Sam et Max, deux jeunes rêveurs idéalistes, cherchent un producteur pour le spectacle épique qu’ils viennent d’écrire : GUTENBERG ! Le musical. LE SEUL ET UNIQUE musical sur la vie de Johannes Gutenberg.
1450, Schlimmer, Allemagne. On découvre Gutenberg, simple presseur de vin dans un environnement où personne ne sait lire, tout le monde préfère boire. Gutenberg décide de transformer sa presse à vin en presse à imprimer !
Tour à tour, Sam et Max, nos deux créateurs inspirés, sont maladroits et géniaux et nous offrent presque malgré eux une véritable performance. Sans décor, sans costume, sans rien, ils jouent une vingtaine de personnages, accompagnés d’un pianiste et de plein de casquettes. Idée de génie. Pour chaque personnage, une casquette avec son nom écrit dessus. Il suffisait d’y penser.
A travers leur récit pas tout à fait historique mais absolument réjouissant, Sam et Max nous livrent une belle histoire sur le dépassement de soi et l’accomplissement personnel. Les deux amis s’affirment jusqu’à imprimer en nous le pouvoir de nos rêves.
The play is performed as a backer's audition by Bud Davenport and Doug Simon, the authors of a musical about Johannes Gutenberg, which they are pitching to producers who might put their show up on Broadway. Because the minimally-talented and starry-eyed authors don't have a cast or an orchestra, Bud and Doug play all of the roles themselves, wearing hats with the characters' names on them and frequently switching said hats to indicate different characters. Minimal props, such as a cardboard box, pencils, and a chair, are used as well.
Since Bud and Doug's research into the life of Gutenberg (aka a quick Google search) revealed that information on his life is "scant", they take a historical fiction approach, by which they mean that they just made stuff up.
In the play-within-a-play, Johann Gutenberg is a wine presser in the medieval German town of Schlimer, a happy and cheery place except for the fact that the town is horribly dirty and depressing and no one except Gutenberg can read. Intent on saving the townspeople from their own ignorance, Gutenberg turns his wine press into a printing press (he accomplishes this in one night). His beautiful (but dim) assistant Helvetica is in love with him, but Gutenberg is unaware of her feelings. Meanwhile, the show's villain, Monk, an evil monk who worships Satan, attempts to keep ignorance alive so he can control the townspeople through inaccurate readings of the bible and seeks to destroy the printing press. The inept show-within-a-show parodies various musical theater conventions, such as the cheery opening number, a high-octane rock song for the act one finale, kicklines, emotional ballads and an irrelevant "charm song" about biscuits sung by two supporting characters.
Despite their ineptitude, Bud and Doug's high-energy and optimistic performance of their show may be enough to launch their dreams of stardom.
The show was originally produced as a 45-minute one-act, workshopped at the Upright Citizens Brigade Theatre in New York and the 2005 New York Musical Theatre Festival, starring the authors, Scott Brown and Anthony King. These early versions of the show were directed by Charlie Todd and Music Directed and Accompanied by Barry Wyner.
The full two-act version of the show premiered at The Jermyn Street Theatre in London in January 2006. That production was Music Directed and Accompanied by Michael Roulston and also starred the authors, Scott Brown and Anthony King.
In September 2006, Chris Fitzgerald and Jeremy Shamos were cast in the roles of Bud and Doug for the 2006 New York Musical Theatre Festival. That production was directed by Dave Mowers and Music Directed and Accompanied by Matt Castle and won awards for "Best Book" and "Best Performance."
The November 2006 Off-Broadway production was directed by Alex Timbers and played at 59E59 in midtown before moving to a six-month run at the Actor's Playhouse. That production was nominated for Best Musical at the Lortel and Outer Critic's Circle Awards, as well as Best Book and Best Director of a Musical at the Drama Desk Awards. David Turner and Darren Goldstein replaced the original cast.
In November 2007, the first regional production worldwide was produced by Plan-B Theatre Company in Salt Lake City, Utah. It was directed by Jerry Rapier, Choreographed by Colleen Lewis, Musically Directed by Jeffrey Price, Stage Managed by Jennifer Freed and featured Kirt Bateman as Doug and Jay Perry as Bud. The production was named 'Best Theatre Production' by Salt Lake City Weekly, 'Best Play' by Q Salt Lake and 'Best Comedy' by the Deseret News. After myriad requests, this production was revived June 3–19, 2011 as Plan-B Theatre Company's contribution to the Musicals On Main Series at the Egyptian Theatre in Park City, Utah. The production remains intact other than Sean Sekino is now the Musical Director.
In September 2008, Gutenberg! The Musical! made its West Coast premiere at Strawberry Theatre Workshop in Seattle. Starring Troy Fischnaller (Doug) and MJ Sieber (Bud), with piano accompaniment by Don Darryl Rivera, and directed by Greg Carter. "Fischnaller's Doug is giddily foul-mouthed with self-congratulation, and Sieber has a twinkle in his eye even as he works himself into a sweaty state of breathless zeal. Both performers toil feverishly to keep director Greg Carter's pace for the show—a five-shot-espresso-with-a-Red-Bull-chaser momentum from start to finish. The brakes are completely disabled on this speeding clown car of inside theater jokes."
