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Musical
Musique: Guy Woolfenden • Paroles: Trevor Nunn • Livret: William Shakespeare • Production originale: 7 versions mentionnées
Dispo: Résumé Commentaire Génèse Isnpiration
Genèse: The Royal Shakespeare Company production, directed by Nunn, choreographed by Gillian Lynne, and designed by John Napier, opened at the Royal Shakespeare Theatre in Stratford-upon-Avon on 29 September 1976. The cast included Mike Gwilym as Antipholus of Ephesus, Roger Rees as Antipholus of Syracuse, Nickolas Grace as Dromio of Ephesus, Michael Williams as Dromio of Syracuse, and Judi Dench as Adriana, with Francesca Annis, Richard Griffiths, Griffith Jones, and John Woodvine in supporting roles. The production later transferred to the Aldwych Theatre in the West End in London, where it won the Olivier Award for Best New Musical in 1977. Philip Casson directed a television production based on Nunn's concept for ITV. Featuring most of the original cast, the programme was broadcast on 18 April 1978. The Acting Company staged the musical at the Women's Project Theater in New York City in May 2001. It was directed by John Rando and choreographed by Joey McKneely.[8][9] The production then toured the United States, playing in, among other venues, the Scottsdale Center for the Arts in Scottsdale, Arizona in April 2001.
Résumé: While enjoying a holiday in Ephesus, Antipholus and Dromio of Syracuse are mistaken for their long-lost twin brothers Dromio and Antipholus of Ephesus by Adriana, who is married to the latter. Certain her husband's wandering eye has noticed the many temptations awaiting him in town, she is determined to win back his undivided attention. Comic complications arise when she pursues the wrong Antipholus and tries to woo him home.
Création: 29/9/1976 - Royal Shakespeare Theatre (Stratford-Upon-Avon) - représ.
Musical
Musique: Andrew Lloyd Webber • Paroles: T.S. Eliot • Trevor Nunn • Livret: Andrew Lloyd Webber • Gillian Lynne • Trevor Nunn • Production originale: 13 versions mentionnées
Dispo: Résumé Synopsis Commentaire Génèse Liste chansons
Genèse: Composed by Andrew Lloyd Webber, Cats is based on Eliot's Old Possum's Book of Practical Cats (1939), which the composer recalled as having been a childhood favorite. The songs of the musical comprise Eliot's verse set to music by the composer, the principal exception being the most famous song from the musical, "Memory", for which the lyrics were written by Trevor Nunn after an Eliot poem entitled "Rhapsody on a Windy Night". Also, a brief song entitled "The Moments of Happiness" was taken from a passage in Eliot's Four Quartets. Andrew Lloyd Webber began composing the songs in late 1977 and premiered the compositions at the Sydmonton festival in 1980. The concert was attended by T.S. Elliot's wife, Valerie Elliot and she loved the songs that Webber had composed. She gave her blessing for the songs to be adapted into a musical stage play. Rehearsals for the musical began in early 1981 at the New London Theatre. Due to the Elliot estate asserting that they write no script and only use the original poems as the text, the musical had no identified plot during the rehearsal process, causing many actors to be confused about what they were actually doing. An unusual musical in terms of its construction, the overture incorporates a fugue and there are occasions when the music accompanies spoken verse. The show is completely told through music with virtually no spoken dialogue in between the songs. Dance is also a key element in the musical especially during the 10 minute Jellicle Ball dance sequence. The set, consisting of an oversized junk yard, remains the same throughout the show without any scene changes. Lloyd Webber's eclecticism is very strong here; musical genres range from classical to pop, music hall, jazz, rock and electro-acoustic music as well as hymnal songs such as "The Addressing of Cats". Cats premiered in the West End at the New London Theatre on 11 May 1981. There was trouble initially as Judi Dench, cast in the role of Grizabella, snapped a tendon during rehearsals prior to the London opening. The role of Grizabella was subsequently taken over by Elaine Paige. The role was beefed up for Paige and the song "Memory" (originally to be sung by Geraldine Gardner in the role of the red cat Bombalurina) was given to Paige. The musical was produced by Cameron Mackintosh and Lloyd Webber's Really Useful Group, directed by Trevor Nunn, with associate director and choreographer Gillian Lynne, design by John Napier, and lighting by David Hersey. It played a total of 8,949 performances in London. Its final performance in London's West End was on its 21st birthday, 11 May 2002, and broadcast on a large screen in Covent Garden to the delight of fans who could not acquire a ticket for the final performance. It held the record as London's longest running musical until 8 October 2006, when it was surpassed by Les Misérables. The show made its debut on Broadway on 8 October 1982, at the Winter Garden Theatre with the same production team. On 19 June 1997, Cats became the longest-running musical in Broadway history with 6,138 performances. It closed on 10 September 2000, after a total of 7,485 performances. Its Broadway record was surpassed on 9 January 2006 by The Phantom of the Opera. It remains Broadway's second longest-running show in history. Lloyd Webber stated that when the original show was produced, it cost £900,000, but on Broadway, it cost $5,000,000. In 1998, Lloyd Webber produced a video version of Cats, based upon the stage version, starring Elaine Paige, who originated the role of Grizabella in London; Ken Page, who originated Old Deuteronomy on Broadway; Sir John Mills as Gus; Michael Gruber as Munkustrap; John Partridge as The Rum Tum Tugger; Jo Gibb as Rumpelteazer with many of the dancers and singers drawn largely from various stage productions of the show. It was directed by David Mallet, with choreography and musical staging by the show's respected original creator Gillian Lynne in London's Adelphi Theatre, and was released on VHS and DVD, as well as broadcast on television worldwide. Andrew Lloyd Webber and others on the production team for the film wanted to keep the feeling that viewers watching the film could still get the sense of seeing the show live, by having all views be facing the stage, therefore, getting multiple views of the set, but still feel like the viewer is part of a live audience, with several close-ups. Beyond the productions in Britain, the U.S., Canada, and Australia, the musical has been produced professionally in Hungary, Austria, and Japan, 1983; Sydney and Toronto, 1985; Germany, 1986; France, 1989; Mexico, 1991; Netherlands, 1992; Argentina, 1993; Hong Kong, 1994; Spain, 2003; Poland and Czech Republic, 2004; Russia and Estonia, 2005; Israel, Taiwan, Thailand, South Korea, China and Finland, 2007; Singapore, Hong Kong, Dominican Republic, Norway, Sweden, South Africa, China, Italy, Bulgaria and Japan, 2009; and Brazil and the Philippines, 2010. Cats has been translated into over 20 languages. A West End revival of Cats is being planned for 2013.
Résumé: Les chats Jellicle se réunissent une fois par année au bal des Jellicles où le vieux Deuteronomy choisit un autre vieux chat ou chatte destinés à renaître une nouvelle fois. Cette année, le bal est troublé par l'arrivée de Macavity, qui va capturer le vieux Deuteronomy.
