Set against the backdrop of the semi-fictional Headingley Cricket Club's matches, the comic and slightly melodramatic plot of Cricket has star player Donald torn between his team and his girlfriend Emma – as she decides to abandon watching cricket for what appears to be a far more exciting life at the race track with the caddish Vincent.
The leads in the cast are Donald, Emma, Emma's father, Vincent, and a West Indian fast-bowler from the opposing team named Winston B. Packer. The musical's chorus are the rest of the cricket players
The show begins during a match of Headingley Cricket Club. The game is watched by the Earl of Headingley, his daughter Emma Kirkstall-Lane, and Vincent St. Leger. The Earl and the cricketers sing the praises of cricket. The Summer Game
Emma intends to marry Headingley player Donald Hobbs. And at the moment, even though he is Emma's father, the Earl is more approving of Donald than of Emma, because he feels his daughter is not supportive enough of Donald's cricketing. Emma loves Donald, but she thinks he neglects her somewhat for his cricket playing, and she wants more time together. She feels that she will be forever secondary in Donald's eyes until he retires from cricket. As the Seasons Slip Fruitlessly By
Vincent, who is devoted to horse races, overhears Emma, and offers his own rather self-interested solution: leaving for the races in lieu of the cricket match. Emma is reluctant at first, but decides that maybe Vincent is right, and runs off with him. The Sport of Kings The opposing team's fast bowler, Winston B. Packer, sings about how wonderful it is to be able to hit batsmen when they miss – and he injures several batsmen during the course of the song. The Art of Bowling
While Donald is batting, he sees Emma leave with Vincent. He's hurt and truly torn – does he stay and bat to help his team win and lose Emma, or does he leave and try to get her back? In the end, sportsmanship prevails: Donald cannot let his team down. But he has been hit a few times during the song, and is suddenly leveled. As he lies dazed on the ground, lines from various people and various moments of the game bombard him – Winston, Emma, Vincent, his team. All I Ask of Life
During the tea interval, Emma returns, dejected, feeling Vincent has deceived her. Not only has she lost all of her money, but she has lost Donald as well. She blames herself, and doesn't see how anyone will ever love her again. Fools Like Me
Donald and the cricketers return to the game after the interval, but Donald ignores Emma. The Earl, however, lets fly at Emma and Vincent. Because of Emma's gambling debts, the Earl has lost his reputation and is in financial distress. Vincent tries to speak, but the Earl turns his attention, and wrath, onto him. The Earl is a powerful member of the Jockey Club, and bans Vincent from all racing events for life. Vincent turns to Emma for sympathy, but she accuses him of deceiving her and getting her into trouble with her father. A Ban for Life
Vincent and Emma's conversation is cut off by a scream. Wittering has been injured and can no longer continue in the game. Headingley CC needs 10 more points to win, but there is no one to take Wittering's place alongside Donald. The Earl laments the bad day for Headingley. Wittering's Final Innings Vincent suddenly speaks up and says he will take Wittering's place. The Making of St. Leger He joins Donald and the game continues – to the amazement of the cricketers, who believed Vincent had no redeeming qualities. Vincent is beaten up badly during the game, but keeps playing.
Donald's and Vincent's scores win the game and they are both proclaimed heroes. The Earl is so impressed by Vincent's bravery (and recovery of a vital match!) that he withdraws the horse-racing ban. And Donald tells Emma he will play less cricket and spend more time with her. She wonders, could they go to the horse races? Vincent says he will spend Sundays playing cricket. Winston vows to try slow bowling. And to top it all off, Wittering is feeling better. The Final Stand
Donald and Emma finish making up, and vow to stay together with a sweeping love ballad which ends in a crescendo that everyone joins into, proclaiming the triumph of the cricket metaphor for life and love. One Hot Afternoon
After their collaboration on Evita in 1978, composer Andrew Lloyd Webber and lyricist Tim Rice took what was originally intended to be a temporary break from their illustrious theatrical partnership. They did not work together again until the request for this pièce d'occasion came up, and Cricket ended up being their final original musical.
