Le monde des musicals

Turn of the Screw (The) (2018-06-Open Air Theatre, Regent s Park-London)

Type de série: Revival
Théâtre: Open Air Theatre, Regent's Park (Londres - Angleterre)
Durée : 1 semaine
Nombre :
Première Preview : vendredi 22 juin 2018
Première : vendredi 22 juin 2018
Dernière : samedi 30 juin 2018
Mise en scène : Timothy Sheader •
Chorégraphie :
Producteur :
Avec : William Morgan (mat) ), Elgan Llyr Thomas (mat)/29/30), Elin Pritchard (mat)/29/30), Rachael Lloyd (mat)), Janis Kelly (mat)/29/30), Sarah Pring (Mrs Grose Jun 23/26/27/30mat)), Rhian Lois (mat)), Anita Watson (mat)/29/30)
Commentaires : The Turn of the Screw marked the Open Air Theatre's first collaboration with English National Opera. Open Air Theatre Artistic Director Timothy Sheader and members of the ENO orchestra brought their award-winning skills to Britten’s masterly reworking of Henry James' classic novella to create "a stunning re-imagination of Britten's ghost opera...REVELATORY" (WhatsOnStage). Soutra Gilmour created a stunning set which housed conductor Toby Purser and 13 members of the ENO orchestra, who all performed "ASTONISHINGLY" (TrendFM). As the sky got darker and night set in, the story accumulated suspense and horror with the cast instilling "a level of dread and trepidation" (The Upcoming).
Presse : Sunday Times "OUT OF THIS WORLD...an atmospheric, gripping production by Timothy Sheader."

Daily Telegraph "Chilling show does justice to James's ghostly tale...it's hard to imagine a more aptly evocative setting for Britten's masterly adaptaion than the Open Air Theatre"

Evening Standard "AN OFFERING FROM OUT OF THE SHADOWS There is a feeling of something unworldly...a psychological drama, in which the corruption of innocence is all too real."

The Guardian "This joint venture between the Open Air theatre and English National Opera works superbly well and you even feel a chill to the spine as you watch a battle for possession of children’s souls in the gathering dusk.”

Financial Times "A staging of Britten’s opera that gathers supernatural momentum. Soutra Gilmour’s set is A MASTERPIECE”

The Times "Britten’s score becomes increasingly suggestive of evil forces insidiously whittling away the sanity of trusting innocents."

WhatsOnStage "A stunning re-imagination of Britten's ghost opera...REVELATORY"

Broadway World "ACCOMPLISHED, SOPHISTICATED and DISTURBING"

Observer "The thirteen strong chamber ensemble was impeccable...conducted with superb authority by ENO Mackeraras fellow Toby Purser Timothy Sheader's production was intelligent, cogent and, as the sky darkened, properly spooky."

TrendFM "The opera captures the spooky and supernatural undertones through Britten’s piercingly sensitive and evocative music. This is ASTONISHINGLY PERFORMED by the 13 musicians of the ENO as well as ENO’s Mackerras Fellow, Toby Purser as the orchestra’s conductor.”

Bachtrack "Director Timothy Sheader’s grip on Britten’s opera is extremely strong, bringing a sensitivity that embraced the ghoulish supernatural element of the piece, the deep, flawed humanity of the Governess and the sinister sexual insinuations of Quint’s relationship with Miles. The chances of finding a better production of this any time soon are very slim indeed."

The Upcoming "The composer’s spirit must have been commanding the cast and orchestra at Regent’s Park Theatre on Tuesday evening as their performance encompassed the fear, uncertainty and discomfort originally intended by Myfanwy Piper’s chilling libretto. The cast – along with the outstanding work of conductor Toby Purser and the English National Opera – instil a level of dread and trepidation"

The Stage "Conducting, Toby Purser ratchets up the tension over the two hours and the denser textures of the closing scenes fill the air with a palpable dramatic charge"