Londres
Brooks Atkinson Theatre
Broadway - Etats-Unis
Construction: 1926
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Topologie du théâtre
Nombre de salles actives: 1
Salle 1: (1109) 1926 - Actif
Accès
En métro:
En bus:
Adresse: 256 W. 47th St., New York, NY
Evolution
Bâtiment:
Nom:
Propriétaire(s)
Nederlander Organization
Remarquable
1109
1926 - Actif
Musical
Original
1) Waitress (Original)
Joué durant actuellement
Nb de preview: 33 previews
Première preview: ven. 25 mars 2016
Première: dim. 24 avril 2016
Dernière: Open end
Compositeur: Sara Bareilles •
Parolier: Sara Bareilles •
Libettiste: Jessie Nelson •
Metteur en scène: Diane Paulus •
Chorégraphe: Lorin Latarro •
Avec: Jessie Mueller (Jenna), Drew Gehling (Dr. Pomatter), Nick Cordero (Earl), Keala Settle (Becky), Dakin Matthews (Joe), Christopher Fitzgerald (Ogie), Eric Anderson (Cal) and Kimiko Glenn (Dawn)
Commentaire:
Presse: "In Jessie Mueller, who plays Jenna, that hard-working waitress, this agreeable if unexceptional musical... has the kind of vital ingredient any show would benefit from." Charles Isherwood for New York Times
"A big-hearted but overwrought new musical about an everyday woman." Joe Dziemianowicz for New York Daily News
"In a rare case of an adaptation besting its source material, the new musical is an improvement on the 2007 movie it’s based on. From score to casting, book to staging, everything comes together with a deceiving ease." Elisabeth Vincentelli for New York Post
"Fresh and delicious, Waitress has an excellent ratio of sweet to tart; supporting characters who provide crustiness (Dakin Matthews’s grumbly store owner) and flakiness (Christopher Fitzgerald’s loony admirer of another waitress); and cooked-to-perfection staging by Diane Paulus. The whole dish is—please forgive me—love at first bite." David Cote for Time Out New York
"Take terrific songs by Sara Bareilles, mix them to a story by Jessie Nelson that isn't too sugary, bake that with intimate, understated direction by Diane Paulus and top it off with a powerhouse performance by Jessie Mueller." Mark Kennedy for Associated Press
"A tasty slice of pie for those with a sweet tooth." David Rooney for Hollywood Reporter
"Sara Bareilles has written a charming score that suits the quirky material and Mueller’s dazzling voice and endearing personality." Marilyn Stasio for Variety
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Musical
Revival
14) Spring Awakening (Revival)
Joué durant 3 mois 4 semaines
Première preview: 08 September 2015
Première: 27 September 2015
Dernière: 24 January 2016
Compositeur: Duncan Sheik •
Parolier: Steven Sater •
Libettiste: Steven Sater •
Metteur en scène: Michael Arden •
Chorégraphe: Spencer Liff •
Avec: Miles Barbee (Otto), Katie Boeck (Voice of Wendla), Alex Boniello (Voice of Moritz), Joshua Castille (Ernst), Daniel Durant (Moritz), Treshelle Edmond (Martha), Sandra Mae Frank (Wendla), Kathryn Gallagher (Voice of Martha), Sean Grandillo (Voice of Otto), Elizabeth Greene (Adult Woman), Russell Harvard (Adult Man), Amelia Hensley (Thea), Lauren Luiz (Heidi/Voice of Thea), Austin McKenzie (Melchior), Andy Mientus (Hanschen), Patrick Page (Adult Man), Krysta Rodriguez (Ilse), Daniel David Stewart (Voice of Ernst), Ali Stroker (Anna), Alexandria Wailes (Adult Woman), Alexandra Winter (Gretl), Alex Wyse (Georg)
Commentaire:
Presse: Les critiques sont excellentes:
"Any qualms theater-lovers might have about this being a premature, whiplash-inducing revival — the original closed in 2009, after all — will vanish like frost in strong sunlight when the young cast of both hearing and deaf actors floods the stage." Charles Isherwood for New York Times
"In Deaf West's exhilarating reboot of the moody and stirring 2007 Tony winner by Duncan Sheik and Steven Sater, the repressed and rudderless kids are lifting more than their voices. They’re also raising their hands to express themselves — and casting a whole new spell." Joe Dziemianowicz for New York Daily News
"Michael Arden’s production for the Deaf West company skillfully integrates American Sign Language with Spencer Liff’s choreography, so the doubling of actors doesn’t get in the way of the storytelling." Elisabeth Vincentelli for New York Post