Création: 11/5/1981 - Gillian Lynne Theatre (Londres) - représ.
Version 1
A Little Night Music (2008-11-Chocolate Factory-London)
Type de série: RevivalThéâtre: Menier Chocolate Factory (Londres - Angleterre) Durée : 3 mois 2 semaines Nombre : Première Preview : Saturday 22 November 2008Première : Saturday 22 November 2008Dernière : Sunday 08 March 2009Mise en scène : Trevor Nunn • Chorégraphie : Lynn Page • Producteur : Avec : Hannah Waddingham (Desirée), Alexander Hanson (Frederik) , Maureen Lipman (Mme Armfeldt), Gabriel Vick (Henrik), Kaisa Hammarlund (Petra), Alistair Robins (Count Malcolm), Kelly Price (Charlotte), Jessie Buckley (Anne), Holly Hallam/Grace Link (Fredrika)Commentaires : This critically acclaimed production earned special praise for the Lady Bracknell type performance from Maureen Lipman, but above all for Hannah Waddingham’s outstanding portrayal. The role of Desirée had earlier been played by older actresses with the consequent ageing of all the other characters around her. The original Desirée should have been no more than 40, with a 14 year old daughter – and this was ideal casting for Hannah Waddingham and added new depth to the story. Including previews, the London production gave some 226 performances.
(Transféré au Garrick Theatre)Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "On transfer to the West End, A Little Night Music leaves me far less than enraptured."
MICHAEL BILLINGTON for THE GUARDIAN says, "Delicious production...an evening of refined enchantment."
SAM MARLOWE for THE TIMES says, "While at its finest Nunn’s production has needle-sharp poignancy, the comedy that accompanies the pain is sometimes too broad...It’s not a rendering that never puts a foot wrong; but when it’s in step with Sondheim’s masterly music it’s sheer elegance."
CHARLES SPENCER for THE DAILY TELEGRAPH says, "I found myself almost continually entranced...It's a fine production of a musical that only misses greatness by a whisker."
Version 2
A Little Night Music (2009-03-Garrick Theatre-London)
Type de série: RevivalThéâtre: Garrick Theatre (Londres - Angleterre) Durée : 3 mois 2 semaines Nombre : Première Preview : Saturday 28 March 2009Première : Tuesday 07 April 2009Dernière : Saturday 25 July 2009Mise en scène : Trevor Nunn • Chorégraphie : Lynn Page • Producteur : Avec : Mr. Lindquist - Lynden Edwards / Mrs. Nordstrom - Fiona Dunn / Mrs. Anderssen - Laura Armstrong / Mr. Erlanson - John Addison / Mrs. Segstrom - Nicola Sloane / Fredrika Armfeldt - Grace Link, Holly Halam (alternating) / Madame Armfeldt - Maureen Lipman / Frid, her butler - Andy Morton / Henrik Egerman - Gabriel Vick / Anne Egerman - Jessie Buckley / Fredrik Egerman - Alexander Hanson / Petra - Kaisa Hammarlund / Desiree Armfeldt - Hannah Waddingham / Count Carl-Magnus Malcom - Alistair Robins / Countess Charlotte Malcom - Kelly PriceCommentaires : Reprise de la version Litlle Night Music (A) (2008-11-Chocolate Factory-London)
This critically acclaimed production earned special praise for the Lady Bracknell type performance from Maureen Lipman, but above all for Hannah Waddingham’s outstanding portrayal. The role of Desirée had earlier been played by older actresses with the consequent ageing of all the other characters around her. The original Desirée should have been no more than 40, with a 14 year old daughter – and this was ideal casting for Hannah Waddingham and added new depth to the story. Including previews, the London production gave some 226 performances. This same production transferred to Broadway, officially opening on December 13 th 2009 with Angela Lansbury as Madame Armfeldt and, in her Broadway debut, Catherine Zeta-Jones as Desirée. (Catherine won the Tony Award for the Best Leading Actress in a Musical, and on the same weekend of the Tony Awards it was announced she had been awarded a CBE for her charity work.) The Broadway production closed temporarily on June 20, 2010 when the original contracts ran out, but reopened on July 13, with Bernadette Peters as Desirée and Elaine Stritch as Madame Armfeldt. When the production finally closed on January 9, 2011 it had played 425 performances (plus 20 previews).Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "On transfer to the West End, A Little Night Music leaves me far less than enraptured." MICHAEL BILLINGTON for THE GUARDIAN says, "Delicious production...an evening of refined enchantment." SAM MARLOWE for THE TIMES says, "While at its finest Nunn’s production has needle-sharp poignancy, the comedy that accompanies the pain is sometimes too broad...It’s not a rendering that never puts a foot wrong; but when it’s in step with Sondheim’s masterly music it’s sheer elegance." CHARLES SPENCER for THE DAILY TELEGRAPH says, "I found myself almost continually entranced...It's a fine production of a musical that only misses greatness by a whisker."
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A Little Night Music (2009-11-Walter Kerr Theatre-Broadway)
Type de série: RevivalThéâtre: Walter Kerr Theatre (Broadway - Etats-Unis) Durée : 1 an 11 mois Nombre : 20 previews - 425 représentationsPremière Preview : Tuesday 24 November 2009Première : Friday 13 February 2009Dernière : Sunday 09 January 2011Mise en scène : Trevor Nunn • Chorégraphie : Lynn Page • Producteur : Avec : Henrik Egerman - Hunter Ryan Herdlicka / Mr. Lindquist - Stephen R. Buntrock [replaced by Ben Davis on August 31, 2010] / Mrs. Nordstrom - Jayne Paterson / Mrs. Anderssen - Marissa McGowan [replaced by Sara Jean Ford on 713/2010; replaced by Jessica Grové on August 31, 2010] / Mr. Erlanson - Kevin David Thomas / Mrs. Segstrom - Betsy Morgan [replaced by Gina Lamparella] / Fredrika Armfeldt - Katherine Leigh Doherty [replaced by Katherine McNamara] Keaton Whittaker (alternating) / Madame Armfeldt - Angela Lansbury [replaced by Elaine Stritch on 7/13/2010] / Frid - Bradley Dean [replaced by Stephen R. Buntrock on August 31, 2010; replaced by Ron Bohmer on Septembr 28, 2010] / Anne Egerman - Ramona Mallory / Fredrik Egerman - Alexander Hanson [replaced by Stephen R. Buntrock on September 28, 2010] / Petra - Leigh Ann Larkin / Desiree Armfeldt - Catherine Zeta-Jones [replaced by Bernadette Peters on 7/13/2010] / Count Carl-Magnus Malcom - Aaron Lazar [replaced by Bradley Dean on August 31, 2010] / Countess Charlotte Malcom - Erin Davie / Swings - Karen Murphy, Erin Steward, Kevin Vortmann [replaced by Matt Dengler, Marissa McGowan, Justin Patterson]Commentaires : ▶ Reprise de la version Litlle Night Music (A) (2008-11-Chocolate Factory-London).
