Londres
Lyceum Theatre
Broadway - Etats-Unis
Construction: 1903
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Topologie du théâtre
Nombre de salles actives: 1
Salle 1: (943) 1903 - Actif
Accès
En métro:
En bus:
Adresse: 149 W. 45th St., New York, NY
Evolution
Bâtiment:
Nom:
Propriétaire(s)
Shubert Organization
Remarquable
943
1903 - Actif
Herts & Tallant, architects. Built by Daniel Frohman to improve upon his own Lyceum on 14th Street. Playwrights George S. Kaufman and Moss Hart led a team of theatre folk who bought the theatre in 1939. Lee Shubert acquired it in 1949 and leased it to the APA-Phoenix Repertory Company from 1965 to 1969. It is New York's oldest surviving theatre in continuous legitimate use. Also, the first Broadway theatre to be assigned landmark status (interior and exterior) in 1974.
Musical
Original Broadway
1) Be More Chill (Original Broadway)
Joué durant actuellement
Première preview: mer. 13 février 2019
Première: dim. 10 mars 2019
Dernière: Open end
Compositeur: Joe Iconis •
Parolier: Joe Iconis •
Libettiste: Joe Tracz •
Metteur en scène: Stephen Brackett •
Chorégraphe:
Avec:
Commentaire: Following a sold-out 10-week off-Broadway engagement at the Pershing Square Signature Center, the hit new musical Be More Chill transfers to Broadway's Lyceum Theatre in spring 2019, beginning previews on February 13 and officially opening on March 10, 2019. (plus)
Presse:
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Théâtre
Original Broadway
11) Play that goes wrong (The) (Original Broadway)
Joué durant 1 an 9 mois 1 semaine
Nb de preview: 27 previews
Première preview: 09 March 2017
Première: 02 April 2017
Dernière: 06 January 2019
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Mark Bell •
Chorégraphe:
Avec: Matthew Cavendish, Bryony Corrigan, Rob Falconer, Dave Hearn, Henry Lewis, Charlie Russell, Jonathan Sayer, Henry Shields, Greg Tannahill, Nancy Zamit
Commentaire: The Olivier Award-winning comedy The Play That Goes Wrong is a raucous affair on stage and a real-life, rags-to-riches tale offstage. Created by a group of LAMDA graduates who formed a troupe by the name of Mischief Theatre, The Play That Goes Wrong began its life on the London fringe with only four paying patrons, and then did absolutely everything right! The comedy evolved itself into a West End production that would ultimately win an Olivier Award in 2015. A Broadway transfer was granted to the original London stars, which officially opened at the Lyceum Theatre on April 2, 2017, following previews from March 9. (plus)
Presse: "There's a wild, redeeming poetry in such anarchy. My audience, for the record, roared as loudly as the crowds at any wrestling match." Ben Brantley for New York Times
"A comedy that comes up short with laughs and overstays its welcome - now that's murder." Joe Dziemianowicz for New York Daily News
"The show is all payoffs and no setups; it's like a stand-up routine consisting only of punch lines." David Cote for Time Out New York
"It's so ridiculous it makes you feel almost ashamed to love it." Jesse Green, Vulture
"The actors are very good at being bad and are so daring with the outrageous physical comedy that we often fear for their safety. There's no paucity of wit to the proceedings, and director Mark Bell stages the action with clockwork precision." Frank Scheck for Hollywood Reporter
"It's clear from the beginning - even before the beginning with its pre-show shtick - that wrong will be just right. But it takes a while before the laughs come at full speed." Frank Rizzo for Variety
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Théâtre
Original
10) Oh, Hello on Broadway (Original)
Joué durant 3 mois
Première preview: 23 September 2016
Première: 10 October 2016
Dernière: 08 January 2017
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Alex Timbers •
Chorégraphe:
Avec: Nick Kroll (Gil Faizon), John Mulaney (George St. Geegland)
Commentaire: Created after seeing two men purchasing the same copy of an Alan Alda book, Kroll and Mulaney have been honing the duo for the last decade, with appearances on Kroll Show, Comedy Central and at live outings across the country. Part comedy, part loving satire, the two 'legendary' 70 -something divorcees are sure to delight once more on the Great White Way, bringing their...interesting opinions and pranks from their show 'Too Much Tuna'. (plus)