"What’s good about this Spring are the enduringly powerful songs and several strong performances: Frank and Durant do lovely work, and Russell Harvard brings raw, honest emotion to a violently disapproving father. For all of the valid reservations one can have about this experiment, there’s still beauty to admire, if you’re willing to hear." David Cote for Time Out New York
"The result is an exhilarating and fluid hybrid of song, word, dance and sign — and a sheer triumph for director Michael Arden and choreographer Spencer Liff. The songs sit seamlessly in the show, often as brightly lit fantasy sequences that snap back into the grim narrative." Mark Kennedy for Associated Press
"It's an admirable undertaking and I wish I could get behind it. But arriving on Broadway so soon after Michael Mayer's viscerally impactful premiere production won the 2007 Tony Award for best musical, this underpowered, unexceptionally sung post-Glee version seems more of a special presentation than a wholesale reinvention." David Rooney for The Hollywood Reporter
"Deaf West awakens something new in the show, which is not so much a revival as it is a reinvention — although for the next 15 weeks of its limited run at the Brooks Atkinson Theater, the house should remain nearly packed with those happy to find the Duncan Sheik-scored rock opera back on Broadway in any form." Peter Debruge for Variety
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Musical
Original
13) It Shoulda Been You (Original)
Joué durant 3 mois 3 semaines
Première preview: 17 March 2015
Première: 14 April 2015
Dernière: 09 August 2015
Compositeur: Barbara Anselmi •
Parolier: Brian Hargrove •
Libettiste: Brian Hargrove •
Metteur en scène: David Hyde Pierce •
Chorégraphe:
Avec: Tyne Daly (Judy), David Burtka (Brian), Harriet Harris (Georgette), Sierra Boggess (Rebecca), Lisa Howard (Jenny), Montego Glover (Annie), Chip Zien (Murray), Josh Grisetti (Marty), Michael X. Martin (George), Anne L. Nathan (Aunt Sheila), Nick Spangler (Greg), and Edward Hibbert (Albert), with Farah Alvin, Gina Farrell and Mitch Greenberg
Commentaire:
Presse: "It’s so aggressively bubbly it gives you the hiccups. Or do I mean acid reflux? In any case, it’s not easy to swallow." Ben Brantley for New York Times
"In the end, the show is a harmless diversion. But this is Broadway. 'It Shoulda Been You' shoulda been better." Joe Dziemianowicz for New York Daily News
"These talented, hard-working actors are a joy to watch, and almost make up for the drecky writing. Almost." Elisabeth Vincentelli for New York Post
"It is also very adeptly handled in both the writing and the performances, transforming standard sitcom fare into a rollicking farce with a heart-warming message." Roma Torre for NY1
"Though the cake is stale, they decorate it well. It shoulda been better but it coulda been worse." Adam Feldman for Time Out New York
"Even if you see many of the jokes coming a long way off, the sheer talent on display in "It Shoulda Been You" is worth snagging an invitation to this comically inventive wedding." Jennifer Farrar for The Associated Press
"It’s the sort of show that practically redefines the term 'guilty pleasure." Frank Scheck for The Hollywood Reporter
"With impeccable instincts for finding their laughs, Hyde Pierce and his terrific ensemble players make this hokum seem terribly funny." Marilyn Stasio for Variety
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Musical
Original Broadway
12) After Midnight (Original Broadway)
Joué durant 7 mois 3 semaines
Nb de preview: 8 previews
Nb de représentations: 272 représentations
Première preview: 18 October 2013
Première: 03 November 2013
Dernière: 29 June 2014
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: Langston Hughes •
Metteur en scène: Warren Carlyle •
Chorégraphe: Warren Carlyle •
Avec: Dule Hill (The Host)
Special guest star Fantasia Barrino (though to 09 Feb 2014)
Special guest star K D. Lang (from 11 Feb - 09 Mar 2014)
Special guest stars Toni Braxton and Kenny 'Babyface' Edmonds from (18 Mar - 30 Mar 2014)
Adriane Lenox, Julius Chisholm, Virgil J. Gadson, Karine Plantadit, Dormeshia Sumbry-Edwards, Jared Grimes, Everett Bradley, Cedric Neal, T. Oliver Reid, Monroe Kent; Carmen Ruby Floyd, Rosena M. Hill Jackson, Bryonha Marie Parham, Marija Abney, Phillip Attmore, Christopher Broughton, Taeler Elyse Cyrus, C.K. Edwards, Danielle Herbert, Bahiyah Hibah, David Jennings, Erin Moore, Justin Prescott, Desmond Richardson, Monique Smith and Daniel J. Watts
Commentaire:
Presse: "Sparkling new jazz revue."