▶ La production s'est arrêtée du 20 juin au 6 juillet, pour permettre des répétitions en vue du remplacements et de l'arrivée de deux nouvelles stars: Bernadette Peters et Elaine Stritch.
▶ Awards: 2010 Tony Award Best Actress in a Musical - Catherine Zeta-Jones / 2010 Drama Desk Award Outstanding Actress in a Musical - Catherine Zeta-Jones
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A Streetcar Named Desire (2002-10-Lyttelton Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Lyttelton TheatreDurée : 1 mois 2 semaines Nombre : 64 représentationsPremière Preview : Saturday 28 September 2002Première : Tuesday 08 October 2002Dernière : Saturday 23 November 2002Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Glenn Close (Blanche DuBois ), Iain Glen (Stanley Kowalski), Essie Davis, Sam Douglas, George Eggay, Valerie Farr, Jonathan Forbes, Joanna Hole, William Hoyland, Sue Kelvin, Wendy Morgan, Gary Oliver, Robert Pastorelli, Jack Pierce, Katherine Reilly, Andrew Westfield, Miquel Brown, Billie BakerPresse : PAUL TAYLOR for THE INDEPENDENT says, "Blanche is too tough and Kowalski too sensitive in this miscast 'Streetcar' " and goes on to say, "This Streetcar offers a less than enthralling three-hour ride." MICHAEL BILLINGTON for THE GUARDIAN says, "The greatness of Glenn Close's performance in Trevor Nunn's fine revival." SHERIDAN MORLEY for TELETEXT says, "[Glenn Close] Casting mistake....Misbegotten production." NICHOLAS DE JONGH for THE EVENING STANDARD says, "Glenn Close proves a weird if compelling choice for Blanche debois." He goes on to say, " Trevor Nunn's rather Operatic production is surprisingly off-key with its vitality." CHARLES SPENCER for THE DAILY TELEGRAPH says, "A less than desirable Streetcar....It's a poor production" BENEDICT NIGHTINGALE for THE TIMES says, "Glenn Close... a performance that was incisive yet passionate, intelligent yet deeply moving." JACKIE FINLAY for BBC ONLINE says, "Nunn's production, and Close's performance...make a powerful impression." "JOHN PETER for THE SUNDAY TIMES says, "With a thrilling central performance from Glenn Close, the NT's production..is nothing short of irresistible."
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Acorn Antiques (2005-01-Haymarket Theatre-London)
Type de série: OriginalThéâtre: Haymarket Theatre (Londres - Angleterre) Durée : 3 mois 1 semaine Nombre : Première Preview : Thursday 27 January 2005Première : Thursday 10 February 2005Dernière : Saturday 21 May 2005Mise en scène : Trevor Nunn • Chorégraphie : Stephen Mear • Producteur : Avec : Victoria Wood (Monday evenings and Wednesday matinees only), Julie Walters (Mrs Overall) (Tuesday to Saturday evenings and Saturday matinees only), Celia Imrie (Miss Babs), Duncan Preston (Mr Clifford), Neil Morrisey (John), Josie Lawrence & Sally Ann Triplett (Mrs Berta)Commentaires : A ten minute sketch inside a 30 minute TV comedy series had been expanded into a three hour musical. As a result, the first half and second halves were virtually two different shows. The whole thing was a muddle, but with its hugely talented cast, and its satire ranging from “Crossroads” to “Les Mis” and Starbucks to Sondheim, and with Victoria Wood and Julie Walters alternating in the lead role, it attracted an audience of fanatical supporters who roared with delight at every familiar gag and malfunctioning prop. In 2006 the show was completely re-written for a major UK tour, so that the entire show was now the “straight” musical performance of “Acorn Antiques”. Mrs Overall was played by Ria Jones and the tour received excellent notices and was felt to be much better for the changes. It is this revised version which is now regarded as the “real” show.Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "A musical farce and a farsical musical...No Memorable numbers "
MICHAEL BILLINGTON for THE GUARDIAN says, "A load of slack, self-indulgent rubbish."
PAUL TAYLOR for THE INDEPENDENT says, "I haven't laughed as helplessly since the day I heard Bernadette had closed at the Dominion. It's the supreme cheek of the endeavour that will irritate some people and exhilarate the rest of us."
BENEDICT NIGHTINGALE for THE TIMES says, "Mischievous, good-natured, charming. But a comic masterpiece? Not really."
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Albert Speer (2000-05-Lyttelton Theatre-NT-London)
Type de série: OriginalThéâtre: National Theatre (Londres - Angleterre) Salle : Lyttelton TheatreDurée : 1 mois 2 semaines Nombre : 35 représentationsPremière Preview : Monday 15 May 2000Première : Thursday 25 May 2000Dernière : Saturday 08 July 2000Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Chloe Angharad, Roger Allam, Patrick Baladi, Stephen Ballantyne,Tilly Blackwood, Cathryn Bradshaw,Sally-Ann Burnett, Martin Chamberlain, Elizabeth Conboy, Jonathan Cullen, Simon Day, Pip Donaghy, William Gaunt, Alex Jennings, Christine Kavanagh, Patrick Marlowe, Charles Millham, Iain Mitchell, Sylvester Morand, John Nolan, Adrian Penketh, Imogen Slaughter, Giles Smith, Jessica Turner, Chris Vance, David Weston, Benny Young
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Alchemist (The) (1977-12-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Wednesday 14 December 1977Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Grace Nickolas (Abel Drugger), Rees Roger (Ananias), Brown Bobbie (Dame Pliant), Cody Alan (Dapper), Dury Susan (Doll Common), Brooke Paul (Epicure Mammon), McKellen Ian (Face), McRae Hilton (Kastril), Beavis Ivan (Lovewit), Alexander Denyse (Neighbour), Begley Kim (Neighbour), Head Ruby (Neighbour), Wagar Paul (Neighbour), Wax Ruby (Neighbour), Tanner Leon (Neighbour 1), Tanner Leon (Officer), Wagar Paul (Parson), Woodvine John (Subtle), Durden Richard (Surly), Witkin Jacob (Tribulation)Commentaires : Un spectacle de la RSC.