In February 2009 the show made its international debut at the Seymour Centre in Sydney, Australia.
In August 2009, the first ever Gutenberg fan site, Gutenberg's Travels, was created, documenting the trips made by Lori Mooney and Jennifer Coolbaugh to see the show's regional productions around the country.
In May 2015, the show made its French-speaking debut at the Akteon Théâtre in Paris, France.
Prologue/Schlimmer
I Can't Read
Haunted German Wood
The Press Song
I Can't Read (Reprise)
Biscuits
What's The Word?
Stop The Press
Tomorrow Is Tonight
Second Prologue
Words, Words, Words
Monk With Me
Might As Well (Go To Hell)
Festival!
Finale
Aucun dossier informatif complémentaire concernant Gutenberg! The Musical!
Aucun dossier informatif complémentaire concernant Gutenberg! The Musical!
2007 Outer Critics Circle Award for Outstanding New Off-Broadway Musical (nomination)
2007 Lucille Lortel Award for Outstanding Musical (nomination)
2007 Drama Desk Award for Outstanding Book of a Musical, Anthony King and Scott Brown (nomination)
2007 Drama Desk Award for Outstanding Director of a Musical, Alex Timbers (nomination)
Version 1
Gutenberg! The Musical! (2006-01-Jermyn Street Theatre-London)
Type de série: OriginalThéâtre: Jermyn Street Theatre (Londres - Angleterre) Durée : 2 semaines Nombre : Première Preview : 06 January 2006
Première: 09 January 2006
Dernière: 28 January 2006Mise en scène : Chorégraphie : Producteur : Star(s) : Avec: Anthony King, Scott Brown, Michale Roulston (piano)
Version 2
Gutenberg! The Musical! (2015-05-Aktéon Théâtre-Paris)
Type de série: RevivalThéâtre: Aktéon Théâtre (Paris - France) Durée : 4 semaines Nombre : 9 représentationsPremière Preview : 15 May 2015
Première: 15 May 2015
Dernière: 13 June 2015Mise en scène : Nicolas Guilleminot • Chorégraphie : Producteur : Star(s) : Avec: Philippe d'Avilla, Sébastien Valter, Sébastien Ménard (Piano)Commentaires : NOTE D’INTENTION DU METTEUR EN SCÈNE : Au-delà de la loufoquerie irrévérencieuse de GUTENBERG ! LE MUSICAL, mélange insolite des Monty Python, de South Park et de Mel Brooks, les deux personnages, maladroits mais passionnés auteurs-apprentis, nous livrent un hommage drôle et étrangement touchant au théâtre en général et à la comédie musicale en particulier. (suite)Commentaires longs: NOTE D’INTENTION DU METTEUR EN SCÈNE : Au-delà de la loufoquerie irrévérencieuse de GUTENBERG ! LE MUSICAL, mélange insolite des Monty Python, de South Park et de Mel Brooks, les deux personnages, maladroits mais passionnés auteurs-apprentis, nous livrent un hommage drôle et étrangement touchant au théâtre en général et à la comédie musicale en particulier.
Avec un minimum d’accessoires et surtout beaucoup d’énergie et d’envie, Sam Berger et Max Fontenay développent un monde étonnant et placent le jeu et l’imagination au cœur d’un spectacle extraordinairement vivant. Malgré les apparences, malgré le ridicule et tout ce qui pourrait nous brider, il y a là une quête : faire d’eux des rêveurs affirmés (et accessoirement des spectateurs aussi). A l’écoute, j’ai compris alors très vite que GUTENBERG ! LE MUSICAL déroulait la partition parfaite de mes obsessions de metteur en scène : l’affirmation de soi et l’utopique idée de mettre l’imagination au cœur d’un spectacle audacieux et populaire.
Le cadre idéal donc pour affirmer ma passion de la comédie musicale, comme Sam et Max, par des clins d’œil appropriés, pour jouer avec la poésie et le décalage de quelques objets qui doivent créer à eux seuls un monde entier, magique et extravagant, et surtout pour mettre en avant la base même de mes envies de théâtre : le plaisir de jeu des comédiens.
Version 3
Gutenberg! The Musical! (2016-09-Sentier des Halles-Paris)
Type de série: RepriseThéâtre: Sentier des Halles (Paris - France) Durée : 3 mois 1 semaine Nombre : Première Preview : 20 September 2016
Première: 20 September 2016
Dernière: 28 December 2016Mise en scène : Nicolas Guilleminot • Chorégraphie : Producteur : Star(s) : Avec: Philippe d'Avilla, Sébastien Valter, Sébastien Ménard (Piano)
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