Musical
Original

1) Prom (The) (Original)

Joué durant   actuellement

Nb de preview: 23 previews

Première preview: mar. 23 octobre 2018
Première: jeu. 15 novembre 2018
Dernière: Open end

Compositeur: Matthew Sklar •  
Parolier: Chad Beguelin •  
Libettiste: Bob Martin •  

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Metteur en scène: Casey Nicholaw •  
Chorégraphe:  

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Avec: Brooks Ashmanskas (as Barry Glickman), Beth Leavel (as Dee Dee Allen), Christopher Sieber (as Trent Oliver), Caitlin Kinnunen (as Emma), Isabelle McCalla (as Alyssa Greene), Michael Potts (as Mr. Hawkins), Angie Schworer (as Angie), Courtenay Collins (as Mrs. Greene), and Josh Lamon (as Sheldon Saperstein) 

Commentaire:   

Presse: "At the end of the first act, and then again after the last curtain call at the Longacre Theatre, my guest and I turned to each other and blurted out: "So much fun!" Short reviews have intrinsic value, and so I won’t be offended it you do not read on. Just go to The Prom. So much fun!" NY Theatre Guide

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Musical
Original

11) A Bronx Tale (Original)

Joué durant  1 an 8 mois

Première preview: 03 November 2016
Première: 01 December 2016
Dernière: 05 August 2018

Compositeur: Alan Menken •  
Parolier: Glenn Slater •  
Libettiste: Chazz Palminteri •  

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Metteur en scène: Jerry Zaks • Robert De Niro •  
Chorégraphe: Sergio Trujillo •  

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Avec: Nick Cordero (Sonny), Richard H. Blake (Lorenzo), Bobby Conte Thornton (Calogero), Ariana DeBose (Jane), Lucia Giannetta (Rosina), Bradley Gibson (Tyrone) 

Commentaire: Directors Robert De Niro and Jerry Zaks bring their triumphant New York musical to Broadway, following an acclaimed run in Millburn. Mirroring the gritty setting and finger-clicking music of fellow Big Apple musical Jersey Boys, A Bronx Tale takes place in the early 1960s, and follows the fortunes of a local Bronx kid who is drawn into the world of organized crime, much to the horror of his bus driver father. The story is based on actor Chazz Palminteri's one man show, which De Niro previously adapted for the big screen in 1993.  (plus) 

Presse: "Sometimes plain old pasta with red sauce is just what the doctor ordered. 'A Bronx Tale'... might be called the musical-theater equivalent of that classic comfort food. It doesn’t break ground or dazzle with an unusual recipe — like, say, mixing rap and American history — but it delivers reliable pleasures with polished professionalism and infectious energy." Charles Isherwood for New York Times

"'A Bronx Tale' at the Longacre Theatre packs some tasty ear candy and fine performances, but it’s as conventional as it gets and could use a surprise or two." Joe Dziemianowicz for New York Daily News

"Aside from Machiavelli-quoting mobster Bobby—played with expertly calibrated swagger by Nick Cordero—none of the characters command interest, and Alan Menken and Glenn Slater’s doo-wop–heavy score is far too lightweight for a plot that features murders and racial hate crimes."
Adam Feldman for Time Out New York

"There's no point giving a Bronx cheer to this formulaic but entertaining crowd-pleaser." Frank Scheck for Hollywood Reporter

"After the 1989 solo show, the 1993 movie directed by Robert De Niro and the 2007 Broadway production staged by Jerry Zaks, where else could this show go but back to Broadway as a musical starring Nick Cordero? Is it a good fit? Not really, but there’s something nicely symmetrical about the material progress. Next up: surely an opera." Marilyn Stasio for Variety

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Musical
Original

10) Nerds (Original)

Joué durant  6 mois 1 semaine

Première preview: 31 March 2016
Première: 21 April 2016
Dernière: 30 October 2016

Compositeur: Hal Goldberg •  
Parolier: Erik Weiner • Jordan Allen-Dutton •  
Libettiste: Erik Weiner • Jordan Allen-Dutton •  

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Metteur en scène: Casey Hushion •  
Chorégraphe: Josh Bergasse •  

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Avec:  

Commentaire: Nerds' has taken its time getting to the Broadway stage. An early version debuted at the Beckett Theatre ten years ago, and following a thorough debugging process, reappeared in North Carolina in 2013. This Broadway production takes the innovative spirit of its main characters to heart by introducing progressive new technology to the New York stage. As well as on stage holograms, it boasts cutting edge app integrations, allowing the audience to interact with the action (and choose the show's ending) all through your cell phone.  (plus) 

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Musical
Original

9) Allegiance (Original)

Joué durant  3 mois 1 semaine

Première preview: 06 October 2015
Première: 08 November 2015
Dernière: 14 February 2016