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An Ennemy of the People (1997-09-Olivier Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 9 mois Nombre : 85 représentationsPremière Preview : InconnuPremière : Friday 19 September 1997Dernière : Saturday 20 June 1998Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Sir Ian Mckellen, Penny Downie, John Woodvine, Stephen Moore And Lucy WhybrowPresse : BENEDICT NIGHTINGALE of THE TIMES describes it as "both a big, rich public play." JANE EDWARDES of TIME OUT on Trevor Nunn's first production , "A highly auspicious beginning." JOHN THAXTER of THE STAGE describes McKellen as playing his part "with frenzied intensity." NICHOLAS DE JONGH found the play enjoyable but was not pleased with Sir Ian McKellen's performance commenting that it was "perhaps the worst of his brilliant career." This I cannot agree with myself, as I found his performance superb and touching. JOHN PETER of THE SUNDAY TIMES agrees saying McKellen's performance was "one of the greatest in his career" and BILL HAGERTY of THE NEWS OF THE WORLD says he "contributes a masterly performance" and goes on to say "It's a play with razor-sharp teeth."
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Antony and Cleopatra (1973-10-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Tuesday 23 October 1973Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Brown Walter (Agrippa), Angadi Darien (Alexas), McHale Rosemary (Charmian), Suzman Janet (Cleopatra), Hutchings Geoffrey (Clown), Bardon John (Demetrius), Sheridan Mark (Demetrius), Burton Loftus (Diomedes), Milman Martin (Dolabella), Stewart Patrick (Domitius Enobarbus), Marcell Joe (Eros), Egan Michael (Eunuch), Gaymon Paul (Eunuch), Pearce Lennard (Euphronius), Whybrow Arthur (Galley Servant 1), Kent Jonathan (Galley Servant 2), Price Emlyn (Gallus), Bellamy Madeline (Iras), Kaye Malcolm (King), Oates Robert (King), Pearce Lennard (King), Stokes Desmond (King), Whybrow Arthur (King), Bott John (Lamprius), Locke Philip (Lepidus), Godfrey Patrick (Maecenas), Livingstone Sidney (Mardian), Johnson Richard (Mark Antony), Price Emlyn (Menas), Oates Robert (Menecrates), Charles Joseph (Messenger), Rutherford Mary (Octavia), Redgrave Corin (Octavius Caesar), Taylor Keith (Proculeius), Sheppard Morgan (Scarus), Gaymon Paul (Seleucus), Kaye Malcolm (Sentry), Osoba Tony (Servant), Pigott-Smith Tim (Sextus Pompeius), Jenkinson Christopher (Silius), Kaye Malcolm (Soldier 1), Oates Robert (Soldier 2), Whybrow Arthur (Soldier 3), Stokes Desmond (Taurus), Kent Jonathan (Thidias), Whybrow Arthur (Varrius), Hunt Gareth (Ventidius), Ford Edwina (Waiting woman)Commentaires : Un spectacle de la RSC.
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Anything goes (2002-12-Olivier Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 3 mois Nombre : 80 représentationsPremière Preview : Wednesday 11 December 2002Première : Wednesday 18 December 2002Dernière : Saturday 22 March 2003Mise en scène : Trevor Nunn • Chorégraphie : Stephen Mear • Producteur : Avec : Sally Ann Triplett (Reno Sweeney), John Barrowman, Denis Quilley, Christopher Bennett , Daniel Crossley, Jane Fowler, Jason Gardiner, Charlotte Gorton, Richard Henders, Akiya Henry, Duncan MacVicar, Annette McLaughlin, Samantha Modeste, Tam Mutu, Alexis Owen Hobbs, Corey Skaggs , Nicola Sloane, Rachel Stanley, Mary Stockley, Kevin Brewis, Anthony Cable, Raymond Chai, Yao Chin, Simon Day, Jye Frasca, Christian Gibson, Paul Grunert, Shaun Henson, Jane Mark, Martin Marquez, Robbie O'Reilly, Duncan Smith, Robin Soans, Susan Tracy, Lee William-Davis, Claire Winsper, Nikki Worrall, Tom EspinerCommentaires : Sera transféré au Théâtre Royal Drury LanePresse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "The musical sends you out on a high."
RHODA KOENIG for THE INDEPENDENT says, "Fabulous production."
MICHAEL BILLINGTON for THE GUARDIAN says, "As tune-and-toe shows go, this is about as good as it gets."
CHARLES SPENCER for THE DAILY TELEGRAPH says, "A glorious voyage to theatrical bliss."
IAN JOHNS for THE TIMES says, "The cast seem to enjoy themselves more as the show progresses and you will too."
ALASTAIR MACAULAY for THE FINANCIAL TIMES says, "A triumph of ensemble."
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Anything goes (2003-10-Drury Lane Theatre-London)
Type de série: RevivalThéâtre: Drury Lane Theatre (Londres - Angleterre) Durée : 10 mois 3 semaines Nombre : 387 représentationsPremière Preview : Wednesday 24 September 2003Première : Tuesday 07 October 2003Dernière : Saturday 28 August 2004Mise en scène : Trevor Nunn • Chorégraphie : Stephen Mear • Producteur : Avec : Sally Ann Triplett (Reno Sweeney), John Barrowman (Billy Crocker), Martin Marquez(Moonface Martin), Annette McLauglin (Erma), Susan Tracy (Mrs. Evangeline Harcourt), Simon Day (Lord Evelyn Oakleigh), Mary Stockley (Hope Harcourt), Denis Quilley (Elisha Whitney), Anthony Cable (Henry T. Dodson), Paul Grunert (Ship's Captain), Robin Soans (Ship's Purser), Duncan Smith FBI Agent, Raymond Chai (John/Luke), Vao Chin (Luke/John)Commentaires : Transfert du National Theatre.
It had been announced that due to illness Denis Quilley would not be repeating his performance as Elisha Whitney when the show transferred to the West End. The show was already in previews at Drury Lane when it was announced that Denis Quilley had died - two days before the press night. He was 75 and had died of liver cancer.
The opening night was dedicated to his memory.Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "The musical sends you out on a high."
RHODA KOENIG for THE INDEPENDENT says, "Fabulous production."
MICHAEL BILLINGTON for THE GUARDIAN says, "As tune-and-toe shows go, this is about as good as it gets."
CHARLES SPENCER for THE DAILY TELEGRAPH says, "A glorious voyage to theatrical bliss."
IAN JOHNS for THE TIMES says, "The cast seem to enjoy themselves more as the show progresses and you will too."
ALASTAIR MACAULAY for THE FINANCIAL TIMES says, "A triumph of ensemble."
