (Jerome Underwood), Vic Polizos (Mort), Bill Rowley (Andy McNab), Al Micacchion (Jim), Steven Gelfer (Slim), Rick Pessagno (Jack), Paul M. Elkin (Pete), Brent Saunders (Red Buffalo), Candy Darling (Metape), Susan Stroman (Leslie), Robin Black (Becky), Diane Epstein (Tilly), Teri Corcoran (Olive) 

Commentaire: Cette reprise a ajouté des chansons de Kahn/Donaldson qui ne se trouvaient pas dans la version originale de 1928: My Baby Just Cares For Me (de la version 1930 du film), Yes, Sir, That’s My Baby, et You (paroles de Harold Adamson). Aussi, Love Me or Leave Me est chanté par Mary et Henry plutôt que par Leslie.  (plus) 

Presse: The New York Times critic Richard Eder called the 1979 Broadway revival a "frequent delight though not an unmitigated one...Most strikingly, it is a superabundance of songs. There is not a poor song in it, and its best ones — the lovely and musically witty "Makin' Whoopee", the jiggly "My Baby Just Cares for Me", and of course the irresistible "Yes Sir, That's My Baby" — are magnificent." Walter Kerr, then the Times' Sunday critic, also reacted favorably to the show while calling attention to its nonsensical frivolity: he deemed it "light as a breeze, and just plain out of its head." Brendan Gill of The New Yorker, however, panned the show.

Repole received a nomination for Drama Desk Award, Outstanding Actor in a Musical, and Dan Siretta was nominated for the Tony Award for Best Choreography.

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Musical
Original

10) Purlie (Original)

Joué durant  7 mois 3 semaines

Première preview: 15 March 1971
Première: 15 March 1971
Dernière: 06 November 1971

Fait partie de: Broadway Run

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Compositeur: Gary Geld •  
Parolier: Peter Udell •  
Libettiste: Ossie Davis • Peter Udell • Philip Rose •  

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Metteur en scène: Philip Rose •  
Chorégraphe:  

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Avec: Cleavon Little (Purlie), Linda Hopkins (Church Soloist), Melba Moore (Lutiebelle), Novella Nelson (Missy), Sherman Hemsley (Gitlow), C. David Colson (Charlie), Helen Martin (Idella), John Heffernan (Ol’ Cap’n); Dancers: Loretta Abbott, Hope Clark, Judy Gibson, Lavinia Hamilton, Arlene Rolant, Ella Thompson, Myrna White, Morris Donaldson, George Faison, Al Perryman, Harold Pierson, William Taylor, Larry Vickers; Singers: Carolyn Bird, Barbara Christopher, Denise Elliott, Synthia Jackson, Mildred Lane, Alyce Webb, Mildred Pratcher, Peter Colly, Milt Grayson, Tony Middleton, Ray Pollard 

Commentaire: Broadway Theatre (March 15, 1970 - December 15, 1970)
Winter Garden Theatre (December 16, 1970 - March 13, 1971)
ANTA Playhouse (March 15, 1971 - November 06, 1971)  (plus) 

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Théâtre
Original

9) Russian People (The) (Original)

Joué durant  1 mois

Nb de représentations: 39 représentations

Première preview: 29 December 1942
Première: 29 December 1942
Dernière: 31 January 1943

Compositeur: *** Divers •  
Parolier: *** Divers •  
Libettiste: *** Divers •  

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Metteur en scène: Harold Clurman •  
Chorégraphe:  

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Avec: Luther Adler (Globa), Leon Ames (Safonov), Rudolph Anders (Rosenberg), Roger Beirne (Captain Gavrilov), Boris Belostozky (Russian Singer), Herbert Berghof (Panin), Jefferson Coates (Second Old Man), Jon Dawson (Sentry / Red Army Man), Harold Dyrenforth (Werner), Randolph Echols (Borisov), Eduardo Franz (Kozlovsky), Elisabeth Fraser (Valya), Ernest Graves (Wounded Man), Michael Greben (Russian Singer), Peter Hobbs (Lieut. Vasilyev), Ad Karns (Red Army Man), Walter Kohler (Krause), David Koser (German Soldier), E. A. Krumschmidt (Kharitonov), Harro Meller (Unknown Man / Red Army Man), Eleonora Mendelssohn (Maria Kharitonova), Anna Minot (Shura), Seymour Osborne (Russian Singer), Leo Resnik (Russian Singer), Lucien Arnold Ruttman (Russian Singer), Mark Schmeid (Semyonov), Joseph Shattuck (Old Man), Robert Simon (Morozov / Major General Lukonin), Michael Strong (Red Army Man), David Tuchinoff (Russian Singer), Victor Varconi (Vasin), Margaret Waller (Martha Safonova) 