Chrles Isherwood for New York Times
"It’s an exhilarating joyride all the way."
Joe Dziemianowicz for New York Daily News
"A sleek, elegant tribute to Duke Ellington and the glory days of the Cotton Club that brings class back to Broadway."
Elisabeth Vincentelli for New York Post
"It's thoroughly entertaining."
Robert Feldberg for The Record
"It’s jazz heaven."
David Rooney for The Hollywood Reporter
"Sanitized though it may be, “After Midnight” is great entertainment."
Marilyn Stasio for Variety
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Musical
Original Broadway
11) Rock of Ages (Original Broadway)
Joué durant 1 an 9 mois 1 semaine
Nb de preview: 22 previews
Première preview: 17 March 2009
Première: 07 April 2009
Dernière: 09 January 2011
Fait partie de: Broadway Run
Compositeur:
Parolier:
Libettiste: Chris D’Arienzo •
Metteur en scène: Kristin Hanggi •
Chorégraphe: Kelly Devine •
Avec: Drew ... Constantine Maroulis / Sherrie ... Amy Spanger / Stacee Jaxx/Father ... James Carpinello / Dennis ... Adam Dannheisser / Lonny ... Mitchell Jarvis / Justice/Mother ... Michele Mais / Regina/Candi ... Lauren Molina / Young Groupie ... Angel Reed / Hertz ... Paul Schoeffler / Franz ... Wesley Taylor
Commentaire:
Presse:
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Parolier:
Libettiste: Chris D’Arienzo •
Metteur en scène: Kristin Hanggi •
Chorégraphe: Kelly Devine •
Avec: Drew ... Constantine Maroulis / Sherrie ... Amy Spanger / Stacee Jaxx/Father ... James Carpinello / Dennis ... Adam Dannheisser / Lonny ... Mitchell Jarvis / Justice/Mother ... Michele Mais / Regina/Candi ... Lauren Molina / Young Groupie ... Angel Reed / Hertz ... Paul Schoeffler / Franz ... Wesley Taylor
Musical
Revival
10) Grease (Revival)
Joué durant 1 an 4 mois 2 semaines
Nb de représentations: 554 représentations
Première preview: 24 July 2007
Première: 19 August 2007
Dernière: 04 January 2009
Compositeur: Jim Jacobs • Warren Casey •
Parolier: Jim Jacobs • Warren Casey •
Libettiste: Jim Jacobs • Warren Casey •
Metteur en scène: Kathleen Marshall •
Chorégraphe: Kathleen Marshall •
Avec:
Commentaire:
Presse:
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Musical
Original
9) The Times They Are A-Changin' (Original)
Joué durant 3 semaines
Nb de preview: 35 previews
Nb de représentations: 28 représentations
Première preview: 25 September 2006
Première: 26 October 2006
Dernière: 19 November 2006
Compositeur: Bob Dylan •
Parolier: Bob Dylan •
Libettiste:
Metteur en scène: Twyla Tharp •
Chorégraphe: Twyla Tharp •
Avec:
Commentaire:
Presse: The musical opened to scathing notices. The New York Times wrote "If the choreography at times defies gravity, the show itself may be the most earthbound work Ms. Tharp has produced. Even as the dancers seem to fly, Mr. Dylan’s lyrics are hammered, one by one, into the ground." Star-Ledger said "Don't be surprised if "The Times They Are A-Changin'" will be movin' out of the Atkinson fairly soon." and Journal News printed "The music is literalized, flattened, turned into pre-digested Broadway mush."