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Arcadia (1993-04-Lyttelton Theatre-NT-London)
Type de série: OriginalThéâtre: National Theatre (Londres - Angleterre) Salle : Lyttelton TheatreDurée : 7 mois 2 semaines Nombre : 116 représentationsPremière Preview : InconnuPremière : Tuesday 13 April 1993Dernière : Wednesday 24 November 1993Mise en scène : Trevor Nunn • Chorégraphie : Producteur :
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As you like it (1978-09-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Friday 15 September 1978Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Dench Jeffery (Adam), Bulman Michael (Amiens), Holloway Ann (Audrey), Ebrahim Omar (Bodyguard), Edwards Rory (Bodyguard), Hall Mike (Bodyguard), Martin Roger (Bodyguard), Lunghi Cherie (Celia), Kissoon Jeffery (Charles), Richfield Edwin (Corin), Martin Roger (Dennis), Burgess John (Duke Frederick), Davies Oliver Robert Ford (Duke Senior), Hall Mike (Forest Lord), Ebrahim Omar (Forester), Edwards Rory (Forester), Martin Roger (Forester), Tullo Peter (Forester), Ebrahim Omar (Hymen), James Emrys (Jaques), Mitchell Iain (Jaques de Boys), McNeice Ian (Lord), Tullo Peter (Lord), Imbusch Paul (Monsieur le Beau), Dance Charles (Oliver), Laurenson James (Orlando), Ellison Paul (Page), Fitz-Gibbon Christopher (Page), Henderson Simon (Page), Smoker William (Page), Carr Jane (Phebe), Cornwell Charlotte (Rosalind), Morris Deirdra (Rustic Girl), Clough Peter (Silvius), Imbusch Paul (Sir Oliver Martext), David Alan (Touchstone), McNeice Ian (William)Commentaires : Un spectacle de la RSC.
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Aspects of love (1989-04-Prince of Wales-London)
Type de série: OriginalThéâtre: Prince of Wales Theatre (Londres - Angleterre) Durée : 3 ans 2 mois Nombre : 1325 représentationsPremière Preview : InconnuPremière : Monday 17 April 1989Dernière : Saturday 20 June 1992Mise en scène : Trevor Nunn • Chorégraphie : Gillian Lynne • Producteur : Avec : Michael Ball (Alex Dillingham), Ann Crumb (Rose Vibert), Kevin Colson {George Dillingham), Kathleen Rowe McAllen (Giulietta), Paul Bentley, Laurel Ford, David GreerCommentaires : Originally the part of Uncle George Dillingham was to be played by Roger Moore. He asked to be released during rehearsals, frankly admitting that he was not able to sing well enough, and was replaced by the Australian, Kevin Colson. The show received a largely polite reception from the London critics, and thanks to its £2 million ticket sales advance ran for over 3 years. An arrangement was made with American Equity whereby the entire British cast were allowed to perform the show on Broadway (April 8th 1990) where it ran for 377 performances, in spite of receiving savage reviews like “an endless stream of clichés and predictable rythmns”. However, it lost several million dollars in the Broadway production. Amongst London cast replacements were Michael Praed, Clare Burt, Sarah Brightman , Barrie Ingham, Simon Masterman-Smith, Grania Renihan, Helen Hobson and David Malek.Presse : "...a lyrical, heart-breakingly romantic chamber piece..... " Herald Tribune / "... a vibrantly intelligent and commanding performance by American Ann Crumb... A perfectly delightful performance from Diana Morrison... the daring shown here tonight deserves to win our admiration…" Daily Mail / " ...a remarkably daring piece of work…" Financial Times / " ....the musical texture becomes lively and varied and the stage starts to flood with real emotion... (Trevor Nunn) .... creates both images of rapturous gaiety ... and moments of desolating sadness... Mr Lloyd Webber shows a capacity to reach emotions that other composers do not touch." Guardian
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Aspects of love (1990-03-Broadburst Theatre-Broadway)
Type de série: Original BroadwayThéâtre: Broadhurst Theatre (Broadway - Etats-Unis) Durée : 10 mois 4 semaines Nombre : 22 previews - 377 représentationsPremière Preview : Monday 19 March 1990Première : Sunday 08 April 1990Dernière : Saturday 02 March 1991Mise en scène : Trevor Nunn • Chorégraphie : Gillian Lynne • Producteur : Commentaires longs: Avec à la création Ann Crumb, Michael Ball, Kevin Colson, et Kathleen Rowe McAllen. Sarah Brightman et John Cullum firent partie des cast de remplacement,
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Aspects of Love (2010-07-Menier Chocolate Factory-London)
Type de série: RevivalThéâtre: Menier Chocolate Factory (Londres - Angleterre) Durée : 2 mois 1 semaine Nombre : Première Preview : Wednesday 07 July 2010Première : Thursday 15 July 2010Dernière : Sunday 26 September 2010Mise en scène : Trevor Nunn • Chorégraphie : Lynn Page • Producteur : Avec : Michael Arden (Alex Dillingham), Katherine Kingsley (Rose Vibert), Dave Willetts (George Dillingham), Rosalie Craig (Giulietta Trapani), Martin Ellis (Marcel Richard), Rebecca Brewer (Jenny Dillingham), Jill Armour, Louisa Lydell, Ian McLarnon, David Roberts, Savannah Stevenson, Dominc Tighe, Rebecca TrehearnCommentaires : Performed with a seven-piece band and projected scenery, this was presented as a chamber musical and for many critics, the show was vastly improved by being reduced in this way. The original run was advertised to September 26 th , but the show closed two weeks earlier than this. No explanation was offered.
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Baker's wife (1989-11-Phoenix Theatre-London)
Type de série:Théâtre: Phoenix Theatre (Londres - Angleterre) Durée : 1 mois 1 semaine Nombre : 56 représentationsPremière Preview : Monday 27 November 1989Première : Monday 27 November 1989Dernière : Saturday 06 January 1990Mise en scène : Trevor Nunn • Chorégraphie : David Toguri • Producteur : Avec : Alun Armstrong (Aimable Castagnet), Sharon Lee Hill (Genevieve), Drue Williams (Dominic), James Villiers (Le Marquis), Jill Martin (Denise), George Raistrick (Claude)Commentaires : The show was heavily re-written for London, but closed fairly quickly even
though many critics thought it the very best of Stephen Schwartz’s work.Commentaires longs: After hearing the song "Meadowlark" countless times in auditions, director Trevor Nunn persuaded the authors to mount a London production. The Baker's Wife, starring Alun Armstrong and Sharon Lee-Hill, opened in the West End at the Phoenix Theatre on November 27, 1989 and closed on January 6, 1990, after 56 performances. This production, too, was ill-fated: though reviews were strong and audience reaction positive, the production was steadily losing money. According to Carol De Giere, "While reviewers offered praise, audiences were small and the show closed after only 56 performances. Schwartz explains,'The major thing that was wrong was that it was just too long'...Nunn comments 'Every performance there had a standing ovation, which is not at all normal in the English provinces."
Bowing to financial reality, the show closed prematurely, but received the Laurence Olivier Award nomination for Musical of the Year.
