Spectacle (1991)
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Production à la création:
Renommé mondialement, Blue Man Group a remporté de nombreuses récompenses pour ses productions théâtrales. Les critiques les définissent comme "révolutionnaires, délirants, visuellement renversants et musicalement puissants". Ils sont surtout connus pour utiliser des tubes de tailles différentes, de la peinture et des bidons durant leurs concerts ; ils eurent également l'idée de renverser un piano sur le côté avec le dessus ouvert (les cordes sont donc apparentes et face au musicien) et un membre du groupe tape sur les cordes avec un maillet.
Douze millions de spectateurs ont déjà acclamés Blue Man Group à travers le monde
There are a number of different themes found in various Blue Man performances. These themes include:
Science and technology, especially the topics of plumbing, fractals, human sight, DNA, and the Internet.
Information overload and information pollution, such as when the audience is asked to choose one of three simultaneous streams of information to read.
Innocence, as when the Blue Men appear to be surprised and perplexed by common artifacts of modern society or by audience reactions.
Self-conscious and naïve imitation of cultural norms, such as attempting to stage an elegant dinner for an audience member with Twinkies; or following the Rock Concert Instruction Manual (see below) with the expectation that following a series of instructions is all it takes to put on a rock concert.
The Outsider. Blue Men always appear as a group of three. This is because not only are Blue Men viewed as outsiders to the rest of the world, but three is the smallest group possible wherein there can be a subgroup of more than one as well as a subgroup of one, the outsider. Many of the Blue Man skits involve one of the three Blue Men performing in a manner inconsistent with the other two.
Rooftops, or otherwise climbing to the top. There are a number of references, both in visual pieces and in lyrics from the COMPLEX tour, that have a common theme of getting to the roof. This theme is a metaphor for the advice Stanton, Wink, and Goldman drew from Joseph Campbell and Bill Moyers's PBS program The Power of Myth and represents "Following your bliss."
Wink and Goldman became friends when they bonded as the "new kids" in a Manhattan (New York City) junior high school. In college, however, the two went separate ways: Wink to Wesleyan University in Middletown, Connecticut and Goldman to Clark University in Worcester, Massachusetts. After college in 1984, Wink and Goldman reunited in NYC and later, in 1986, met Stanton, a recent transfer from Savannah, Georgia. Formed in 1987 by Goldman, Stanton, and Wink, The Blue Man Group played around Manhattan in such venues as Central Park, the Performing Garage, Dixon Place and PS 122.
Meryl Vladimer, the Artistic Director of The CLUB @ La MaMa, saw their work as part of a variety show hosted by the Alien Comic (Tom Murrin) and commissioned Blue Man Group to create a full-length show. The resulting piece, Tubes, took off after Vladimer persuaded New York Times theater critic Stephen Holden to review it. Blue Man Group's popularity continued to snowball, resulting in a performance at Lincoln Center titled "Serious Fun", and eventually an Obie Award and a Lucille Lortel Award, which led producers to take the show to off-Broadway. Tubes opened in 1991 at the Astor Place Theater in New York City.
Blue Man Group won a special citation in the 1990–1991 Village Voice Obie Awards, and a special award in the 1992 Lucille Lortel Awards, which are for excellence in off-Broadway theatre.
Early in the history of the group, the members would speak with audiences after the show while still in makeup, answering questions, signing autographs, and talking about the show. Eventually, however, it was decided that cast members would stay in character at all times while in makeup, meaning after shows they would still not speak to audience members, and the only "autograph" they would sign would be a smudge of blue paint. When shown a "new" piece of technology, such as a cell phone or even an old pair of binoculars, they will simply stare at it in wonder.
Aucun dossier informatif complémentaire concernant Blue Man Group
Aucun dossier informatif complémentaire concernant Blue Man Group
Version 1
Blue Man Group (2004-05-Theateram Potsdamer Platz-Berlin)
Type de série: RevivalThéâtre: Theater am Potsdamer Platz (Berlin - Allemagne) Durée : 2 ans 8 mois 3 semaines Nombre : Première Preview : 09 May 2004
Première: 09 May 2004
Dernière: 31 January 2007Mise en scène : ???? ???? • Chorégraphie : ???? ???? • Producteur : Star(s) : Commentaires longs: Cette production se prolongera au Bluemax Theater, à Berlin toujours.
Version 2
Blue Man Group (2005-11-New London Theatre-London)
Type de série: RevivalThéâtre: Gillian Lynne Theatre (Londres - Angleterre) Durée : 1 an 8 mois 1 semaine Nombre : Première Preview : 10 November 2005
Première: 14 November 2005
Dernière: 24 July 2007Mise en scène : ???? ???? • Chorégraphie : ???? ???? • Producteur : Star(s) :
Version 3
Blue Man Group (2007-02-Bluemax Theater-Berlin)
Type de série: RevivalThéâtre: Bluemax Theater (Berlin - Allemagne) Durée : 13 ans 6 mois Nombre : Première Preview : 01 February 2007
Première: 01 February 2007
Dernière: Open endMise en scène : Chorégraphie : Producteur : Star(s) : Commentaires longs: Cette version se joue dans un théâtre créé pour l'occasion et qui rpolonge la série donné au Theater am Potsdamer Platz du 9 mai 2004 au 31 janvier 2007.
Version 4
Blue Man Group (2007-03-Metronom Theater-Oberhausen)
Type de série: RevivalThéâtre: Metronom Theater (Oberhausen - Allemagne) Durée : 1 an 6 mois 3 semaines Nombre : Première Preview : 11 March 2007
Première: 11 March 2007
Dernière: 04 October 2008Mise en scène : Chorégraphie : Producteur : Star(s) : Avec: Tom Galassi, Eric Gut, Nadim Helow, David Müller, Kai Schoenburg, Daniel Schröder, Ole Sundermann
Version 5
Blue Man Group (2008-02-Apollo Theater-Stuttgart)
Type de série: RevivalThéâtre: Apollo Theater (Stuttgart - Allemagne) Durée : 7 mois 2 semaines Nombre : Première Preview : 28 February 2008
Première: 28 February 2008
Dernière: 12 October 2008Mise en scène : Chorégraphie : Producteur : Star(s) : Avec: Kalen Allmandinger, Tom Galassi, Eric Gut, Nadim Helow, David Müller, Seumas Sargent, Kai Schoenburg, Daniel Schröder, Ole Sundermann
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