Compositeur: Jay Kuo •  
Parolier: Jay Kuo •  
Libettiste: Marc Acito •  

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Metteur en scène: Stafford Arima •  
Chorégraphe: Andrew Palermo •  

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Avec: George Takei (Sam Otsuka), Lea Salonga (Kei Kimura), Telly Leung (Sammy Kimura), Katie Rose Clarke (Hannah Campbell), Michael K. Lee (Frankie Suzuki), Christopheren Nomura (Tatsuo Kimura), Greg Watanabe (Mike Masaoka), Aaron J. Albano, Belinda Allyn, Marcus Choi, Janelle Dote, Dan Horn, Owen Johnston, Darren Lee, Manna Nichols, Autumn Ogawa, Rumi Oyama, Momoko Sugai, Cary Tedder, Elena Wang , Scott Watanabe et Scott Wise 

Commentaire:   

Presse: Les critiques sont très bonnes:

"The first requirement of any Broadway musical is to entertain. While well-intentioned and polished, "Allegiance" struggles to balance both ambitions, and doesn't always find an equilibrium." Charles Isherwood for New York Times

"The show is stuck on impulse power...Allegiance also wants to make a significant statement. But it's too tangled to say very much." Joe Dziemianowicz for New York Daily News

"The heavy-handed, cliche-driven "Allegiance" tries to take on all three - but does so unsuccessfully in a bombastic and generic Broadway musical. It has an ambitious agenda - touching on pride, citizenship, degradation, interracial romance, bravery and honor - and it's too much." Mark Kennedy for Associated Press

"But the powerful sentiments involved are too often flattened by the pedestrian lyrics and unmemorable melodies of Jay Kuo's score, making an unconvincing case for this material's suitability to be a musical." David Rooney for Hollywood Reporter

"The strength of "Allegiance" is in the story. Not the musical's book, which is no more than serviceable, but the disturbing real-life events behind it." Marilyn Stasio for Variety

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Musical
Original

8) First Date (Original)

Joué durant  5 mois

Nb de preview: 34 previews

Nb de représentations: 174 représentations

Première preview: 09 July 2013
Première: 08 August 2013
Dernière: 05 January 2014

Compositeur: Alan Zachary • Michael Weiner •  
Parolier: Alan Zachary • Michael Weiner •  
Libettiste: Austin Winsberg •  

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Metteur en scène: Bill Berry •  
Chorégraphe:  

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Avec: Zachary Levi (Aaron), Krysta Rodriguez (Casey), Sara Chase (Woman # 1), Kristoffer Cusick (Man # 2), Blake Hammond (Man # 3), Kate Loprest (Woman # 2), Bryce Ryness (Man # 1) 

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Musical
Revival

7) Cage aux Folles (La) (Revival)

Joué durant  1 an 1 semaine

Nb de preview: 15 previews

Nb de représentations: 433 représentations

Première preview: 06 April 2010
Première: 18 April 2010
Dernière: 01 May 2011

Compositeur: Jerry Herman •  
Parolier: Jerry Herman •  
Libettiste: Harvey Fierstein •  

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Metteur en scène: Terry Johnson •  
Chorégraphe: Lynn Page •  

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Musical
Revival

6) One Mo' Time (Revival)   Flop

Joué durant  2 semaines

Nb de preview: 16 previews

Nb de représentations: 21 représentations

Première preview: 21 February 2002
Première: 06 March 2002
Dernière: 24 March 2002

Compositeur: *** Divers •  
Parolier: *** Divers •  
Libettiste: Vernel Bagneris •  

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Metteur en scène: Vernel Bagneris •  
Chorégraphe:  

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Avec: Rosalind Brown (Broadway's Footloose), B.J. Crosby (Smokey Joe's Cafe), Wally Dunn (Broadway's Master Class), Roz Ryan (Chicago, TV's "Amen"), Vernel Bagneris (Papa Du) 

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Musical
Original

5) Harrigan 'n Hart (Original)

Joué durant  

Nb de preview: 25 previews

Nb de représentations: 4 représentations

Première preview: Inconnu
Première: 31 January 1985
Dernière: 03 February 1985

Compositeur: Max Showalter •  
Parolier: Peter Walker •  
Libettiste: Michael Stewart •  

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Metteur en scène: Joe Layton •  
Chorégraphe: D. J. Giagni •  