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Betrayal (1998-11-Lyttelton Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Lyttelton TheatreDurée : 4 mois 1 semaine Nombre : 65 représentationsPremière Preview : InconnuPremière : Tuesday 24 November 1998Dernière : Wednesday 07 April 1999Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Imogen Stubbs, Douglas Hodge And Anthony CalfPresse : BENEDICT NIGHTINGALE, of THE TIMES says, "I don't think there is a line that does not express pain, regret, anger, alarm, desire, remorse or some blend of those emotions. Can you name a play that says so little and implies so much? No, I thought not." CHARLES SPENCER of THE DAILY TELEGRAPH says "An enthralling production of an indisputably great play." JOHN PETER of THE SUNDAY TIMES says "Pinter's haunting play, and this superlative production, are painful because you know that there is no clear or easy answer. Great writing does not betray." However, ALAISTER MACAULAY of THE FINANCIAL TIMES was a little disappointed saying "The chemistry between the three characters does not ring true here, because the three actors appear to inhabit markedly different social circles." PAUL TAYLOR of THE INDEPENDENT is not too impressed either describing the play as a " Mildly disappointing production." JANE EDWARDES of THE TIMES describes the play as a "Hit and miss production."
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Blue Angel (The) (1991-08-The Other Place-Stratford upon Avon)
Type de série: OriginalThéâtre: The Other Place Theatre (Stratford-Upon-Avon - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 29 August 1991Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : David Toguri • Producteur :
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Blue Angel (The) (1992-05-Globe Theatre-London)
Type de série: West End TransferThéâtre: Gielgud Theatre (Londres - Angleterre) Durée : 1 mois 1 semaine Nombre : 45 représentationsPremière Preview : InconnuPremière : Wednesday 20 May 1992Dernière : Saturday 27 June 1992Mise en scène : Trevor Nunn • Chorégraphie : David Toguri • Producteur : Avec : Kelly Hunter (Lola), Philip Madoc (Professor Raat), Judith Bruce, Sidney Livingstone, Peter-Hugo Daly, Cheryl Ferguson, Sarah Flind,Commentaires : Based on Josef von Sternberg’s famous film with Marlene Dietrich, this began at the RSC’s studio at Stratford-upon-Avon in 1991 and was then brought to London. By coincidence Marlene Dietrich herself had died just prior to the opening night. Despite some excellent central performances, it was generally felt that this “studio” show did not really work now that it had transferred to a full-size theatre.
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Bridges of Madison County (The) (2019-07-Menier Chocolate Factory-London)
Type de série: Original LondonThéâtre: Menier Chocolate Factory (Londres - Angleterre) Durée : 1 mois 3 semaines Nombre : Première Preview : Friday 12 July 2019Première : Tuesday 23 July 2019Dernière : Saturday 14 September 2019Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Jenna Russell, Ed Baker-Duly, Georgia Brown, Maddison Bulleyment, Shanay Holmes, Gillian Kirkpatrick, Paul F Monaghan, David Perkins and Dale Rapley.Commentaires : The Chocolate Factory is presents the UK premiere of the musical version of the best-selling novel by Robert James Waller and subsequent motion picture directed by Clint Eastwood.
Winner of the Tony Awards for Best Original Score and Best Orchestrations, this is one of Jason Robert Brown’s most ravishing and unforgettable shows.
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Cats (1981-05-New London Theatre-London)
Type de série: OriginalThéâtre: Gillian Lynne Theatre (Londres - Angleterre)
Durée : 21 ans Nombre : 8949 représentationsPremière Preview : Thursday 30 April 1981Première : Monday 11 May 1981Dernière : Saturday 11 May 2002Mise en scène : Trevor Nunn • Chorégraphie : Gillian Lynne • Producteur : Avec : Elaine Paige (Grizabella), Paul Nicholas (Rum Turn Tugger), Stephen Tate (Asparagus), Wayne Sleep Mister Mistoffoles), Brian Blessed (Deuteronomy), Kenny Wells (Skimbleshanks), Susan Jane Tanner (Griddlebone), Bonnie Langford (Rumpleteazer), John Thornton (Mungo Jerrie), Jeff Shankley (Munkustrap), Myra Sands (Jennyandots) , Sarah Brightman (Jemima)Commentaires : Based on T.S.Eliot’s children’s book “Old Possum’s Book of Practical Cats”. Originally Judi Dench was cast as Grizabella but she suffered a leg injury during rehearsals and was forced to leave the show. The lyrics for fragments of T.S.Eliot’s verse, and the song became one of the greatest hits of the 20th Century, with over 600 different recordings. In January 1996 “Cats” became the
longest running UK musical up to that time, overtaking “Chorus Line”, when it achieved its 6,138th performance. On June 19th 1997 it became the longest running show to date in New York.
It played a total of 8,949 performances in London. Its final performance was on its 21 st birthday, 11 May 2002, and broadcast on a large screen in Covent Garden to the delight of fans who could not acquire a ticket for the final performance. It held the record as London's longest running musical until 8 October 2006, when it was surpassed by “Les Miserables”.