Prince Edward, the Queen's youngest son, had joined Lloyd Webber's Really Useful Theatre Company as staff assistant in 1986. He commissioned a short musical from Lloyd Webber and Rice for his mother's 60th birthday celebration. The game of cricket was Tim Rice's favourite pastime – he had a cricket field on the grounds of his home and had his own cricket team – and Rice had a particular passion for this new comic musical about England's national sport. Rice used actual cricket-related names for his characters, boosting the light-hearted feeling of the piece. He and Lloyd Webber created a 25-minute tongue-in-cheek "musicalette" for the Queen.
Cricket is entirely sung-through, with no spoken dialogue.
The show debuted as planned on 18 June 1986 at Windsor Castle, directed by Trevor Nunn and starring Ian Charleson, Sarah Payne, and John Savident. The musicians were members of Colosseum II and others – the ensemble that had first performed Lloyd Webber's Variations. The men's vocal group Cantabile played the cricketers' chorus.
The Windsor Castle performance was quite spirited and amusing, and was very well received. Two more performances followed. One was at Lloyd Webber's Sydmonton Festival on 15 July 1986. Another performance followed in November 1986 at Tim Rice's favourite charity, the Lord's Taverners Ball, where Rice played the cricketer Wittering, dressed in his own Heartaches Cricket Club uniform.
A segment of the original rehearsals of Cricket was televised on the Andrew Lloyd Webber installment of The South Bank Show, which aired on 15 November 1986. The segment featured Sarah Payne and Alvin Stardust rehearsing "As the Seasons Slip Fruitlessly By" and "The Sport of Kings".
There have been no further performances of the musical.
Lloyd Webber used at least five of the tunes from Cricket in his musical Aspects of Love (1989). This meant that Cricket, which had been extremely well received, was a dead item, a fact that greatly distressed Tim Rice. The piece could thus never be expanded into a full theatrical musical. Lloyd Webber used other tunes from Cricket in Sunset Boulevard.
The Cricket libretto was published in 'A Breathless Hush ...': The MCC Anthology of Cricket Verse (2004). Cricket has not been recorded for commercial release, although a non-commercial instrumental demo studio album was recorded on solo piano in 1986. The performance rights for the piece have not yet been made available.
The men's vocal group Cantabile recorded "The Summer Game", featuring Tim Rice singing as the Earl, on their 2011 CD Songs of Cricket.
The Summer Game – The Earl, cricketers chorus
As the Seasons Slip Fruitlessly By – Emma
The Sport of Kings – Vincent, Emma
The Art of Bowling – Winston B. Packer
All I Ask of Life – Donald
Fools Like Me – Emma and cricketers
A Ban for Life – the Earl and Vincent; Emma
Wittering's Final Innings – Cricketers, the Earl, Wittering
The Making of St. Leger – Vincent; All
The Final Stand – the Earl and cricketers; All
One Hot Afternoon – Donald and Emma; All
Aucun dossier informatif complémentaire concernant Cricket
Aucun dossier informatif complémentaire concernant Cricket
Cricket (1986-06-Windsor Castle-Londres)Type de série: Original
Théâtre: Windsor Castle (Londres - Angleterre) Durée : Nombre : 0 previews - 1 représentationsPremière Preview : 18 June 1986
Première: 18 June 1986
Dernière: 18 June 1986Mise en scène : Trevor Nunn • Chorégraphie : Aucun • Producteur :
Cricket (1986-07-Sydmonton Festival)Type de série: Revival
Théâtre: Sydmonton Festival (Sydmonton - Angleterre) Durée : Nombre : 0 previews - 1 représentationsPremière Preview : 05 July 1986
Première: 05 July 1986
Dernière: 05 July 1986Mise en scène : Trevor Nunn • Chorégraphie : Aucun • Producteur :
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