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Théâtre
Original

8) Yesterday's Magic (Original)

Joué durant  1 mois 2 semaines

Nb de représentations: 55 représentations

Première preview: 14 April 1942
Première: 14 April 1942
Dernière: 30 May 1942

Compositeur:  
Parolier:  
Libettiste: Emlyn Williams •  

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Metteur en scène: Reginald Denham •  
Chorégraphe:  

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Avec: Cathleen Cordell (Fan), Margaret Douglass (Mrs. Lothian), Alfred Drake (Robert), Brenda Forbes (Mrs. Banner), James Monks (Bevan), Paul Muni (Maddoc Thomas), Patrick O'Moore (Barty), Jessica Tandy (Cattrin) 

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Musical
Original

7) Parade (Moross) (Original)

Joué durant  1 mois

Nb de représentations: 40 représentations

Première preview: 20 May 1935
Première: 20 May 1935
Dernière: 22 June 1935

Compositeur: Jerome Moross •  
Parolier: George Sklar • Jerome Crichton • Paul Peters •  
Libettiste: David Lesan • Frank Gabrielson • George Sklar • Paul Peters •  

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Metteur en scène: Philip Loeb •  
Chorégraphe:  

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Avec: Jimmy Savo, Charles D. Brown, Vera Marshe, Earl Oxford, Esther Junger, Eve Arden, Ralph Riggs, Jean Travers, Dorothy Fox (previously known as Dorothy Kennedy Fox), Charles Walters, Leon Janney, Evelyn Dall, Avis Andrews, Edgar Allan, David Lesan, J. Elliot Leonard, George Ali, Lois Leng, David Lawrence, Irvin Shurack, Ezra Stone; The “Parade” Girls: Wanda Allen, Stella Clausen, Miriam Curtis, Mary Katherine Dougherty, Beverly Hosier, Eunice Thawl, Grace Kaye, Evelyn Monte, Doris Newcombe, Polly Rose, Lillian Moore, Marguerite White; The Modern Dance Group: Doris Ostroff, Stella Sanders, Ethel Selwyn, Ethel Axel, Ida Bildner, Lulu Morris, Ruth Ross, Susie (aka Susanne) Remos; The “Parade” Octette: Norman Lind, John Weidler, William Houston, Geoffrey Errett, Melton Moore, Bradley Roberts, Ernest Taylor, Norman Van Emburgh; Gentlemen: Jack Ross, Andre Charise, Jerome Thor, Robert Gray, Robert (aka Bob) Long, Joseph Lennon, Roger Logan, Harry Smith, Clyde Walters, Yisrol Libman 

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Théâtre
Original

6) Ah, Wilderness! (Original)

Joué durant  8 mois

Nb de représentations: 289 représentations

Première preview: 02 October 1933
Première: 02 October 1933
Dernière: June 1934

Compositeur:  
Parolier:  
Libettiste: Eugene O'Neill •  

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Metteur en scène: Philip Moeller •  
Chorégraphe:  

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Avec: George M. Cohan (Nat Miller (owner of the Evening Globe)), Adelaide Bean (Mildred Miller), John Butler (Salesman), Ruth Chorpenning (Norah), Elisha Cook, Jr.Ruth Gilbert (Muriel McComber), Eda Heinemann (Lily Miller (Nat's sister)), Ruth Holden (Belle), Gene Lockhart (Sid Davis (Essie's brother)), Marjorie Marquis (Essie Miller), Donald McClelland (Bartender), William Post, Jr. (Arthur Miller), Richard Sterling (David McComber (a dry-goods merchant)), Walter Vonnegut, Jr. (Tommy Miller), John Wynne (Wint Selby (a classmate of Arthur's)) 