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Théâtre
Broadway Transfer
8) Jumpers (Broadway Transfer)
Joué durant 2 mois 2 semaines
Nb de preview: 23 previews
Nb de représentations: 89 représentations
Première preview: 06 April 2004
Première: 25 April 2004
Dernière: 11 July 2004
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène: David Leveaux •
Chorégraphe:
Avec: Simon Russell Beale (George Moore), Essie Davis (Dorothy)
Commentaire: Transfert de la version du National Theatre créée en juin 2003 au Lyttelton Theatre, qui avait été transférée au Piccadilly Theatre de Londres en novemvre 2003. (plus)
Presse:
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Musical
Revival
7) She loves me (Revival)
Joué durant 8 mois 3 semaines
Première preview: 28 September 1993
Première: 28 September 1993
Dernière: 19 June 1994
Compositeur: Jerry Bock •
Parolier: Sheldon Harnick •
Libettiste: Joe Matseroff •
Metteur en scène: Scott Ellis •
Chorégraphe:
Avec:
Commentaire:
Presse:
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Le théâtre devient le "Brooks Atkinson Theatre" le 12 septembre 10
Musical
Revival
6) Cradle Will Rock (The) (Revival)
Joué durant 1 mois 1 semaine
Nb de représentations: 34 représentations
Première preview: 26 December 1947
Première: 26 December 1947
Dernière: 07 February 1948
Compositeur: Marc Blitzstein •
Parolier: Marc Blitzstein •
Libettiste: Marc Blitzstein •
Metteur en scène: Howard da Silva •
Chorégraphe:
Avec: Estelle Loring (Moll), Edward S. Bryce (Gent, Bugs), Jesse White (Dick), Taggard Casey (Cop), Harold Patrick (Reverend Salvation), Brooks Dunbar (Editor Daily), Jack Albertson (Yasha), Chandler Cowles (Dauber), Howard Blaine (President Prexy), Leslie Litomy (Professor Trixie), Edmund Hewitt (Professor Mamie), Ray Fry (Professor Scoot), Robert Pierson (Doctor Specialist), David Thomas (Harry Druggist), Will Geer (Mr. Mister), Vivian Vance (Mrs. Mister), Dennis King Jr. (Junior Mister), Jo Hurt (Sister Mister), Stephen West Downer (Steve), Marie Leidal (Sadie Polock), Walter Scheff (Gus Polock), Alfred Drake (Larry Foreman), Muriel Smith (Ella Hammer), Hazel Shermet (Attendant’s Voice), Rex Coston (First Reporter), Gil Houston (Second Reporter), Howard Shanet (Clerk; the role was played by Leonard Bernstein on opening night); Chorus: Lucretia Anderson, Robert Burr, John Fleming, Michael Pollock, Germaine Poulin, Napoleon Reed, Gwen Ward
Commentaire:
Presse:
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Revue
Original
5) Shuffle Along of 1933 (Original)
Joué durant 1 semaine
Nb de représentations: 17 représentations
Première preview: 26 December 1932
Première: 26 December 1932
Dernière: 07 January 1933
Compositeur: Eubie Blake •
Parolier: Noble Sissle •
Libettiste: Flournoy Miller •
Metteur en scène: Walter Brooks •
Chorégraphe:
Avec: Lavaida Carter (Edith Wilkes), Marshall Rodgers (Taxi Ben), Edith Wilson (Mrs. Jones), Mantan Moreland (Caesar Jones), Louise Williams (Customer), George Jones Jr. (Jim Williams), Fay Conty (possibly Canty) (Sylvia Williams), Noble Sissle (Tom Sharp), Flournoy E. Miller (Steve Jenkins), George McClennon (Dave Coffey), Clarence Robinson (Harry Walton), Vivienne Baber (Alice Walker), Howard Hill (Sam), Taps Miller (Farmer Taps), Joe Willis (Sheriff), James Arnold (Summons Server), Catherine Brooks (Stenographer), Herman Reed (Office Boy), Ida Brown (Telephone Girl), Romaine Johns (Shipping Clerk), Adolph Henderson (Waiter); At the piano: Eubie Blake; Singers: Louise Williams, Ida Brown, Catherine Brooks, Aurora Edwards, Annis Davis, Roy Holland, Adolph Henderson, Douglass Felix, Rudolph Scott, Herman Reed, Bernie Brown, Larry Seymour, Joe Willis, Romaine Johns, James Arnold, Tony Gaytzera, James Anderson, David Collins; Dancing Girls: Julia Moses, Roberta Lowery, Dorothy Williams, Eloise Thompson, Grayce Browne, Carolyn Rich, Claudette Heyward, Nannine Joyce, Thelma Salmons, Iris Parker, Peggy Wharton, Mildred Roberts, Virginia Braunnum (possibly Brannum), Lyle Smith, Edna Mae Holly; Dancing Boys: Willie Avant, Roy Carter, Arthur Daily, Taps Miller, Bill Bailey, Derby Wilson, Henry Williams; Dance Specialty: The Four Flash Devils
Commentaire:
Presse:
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Musical
Original
4) Green Pastures (The) (Original)
Joué durant 1 an 6 mois
Nb de représentations: 640 représentations
Première preview: 26 February 1930
Première: 26 February 1930
Dernière: 29 August 1931
Compositeur: Hall Johnson •
Parolier: Marc Connelly •
Libettiste: Marc Connelly •
Metteur en scène: Marc Connelly •
Chorégraphe:
Avec: Charles H. Moore (Mr. Deshee), Alicia Escamilla (Myrtle), Jazzlips Richardson Jr. (First Boy), Howard Washington (Second Boy), Reginald Blythwood (Third Boy), Joe Byrd (Randolph), Frances Smith (A Cook), (J.) Homer Tutt (Custard Maker, Ham, High Priest), Anna Mae Fritz (First Mammy Angel, Second Woman), Josephine Byrd (A Stout Angel, Voice in Shanty, First Cleaner), Edna Thrower (A Slender Angel), J. A. Shipp (Archangel, Abraham), Wesley Hill (Gabriel), Richard B. Harrison (The Lord), McKinley Reeves (Choir Leader, Aaron), Daniel L. Haynes (Adam), Inez Richardson Wilson (Eve), Lou Vernon (Cain), Dorothy Randolph (Cain’s Girl), Edna M. Harris (Zeba), James Fuller (Cain the Sixth), Louis Kelsey (Boy Gambler), Collington Hayes (First Gambler), Ivan Sharp (Second Gambler, First Scout, Prophet), Tutt Whitney (Noah), Susie Sutton (Noah’s Wife), Milton J. Williams (Shem), Dinks Thomas (First Woman), Geneva Blythwood (Third Woman), Emory S. Richardson (First Man, First Wizard, Officer), Freddie Archibald (Flatfoot), Stanleigh Morrell (Japheth, Joshua, Another Officer), Florence Fields (Second Cleaner), Charles H. Moore (Isaac), Edgar Burks (Jacob), Alonzo Fenderson (Moses), Mercedes Gilbert (Zipporah), Reginald Fenderson (A Candidate Magician), George Randol (Pharaoh), Walt McClane (The General), Arthur Porter (Head Magician), Billy Cumby (Master of Ceremonies), Jay Mondaaye (King of Babylon); The King’s Favorites: Leona Winkler, Florence Lee, Constance Van Dyke, Mary Ella Hart, and Inez Persand; Daniel L. Haynes (Hezdrel); The Children: Philistine Bumgardner, Margery Bumgardner, Fredia Longshaw, Wilbur Cohen Jr., Verdon Perdue, Ruby Davis, Willmay Davis, Margerette