Le monde des musicals

Version 1

Relative Values (2014-04-Harold Pinter Theatre-London)

Type de série: Revival
Théâtre: Harold Pinter Theatre (Londres - Angleterre)
Durée : 2 mois 1 semaine
Nombre :
Première Preview : mercredi 19 mars 2014
Première : lundi 14 avril 2014
Dernière : samedi 21 juin 2014
Mise en scène : Trevor Nunn •
Chorégraphie :
Producteur :
Avec : Patricia Hodge (Felicity), Caroline Quentin (Moxie), Neil Morrissey (Crestwell), Ben Mansfield (Don Lucas), Leigh Zimmerman (Miranda Frayle), Steven Pacey (Peter), Timothy Kightley (Admiral Sir John Hayling ), Amanda Boxer (Lady Cynthia Hayling), Sam Hoare (Nigel), Rebecca Birch (Alice)
Presse : "This is the kind of unashamedly frivolous play that doubtless helped turn John Osborne into an angry young man but it is likely to provide nothing but pleasure to those who admire Coward’s wit and stylish insouciance." Charles Spencer for The Telegraph

"While there's much pleasure to be had from the stylish acting and direction, Coward's play remains a musty, tribal relic in praise of the class system." Michael Billington for The Guardian

"It’s impossible not to be amused by Hodge’s silkily imperious tone as she tries to ensure the upper classes remain unsullied by such an arriviste." Fiona Mountford for The Evening Standard

Version 1

Relative Values (2014-04-Harold Pinter Theatre-London)

Type de série: Revival
Théâtre: Harold Pinter Theatre (Londres - Angleterre)
Durée : 2 mois 1 semaine
Nombre :
Première Preview : mercredi 19 mars 2014
Première : lundi 14 avril 2014
Dernière : samedi 21 juin 2014
Mise en scène : Trevor Nunn •
Chorégraphie :
Producteur :
Avec : Patricia Hodge (Felicity), Caroline Quentin (Moxie), Neil Morrissey (Crestwell), Ben Mansfield (Don Lucas), Leigh Zimmerman (Miranda Frayle), Steven Pacey (Peter), Timothy Kightley (Admiral Sir John Hayling ), Amanda Boxer (Lady Cynthia Hayling), Sam Hoare (Nigel), Rebecca Birch (Alice)
Presse : "This is the kind of unashamedly frivolous play that doubtless helped turn John Osborne into an angry young man but it is likely to provide nothing but pleasure to those who admire Coward’s wit and stylish insouciance." Charles Spencer for The Telegraph

"While there's much pleasure to be had from the stylish acting and direction, Coward's play remains a musty, tribal relic in praise of the class system." Michael Billington for The Guardian

"It’s impossible not to be amused by Hodge’s silkily imperious tone as she tries to ensure the upper classes remain unsullied by such an arriviste." Fiona Mountford for The Evening Standard