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Théâtre
Original

5) Green Grow the Lilacs (Original)

Joué durant  1 mois 3 semaines

Nb de représentations: 64 représentations

Première preview: 26 January 1931
Première: 26 January 1931
Dernière: 21 March 1931

Compositeur:  
Parolier:  
Libettiste: Lynn Riggs •  

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Metteur en scène: Herbert J. Biberman •  
Chorégraphe:  

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Avec: Jane Alden (Marthy), A. L. Bartolot (Young Farmer), Carl Beasley (Farmer), Gordon Bryant (Farmer), Elmo Carr (Farmer), Slim Cavanaugh (Cowboy), Everett Cheetham (Banjo Player), Ruth Chorpenning (Ado Annie Carnes), William Chosnyk (Fiddler), Tex Cooper (Old Man Peck), Alice Frost (Girl), Richard Hale (Jeeter Fry), Chick Hannan (Cowboy), Peggy Hannan (Girl), William T. Hays (Old Farmer), John Hibbard (Cowboy), Faith Hope (Girl), Roy Ketcham (Farmer), Orlando Lee (Girl), Lois Lindon (Girl), Jack Miller (Cowboy), Tommy Pladget (Farmer), Eleanor Powers (Girl), Paul Ravell (Another Cowboy), Woodward Ritter (Cowboy), Pete Schwartz (Cowboy), Lee Strasberg (Peddler), Franchot Tone (Curly McClain), June Walker (Laurey Williams), Helen Westley (Aunt Eller Murphy), Joe Wilson (Farmer), Jean Wood (Girl), Norton Worden (Cowboy) 

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Musical
Revival

4) Garrick Gaieties (The) (Revival)

Joué durant  

Nb de représentations: 10 représentations

Première preview: Inconnu
Première: 16 October 1930
Dernière: Inconnu

Compositeur: Richard Rodgers •  
Parolier: Lorenz M. Hart •  
Libettiste:  

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Musical
Revival

3) Garrick Gaieties (The) (Revival)

Joué durant  4 mois

Nb de représentations: 158 représentations

Première preview: Inconnu
Première: 04 June 1930
Dernière: 08 October 1930

Compositeur: Richard Rodgers •  
Parolier: Lorenz M. Hart •  
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Théâtre
Original

2) Porgy (Original)   Top

Joué durant  9 mois 3 semaines

Nb de représentations: 367 représentations

Première preview: 10 October 1927
Première: 10 October 1927
Dernière: 18 January 1928

Compositeur:  
Parolier:  
Libettiste: Dorothy Heyward • DuBose Heyward •  

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Metteur en scène: Rouben Mamoulian •  
Chorégraphe:  

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Avec: Jack Carter (Crown), Peter Clark (Jim), Stanley DeWolfe (A Dectective), Evelyn Ellis (Crown's Bess), Lloyd GrayGeorgette Harvey (Maria), Wesley Hill (Jake), Richard Huey (Mingo), Rose MacClendon (Serena), Ella Madison (Annie), Maurice McRae (Policeman), Garrett Minturn (The Coroner), Dorothy Paul (Lily), Hayes Pryor (Peter), Hugh Rennie (Policeman), Percy Verwayne (Sporting Life), Leigh Whipper (The Crab Man), Frank Wilson (Porgy), Marie Young (Clara) 

Commentaire: RETURN ENGAGEMENT: 34 représentation au Martin Beck Theatre à partir du 13 septembre 1929. La plupart des acteurs originaux sont revenus à New York pendant un mois après avoir tourné avec le spectacle à travers le pays. La Theatre Guild a de nouveau produit.  (plus) 

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Musical
Revival

1) Garrick Gaieties (The) (Revival)

Joué durant  5 mois

Nb de représentations: 174 représentations

Première preview: Inconnu
Première: 10 May 1926
Dernière: 09 October 1925

Compositeur: Richard Rodgers •  
Parolier: Lorenz M. Hart •  
Libettiste:  

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