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Avec: Mark Fotopoulos (Stetson, Andrew LeCouvrier, Judge, Johnny Wild, Captain, William Gill), Harry Groener (Edward Harrigan), Mark Hamill (Tony Hart), Clent Bowers (Archie White, Sam Nichols, Felix Barker, Uncle Albert), Cleve Asbury (Old Colonel, Billy Gross, Nat Goodwin), Barbara Moroz (The Colonel’s Wife, Elsie Fay, Belle), Roxie Lucas (Eleanor, Ada Lewis), Oliver Woodall (Martin Hanley), Christopher Wells (Alfred J. Dugan, Harry Mack, Judge Hilton, Doctor), Tudi Roche (Annie Braham Harrigan), Kenston Ames (Chester Fox, Photographer, Newsboy, Newspaperman), Merilee Magnuson (Lily Fay, Adelaide Harrigan, Nurse), Armelia McQueen (Mrs. Annie Yeamons), Amelia Marshall (Jennie Yeamons, Newsgirl), Christine Ebersole (Gerta Granville) 

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Musical

4) Ain't Misbehavin' ()

Joué durant  8 mois 3 semaines

Première preview: 28 April 1978
Première: 09 May 1978
Dernière: 28 January 1979

Fait partie de: Broadway Run

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Compositeur: *** Divers •  
Parolier: *** Divers •  
Libettiste: Murray Horweitz • Richard Jr Maltby •  

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Metteur en scène: Richard Jr Maltby •  
Chorégraphe: Arthur Faria •  

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Avec: Nell Carter, Andre De Shields, Armelia McQueen, Ken Page, Charlaine Woodard 

Commentaire: Longacre Theatre 9/5/1978 - 28/1/1979
Plymouth Theatre 29/1/1979 - 24/1/1981
Belasco Theatre 26/1/1981 - 21/2/1982  (plus) 

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Musical
Revival

3) Jesus-Christ Superstar (Revival)

Joué durant  2 mois 3 semaines

Nb de représentations: 96 représentations

Première preview: 23 November 1977
Première: 23 November 1977
Dernière: 12 February 1978

Compositeur: Andrew Lloyd Webber •  
Parolier: Tim Rice •  
Libettiste:  

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Metteur en scène: William Daniel Grey •  
Chorégraphe: Kelly Carrol •  

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Avec:  

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Musical
Original

2) Leave It to Jane (Original)

Joué durant  4 mois 3 semaines

Nb de représentations: 167 représentations

Première preview: 28 August 1917
Première: 28 August 1917
Dernière: 19 January 1918

Compositeur: Jerome Kern •  
Parolier: P. G. Wodehouse •  
Libettiste: Guy Bolton • P.G. Wodehouse •  

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Metteur en scène: Edward Royce •  
Chorégraphe: David Bennett •  

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Avec: Ruloff (aka Rudolf) Cutten (Ollie Mitchell), Dan Collyer (Matty McGowan), Harry Forbes (Jimsey Hopper), D. E. Charles (Dick McAllister), Charles V. Holly (“Happy” Jones), Oscar Shaw (“Stub” Talmadge), Thomas Delmar (“Silent” Murphy), Frederic Graham (Peter Witherspoon), Ann Orr (Bessie Tanner), Georgia O’Ramey (Flora Wiggins), Algernon Grieg (Howard Talbot), Edith Hallor (Jane Witherspoon), Will C. Crimans (Hiram Bolton), Jane Carroll (Sally Cameron), Lillian Cullen (Bertha Tyson), Catherine Mack (Cora Jenks), Marie King (Martha Abbott), Frances Burns (Josephine Barclay), Arlene (aka Arline) Chase (Louella Banks), Helen Rich (Marion Mooney), Tess Mayer (Cissie Summers), Robert G. Pitkin (Billy Bolton), Allan Kelly (The Honorable Elam Hicks), Olin Howard (Harold “Bub” Hicks); Chorus 

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Théâtre
Original

1) Great Lover (The) (Original)

Joué durant  7 mois 1 semaine

Nb de représentations: 245 représentations

Première preview: 10 November 1915
Première: 10 November 1915
Dernière: June 1916

Compositeur:  
Parolier:  
Libettiste: Fanny Hatton • Frederic Hatton • Leo Ditrichstein •  

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Metteur en scène:  
Chorégraphe:  

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Avec: Leo Ditrichstein (Jean Paurel), John Bedouin (Potter), Virginia Fox Brooks (Ethel Warren), Camilla Dalberg (Bianca Souio), Doris Easton (Debutante), Malcolm Fassett (Carlo Sonio), Nina Gray (Chaperone), Alfred Kappeler (Carl Losseck), Daniel J. Lally (Waiter No. 12), Arthur Lewis (Dr. Stetson), Julian Little (Faranald), Frederick Macklyn (Ward), Anna McNaughton (Madame Trellerbeinbrich), Lee Millar (Mr. Stapleton), Alexis H. Polianov (Posansky), William Ricciardi (Maestro Cereale), George E. Romain (Kartzag), Antonio Salerno (Sparapani), M. D. Shatts (Dr. Mueller), Beverly Sitgreaves (Giulia Sabittini), Margaret Vale (Zerlina), Cora Witherspoon (Mrs. Van Ness) 

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