Thrower, and Viola Lewis; Angels and Townspeople: Amy Escamilla, Elsie Byrd, Benveneta Washington, Thula Oritz, Ruth Carl, and Geneva Blythwood; Babylonian Band: Carl Shorter, Earl Bowie, Thomas Russell, and Richard Henderson; The Choir: Evelyn Burwell (Assistant Choir Director); Sopranos—Bertha Wright, Geraldine Gooding, Marie Warren, Mattie Harris, Elsie Thompson, Massie Patterson, and Marguerite Avery; Altos—Ruthena Matson, Leona Avery, Mrs. Willie Mays, Viola Mickens, and Charlotte Junius; Tenors—John Warner, Joe Loomis, Walter Hilliard, Harold Foster, Adolph Henderson, William McFarland, McKinley Reeves, and Arthur Porter; Baritones—Marc D’Albert, Gerome Addison, Walter Whitfield, and D. K. Williams; Bassos—Lester Holland, Cecil T. McNair, Tom Lee, Walter Meadows, and Frank Horace
Commentaire:
Presse:
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Le théâtre redevient le "Mansfield Theatre" en 1929
Revue
Revival
3) Americana (Revival)
Joué durant
Nb de représentations: 12 représentations
Première preview: 30 October 1928
Première: 30 October 1928
Dernière: 03 November 1928
Compositeur: Con Conrad • George Gershwin • Henry Souvaine •
Parolier: J.P. McEvoy •
Libettiste: J.P. McEvoy •
Metteur en scène: J.P. McEvoy •
Chorégraphe:
Avec: Baby Banks, Douglas Burley, Thomas Burton, Doris Carson, Joe Donahue, Frances Gershwin, John Hamilton, Harlem Dancers, Rosamond Johnson, Olive McClure, Batchelor Octette, Roger Kahn Orchestra, Stella Seager, George Stamper, Mary Stauber, George Tapps, Wanda Valle, Williams Sisters
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Musical
Original Broadway
2) Chee Chee (Original Broadway)
Joué durant
Nb de représentations: 31 représentations
Première preview: Inconnu
Première: 25 September 1928
Dernière: 20 October 1928
Compositeur: Richard Rodgers •
Parolier: Lorenz M. Hart •
Libettiste: Herbert Fields •
Metteur en scène:
Chorégraphe:
Avec: Ralph Glover (A Eunuch, Holy Emperor), Alan Lowe (Another Eunuch), Stark Patterson (Prince Tao-Tee), Betty Starbuck (Li-Li-Wee), George Hassell (Li-Pi Siao), Dorothy Roye (Miss Smile of a Rose at the Dawning of Spring), William Williams (Li-Pi Tchou), Helen Ford (Chee-Chee), George Ali (San Toy), William Griffith (A Very Narrowed-Minded Owl), Philip Loeb (Innkeeper, Profundity and Meditation), George Houston (The Tartar Chief), Marshall Bradford (Leader of Khonghouses), William Griffith (Radiance and Felicity), Masa Sanami and Violetta Aoki (Dancing Idols); Eunuchs, Concubines, Tartars, Khonghouses, Peasants, Others: Girls of the Ensemble—Gloria Rymar, Biddy Boyd, Helen Mirtel, Jean Casewell, Catharine Huth, Ann Mycue, Velma Valentine, Eugenia Reno, Betty Glass, Betty Shirley, Grace Shipp, Marie Felday, Ruby Poe, Evelyn Hannons, Evelyn Kane, Bunny Moore, Urilda Smith, Pauline Hartman, Helen Sheppard; Gentlemen of the Ensemble: Gene Byrom, Charles Townsend, Frank White, Robert Davis, Al Birk, Ted White, Jay Lindsey, Paul Jensen, James Dale, Bob Matthews, Buddy Penny, R. P. Hall, Richardson Brown, George Lehrian, Ted Shultz, Eddie Larkin
Commentaire:
Presse:
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