Presse:
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Théâtre
Revival
9) Fully Commited (Revival)
Joué durant 3 mois
Première preview: 02 April 2016
Première: 25 April 2016
Dernière: 24 July 2016
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène:
Chorégraphe:
Avec: Jesse Tyler Ferguson
Commentaire:
Presse:
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Théâtre
Revival
8) A View from the Bridge (Revival)
Joué durant 3 mois 1 semaine
Première preview: 21 October 2015
Première: 12 November 2015
Dernière: 21 February 2016
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Ivo van Hove •
Chorégraphe:
Avec: Mark Strong (Eddie Carbone), Nicola Walker (Beatrice), Phoebe Fox (Catherine), Russell Tovey (Rodolpho), Emun Elliott (Marco), Michael Gould (Alfieri), Richard Hansell (Louis)
Commentaire:
Presse: Les critiques sont très bonnes:
"Takes you into extreme emotional territory that you seldom dare visit in daily life. At the end of its uninterrupted two hours, you are wrung out, scooped out and so exhausted that you're wide awake.." Ben Brantley for New York Times
"Van Hove sees to it that everyone's dripping in guilt." Joe Dziemianowicz for New York Daily News
"a stunning, imaginative theatrical experience, an impassioned interpretation that really brings the heat to Miller's gripping drama." Jennifer Farrar for Associated Press
"Both visually gorgeous and an emotional wipeout." Marilyn Stasio for Variety
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Musical
Original
7) Visit (The) (Original)
Joué durant 1 mois 3 semaines
Nb de preview: 32 previews
Nb de représentations: 61 représentations
Première preview: 26 March 2015
Première: 23 April 2015
Dernière: 14 June 2015
Compositeur: John Kander •
Parolier: Fred Ebb •
Libettiste: Terrence McNally •
Metteur en scène: John Doyle •
Chorégraphe: Graciela Daniele •
Avec: Chita Rivera (Claire Zachannassian), Roger Rees (Anton Schell), George Abud (Karl Schell), Jason Danieley (Frederich Kuhn), Matthew Deming (Louis Perch), Diana DiMarzio (Annie Dummermut), David Garrison (Peter Dummermut), Rick Holmes (Father Josef), Tom Nelis (Rudi), Chris Newcomer (Jacob Chicken), Mary Beth Peil (Matilde Schell), Aaron Ramey (Otto Hahnke), John Riddle (Young Anton), Elena Shaddow (Ottilie Schell), Timothy Shew (Hans Nusselin), Michelle Veintimilla (Young Claire)
Commentaire:
Presse:
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Théâtre
Original
6) Nance (The) (Original)
Joué durant 3 mois 4 semaines
Première preview: 21 March 2013
Première: 15 April 2013
Dernière: 11 August 2013
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: Jack O'Brien •
Chorégraphe:
Avec: Nathan Lane (Chauncey Miles), Jenni Barber (Joan), Andrea Burns (Carmen), Cady Huffman (Sylvie), Jonny Orsini (Ned), Lewis J. Stadlen (Efram), Mylinda Hull (Rose, the Wardrobe Mistress), Geoffrey Allen Murphy (Charlie, a Stagehand
Commentaire: 2013 Tony Awards: Best Scenic Design of a Play / Best Costume Design of a Play / Best Sound Design of a Play (plus)
Presse:
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Musical
Original Broadway
5) Scottsboro Boys (The) (Original Broadway)
Joué durant 1 mois 1 semaine
Nb de preview: 29 previews
Nb de représentations: 49 représentations
Première preview: 07 October 2010
Première: 31 October 2010
Dernière: 12 December 2010
Compositeur: John Kander •
Parolier: Fred Ebb •
Libettiste: David Thompson •
Metteur en scène: Susan Stroman •
Chorégraphe: Susan Stroman •
Avec:
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Musical
Original Broadway
4) [title of show] (Original Broadway)
Joué durant 2 mois 3 semaines
Nb de preview: 13 previews
Nb de représentations: 102 représentations
Première preview: 05 July 2008
Première: 17 July 2008
Dernière: 12 October 2008
Compositeur: Jeff Bowen •
Parolier: Jeff Bowen •
Libettiste: Hunter Bell •
Metteur en scène: Michael Berresse •
Chorégraphe: Michael Berresse •
Avec:
Commentaire:
Presse: "The wit and energy of its execution and the warmth of its performers keep the show from being a mere compendium of in-jokes and metatheatrical gags. Mr. Bowen’s lyrics are often clever, his tunes ear-friendly but melodically substantial enough not to sound too wan in a keyboard-only arrangement" (Charles Isherwood-New York Times)