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Cats (1982-09-Winter Garden Theatre-Broadway)
Type de série: Original BroadwayThéâtre: Winter Garden Theatre (Broadway - Etats-Unis)
Durée : 17 ans 11 mois 1 semaine Nombre : 13 previews - 7485 représentationsPremière Preview : Thursday 23 September 1982Première : Thursday 07 October 1982Dernière : Sunday 10 September 2000Mise en scène : Trevor Nunn • Chorégraphie : Gillian Lynne • Producteur : Avec : Asparagus … Stephen Hanan
Alonzo … Héctor Jaime Mercado
Bustopher Jones … Stephen Hanan
Bombalurina … Donna King
Carbucketty … Steven Gelfer
Cassandra … René Ceballos
Coricopat … René Clemente
Demeter … Wendy Edmead
Etcetera … Christine Langner
Genghis … Steven Gelfer
Grizabella … Betty Buckley
Griddlebone … Bonnie Simmons
Growltiger … Stephen Hanan
Jellylorum … Bonnie Simmons
Jennyanydots … Anna McNeely
Macavity … Kenneth Ard
Mr. Mistoffelees … Timothy Scott
Mungojerrie … René Clemente
Munkustrap … Harry Groener
Old Deuteronomy … Ken Page
Plato … Kenneth Ard
Pouncival … Herman W. Sebek
Rum Tum Tugger … Terrence V. Mann
Rumpleteazer … Christine Langner
Rumpus Cat … Kenneth Ard
Sillabub … Whitney Kershaw
Skimbleshanks … Reed Jones
Tantomile … Janet L. Hubert
Tumblebrutus … Robert Hoshour
Victoria … Cynthia Onrubia
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Cats (2014-12-Palladium Theatre-London)
Type de série: RevivalThéâtre: Palladium Theatre (Londres - Angleterre) Durée : 4 mois 2 semaines Nombre : Première Preview : Saturday 06 December 2014Première : Thursday 11 December 2014Dernière : Saturday 25 April 2015Mise en scène : Trevor Nunn • Chorégraphie : Gillian Lynne • Producteur : Avec : Nicole Scherzinger (Grizabella, to 7 Feb 2015), Kerry Ellis (Grizabella from 9 Feb 2015), Cameron Ball (Macavity/Admetus), Kathryn Barnes (Tantomile), Cassie Clare (Cassandra), Ross Finnie (Skimbleshanks), Charlene Ford (Bombalurina), Adam Lake (Alonzo), Paul F Monaghan (Bustopher Jones/Asparagus/Growl Tiger), Joel Morris (Carbucketty), Natasha Mould (Jemima), Benjamin Mundy (Coricopat), Joseph Poulton (Quaxo/Mistoffelees), Nicholas Pound (Old Deuteronomy), Sophie Ragavelas (alternate Grizabella), Clare Rickard (Jellylorum/ Griddlebone), Adam Salter (Bill Bailey), Laurie Scarth (Jennyanydots), Hannah Kenna Thomas (Victoria/White Cat), Callum Train (Munkustrap), Zizi Strallen (Demeter) and Dawn Williams (Rumpleteazer) who are joined by swings Ryan Gover, Barry Haywood, Alice Jane, Grace McKee, Dane Quixall and Libby WattsPresse : "Has the show dated since 1981? Aside from some tinny electronic sounds, not really. Is that because it's timeless? I don’t think so. Cats is actually a classy species of panto - fluffy, shiny, just about perfect for this time of year." Dominic Cavendish for The Telegraph
"The anthropomorphised felines, in their spandex leotards and furry leg warmers, still prowl the aisles and glare in the eyes of the punters but the show, with its trademark junkyard set by John Napier, feels less like a prototype immersive experience and more like a weird through-sung-and-danced revue ..." Paul Taylor for The Independent
"It is all performed with great commitment, the dancing is excellent and Nunn’s direction gives a diffuse show a carnivalesque unity. But, while Cats is enjoyable in itself, I’m not convinced it led musicals in the right direction." Michael Billington for The Guardian
"While Cats can’t mask the degree to which it’s rooted in the Eighties, it is a genuinely opulent ensemble piece with a surprising undercurrent of surrealism." Henry Hitchings for The Evening Standard
"In X Factor jargon, Miss Scherzinger nailed it, her low voice almost gasping with emotion, harmonising briefly with another singer before seizing back her solo and clinching it with lusty, self-discovering power. Meow meow meow!!" Quentin Letts for The Daily Mail
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Cats (2015-10-Palladium Theatre-London)
Type de série: RevivalThéâtre: Palladium Theatre (Londres - Angleterre) Durée : 2 mois 1 semaine Nombre : Première Preview : Friday 23 October 2015Première : Tuesday 27 October 2015Dernière : Saturday 02 January 2016Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Beverley Knight (Grizabella), Jack Butterworth (Rumpus/Alonzo), Danielle Cato (Cassandra), Javier Cid (Macavity/Admetus), Luke Cinque-White (Carbucketty), Emma Lee Clark (Bombalurina), Jon-Scott Clark (Bill Bailey), Gabrielle Cocca (Tantomile), Harry Francis (Mungojerrie), Tarryn Gee (Jemima), Evan James (Skimbleshanks), Matt Krzan (Munkustrap), Georgie Leatherland (Rumpelteazer), Adam Linstead (Old Deuteronomy), Paul F Monaghan (Gus/Growltiger/Bustopher Jones), Jane Quinn (Jennyanydots), Mark John Richardson (Quaxo/ Mistoffelees), Clare Rickard (Jellylorum), Jordan Shaw (Pouncival), Hannah Kenna Thomas (Victoria/ White Cat), James Titchener (Coricopat), Marcquelle Ward (Tugger) and Anna Woodside (Demeter). Swings: Megan Armstrong, Lindsay Atherton, Lucy Brushett, Oliver Ramsdale, Alex Pinder and Barry Haywood.Commentaires : Reprise de la version de l'année précédente avec Beverley Knight dans le rôle de Grizabella.Presse : "It’s Knight’s third musical on the trot and she is absolutely wonderful...singing with touching sensitivity and nuanced musicality rather just belting it out." Rupert Christiansen for The Telegraph
"Beverley Knight gets her claws into the part." Sam Marlowe for The Times
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Cats (2015-10-Théâtre Mogador-Paris)
Type de série: RevivalThéâtre: Théâtre Mogador (Paris - France) Durée : 9 mois Nombre : Première Preview : Thursday 01 October 2015Première : Thursday 01 October 2015Dernière : Sunday 03 July 2016Mise en scène : Trevor Nunn • Gillian Lynne • Chorégraphie : Gillian Lynne • Producteur : Avec : Prisca Demarez, Golan Yosef, Pierre-Yves Duchesne, Cédric Chupin, Nicolas Turconi, Stoyan Zmarzlik, Sylvain Mathis, Grégory Gonel, Wim Van Den Driessche, Lucas Radziejwski, Yoan Grojean, William Da Dilva Pedro, Axel Alvarez, Fabrice Todaro, Oonagh Jacobs, Emmanuelle Guélin, Vanessa Cailhol, Emmanuelle N’Zuzi, Léonie Thoms, Katharina Lochman, Alexandra Girard, Fédérica Capra, Pascale Bruderer, Virginie Perrier, Allessandro Ripamonti, Charlyne Ribul Conte, Denis Ayzin, Els Smekens.