"Bowen's melodies and harmonies are gems, and his bright lyrics offer insight into everything from self-doubt ("Die, Vampire, Die!") and friendship ("What Kind of Girl Is She?") to integrity ("Nine People's Favorite Thing")." & "It has far more savvy and soul than a few flashier shows combined." (Joe Dziemianowicz-New York Daily News)
"This is minimalism shoved down to the vanishing point." & "But when the self-conscious and terminally cute and the pixie-like fey are all mixed up with self-congratulatory smugness, it results in a piece of - oh, let's call it garbage. The music and lyrics are not up to much (in fact, they're up to very little), and the book - apart from the original concept of being on the musical's own assembly line - is slight." (Clive Barnes-New York Post)
"A lovely and surprisingly resonant creation by composer Jeff Bowen and writer Hunter Bell." & "Director Michael Berresse magically makes the precisely-choreographed movement of his actors look completely spontaneous, which lends vivid immediacy to the production." & "A sharp, entertaining look at the agonies and ecstasies of making theater today." (Michael Sommers-Star-Ledger)
"A familiar problem at birthdays is what to give the celebrant who has everything. The problem with reviewing '[title of show],' a vest-pocket and sweaty-collar musical, is what to say about a show that has nothing." & "90 minutes' worth of unremitting torture for anyone with a shred of good taste, discernment and normal eardrums." (John Simon-Bloomberg)
"But the bottom line about this musical is talent: Both creators have oodles of it. Bowen's songs are sharp and witty in a conventional Broadway mode, and Bell's dialogue - which pretends to be happening in "real time," as the show evolves before us onstage - is similarly droll and topical. And both guys happen to be solid performers, as are the women with whom they share the stage." & "It's fresh, smart and funny. And those virtues are timeless." (Jacques Le Sourd-Journal News)
"May be small – that’s the point, actually – but it produces some of the best laughs on Broadway." & "The music in “[title of show]” is no more than serviceable, but Bowen’s lyrics and Bell’s book are whip-smart. And the performances are totally ingratiating." & "A terrifically appealing mix of tart and sweet that’s funny all over. It deserves a happy Broadway ending." (Robert Feldberg-The Record)
"A slyly funny yet surprisingly sweet-tempered look at following your dreams and remaining true to yourself as you suffer _ and suffer _ the pangs of artistic creation. " (Michael Kuchwara-Associated Press)
"Stands pathetically naked on Broadway." & "The backstage show by Hunter Bell (book) and Jeff Bowen (score) is revealed in all its narcissism, flaunting its shallow aesthetic values and taking unseemly pride in its inflated ambitions." (Marilyn Staio-Variety)
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Théâtre
Original Broadway
3) Souvenir (Original Broadway)
Joué durant 1 mois 4 semaines
Nb de preview: 14 previews
Nb de représentations: 68 représentations
Première preview: 28 October 2005
Première: 10 November 2005
Dernière: 08 January 2006
Compositeur:
Parolier:
Libettiste: Stephen Temperley •
Metteur en scène: Vivian Matalon •
Chorégraphe: Aucun •
Avec:
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Musical
Revival
2) Gentlemen Prefer Blondes (Revival)
Joué durant 2 semaines
Nb de preview: 16 previews
Nb de représentations: 24 représentations
Première preview: 28 March 1995
Première: 10 April 1995
Dernière: 30 April 1995
Compositeur: Jule Styne •
Parolier: Leo Robin •
Libettiste: Anita Loos • Joseph Fields •
Metteur en scène: Charles Repole •
Chorégraphe: Michael Lichtefeld •
Avec: Lorelei Lee ... KT Sullivan / Dorothy Shaw ... Karen Prunzik / Henry Spofford ... George Dvorsky / Sir Francis Beekman ... David Ponting / Josephus Gage ... Jamie Ross / Gus Esmond ... Allen Fitzpatrick / Mr. Esmond, Sr. ... Dick Decareau / Mrs. Ella Spofford ... Susan Rush / Lady Phyllis Beekman ... Carol Swarbrick
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