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Cats (2016-08-Neil Simon Theatre-Broadway)
Type de série: RevivalThéâtre: Neil Simon Theatre (Broadway - Etats-Unis) Durée : 1 an 5 mois Nombre : Première Preview : Thursday 14 July 2016Première : Sunday 31 July 2016Dernière : Saturday 30 December 2017Mise en scène : Trevor Nunn • Chorégraphie : Gillian Lynne • Producteur : Avec : Mamie Parris (Grizabella), Giuseppe Bausilio (Carbucketty), Quentin Earl Darrington (Old Deuteronomy), Jeremy Davis (Skimbleshanks), Kim Faure (Demeter), Sara Jean Ford (Jellylorum), Lili Froehlich (Electra), Daniel Gaymon (Macavity), Shonica Gooden (Rumpleteazer), Christopher Gurr (Gus/Bustopher Jones), Tyler Hanes (Rum Tum Tugger), Andy Jones (Munkustrap), Kolton Krouse (Tumblebrutus), Eloise Kropp (Jennyanydots/Gumbie), Jess LeProtto (Mungojerrie), Georgina Pazcoguin (Victoria), Emily Pynenburg (Cassandra), Ariana Rosario (Sillabub), Ahmad Simmons (Alonzo), Christine Cornish Smith (Bombalurina), Corey Snide (Coricopat), Emily Tate (Tantomile), Ricky Ubeda (Mistoffelees), Sharrod Williams (Pouncival)Commentaires : One of Broadway's previously longest running and most popular musicals makes a special return to New York at the Neil Simon Theatre.Presse : "The overriding spirit of the revival appears to be the familiar motto: Don’t mess with success... This 'Cats' is fundamentally the 'Cats' you knew and loved when you were first bit by the musical-theater bug. Or it’s the “Cats” you knew and snickered at when you first encountered it." Charles Isherwood for New York Times
"Watching the lively yet enervating revival staged by Trevor Nunn, who directed the original 34 years ago, you can’t help but wonder how its first run lasted 18 years. Plotless, repetitive, nonsensical, the ’80s relic quickly turns tiresome enough to make you wish for a catnap. So much energy spent, so little impact." Joe Dziemianowicz for New York Daily News
"This was a lost opportunity. Rather than lamely re-creating the original (with some punchier added choreography by Andy Blankenbuehler), why not orchestrate the score for acoustic instruments, redo the costumes and dances, and find fresh drama underneath the tacky, dated pageantry? Instead we get a taxidermied pet. If there is heart to the piece, it’s Grizabella, the faded, outcast 'glamour cat.' British crooner Leona Lewis has a big, yearning voice, but even her (heavily amplified) yowling of 'Memory' can’t make the past worth revisiting." David Cote for Time Out New York
"The theatrical evolutions since 1982 make 'Cats' seem quaint and unsubstantial. It's really not a cohesive show, more a revue with a collection of bombastic rock songs connected by mangy fur." Mark Kennedy for Associated Press
"Although it remains to be seen whether this revival will live up to the original production's tagline of "Now and Forever," enough time has passed for a new generation of theatergoers to embrace the show, while those who saw the original (and liked it) will probably want to return for a blast of nostalgia. And with the dramatic upturn in tourists to the Big Apple in recent years, there's no reason to think that this Cats won't be purring on Broadway for a very long time." Frank Scheck for Hollywood Reporter
"As it was in the early days of this enduring musical, and still is, the genius of the show is in the dancing. At this early stage of the game, before the inevitable injuries and burnouts, the dancers are in perfectly splendid form. Quentin Earl Darrington has great authority as Old Deuteronomy, while Daniel Gaymon’s athletic Macavity, Andy Huntington Jones’ regal Munkustrap, and all the other members of the Jellicle tribe are flying high — now and forever." Marilyn Stasio for Variety
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Cherry Orchard (The) (2000-09-Cottesloe Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Dorfman TheatreDurée : 4 mois Nombre : 58 représentationsPremière Preview : InconnuPremière : Thursday 21 September 2000Dernière : Thursday 25 January 2001Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Vanessa Redgrave as 'Ranevskaya', Corin Redgrave as 'Gaev', Eve Best as 'Varya' and Michael Bryant as 'Firs', Roger Allan, Suzanne Bertish, Charlotte Emmerson, William Gaunt, Maxine Peake, James Thornton, Richard Henders, Ben Miles, Kate Dyson, Peter Eastland, Michael Gardiner, Rebekah McGowan, Jennifer Scott-Malden, Kate Wimpenny.Commentaires : 2 séries:
> Cottesloe (21/9/2000 - 25/1/2011) 58 représ devant 16.255 spect
> Olivier (3/2 - 31/3/2001) 41 représ devant 33.307 spect
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Cherry Orchard (The) (2001-02-Olivier Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 1 mois 3 semaines Nombre : 58 représentationsPremière Preview : Saturday 03 February 2001Première : Saturday 03 February 2001Dernière : Saturday 31 March 2001Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Vanessa Redgrave as 'Ranevskaya', Corin Redgrave as 'Gaev', Eve Best as 'Varya' and Michael Bryant as 'Firs', Roger Allan, Suzanne Bertish, Charlotte Emmerson, William Gaunt, Maxine Peake, James Thornton, Richard Henders, Ben Miles, Kate Dyson, Peter Eastland, Michael Gardiner, Rebekah McGowan, Jennifer Scott-Malden, Kate Wimpenny.Commentaires : 2 séries:
> Cottesloe (21/9/2000 - 25/1/2011) 58 représ devant 16.255 spect
> Olivier (3/2 - 31/3/2001) 41 représ devant 33.307 spect
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Chess (1986-05-Prince Edward Theatre-London)
Type de série: OriginalThéâtre: Prince Edward Theatre (Londres - Angleterre) Durée : 2 ans 11 mois Nombre : 1209 représentationsPremière Preview : Monday 05 May 1986Première : Wednesday 14 May 1986Dernière : Saturday 08 April 1989Mise en scène : Trevor Nunn • Chorégraphie : Molly Molloy • Producteur : Avec : Murray Head (Frederick Trumper), Elaine Paige (Florence Vassy), Tommy Korberg (Anatoly Sergievsky), John Turner (Alexander Molokov), Kevin Colson (Walter de Courcy), Tom Jobe (The Arbiter), Siobhan McCarthy (Svetlana Sergievsky), Grainne Renihan, Sally-Anne TriplettCommentaires : Once again this show had first seen light as a 1984 concept album LP.
Although the protagonists were not intended to represent any specific individuals, they were loosely based on chess grandmasters Bobby Fisher and Anatoly Karpov. The original director was Michael Bennett who had arranged for some very elaborate technical elements to be used, including creating a proscenium arch out of closed-circuit TV relays. He became seriously ill during rehearsals and was unable to continue, so the show was taken over by Trevor Nunn, who was forced to accept many of the scenic elements already created much against his will. Accordingly these screens were hardly used at all in the course of the show, to the confusion of the audience. Following its great success in London, the New York production opened in April 1988, with the book having undergone some re-writing and a few plot changes.
It was a flop, managing just over a month and some 68 performances. The London production ran three years.Commentaires longs: Originally supposed to begin previews on April 30, but technical difficulties forced them to postpone.
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Chess (1988-04-Imperial Theatre-Broadway)
Type de série: Original BroadwayThéâtre: Imperial Theatre (Broadway - Etats-Unis)
Durée : 1 mois 4 semaines Nombre : 17 previews - 68 représentationsPremière Preview : Monday 11 April 1988Première : Thursday 28 April 1988Dernière : Saturday 25 June 1988Mise en scène : Trevor Nunn • Chorégraphie : Lynne Taylor-Corbett • Producteur : Avec : Florence Vassy … Judy Kuhn
Freddie Trumper … Philip Casnoff
Anatoly Sergievsky … David Carroll
Svetlana Sergievsky … Marcia Mitzman
Molokov … Harry Goz
Arbiter … Paul Harman
Gregor Vassy … Neal Ben-Ari
Young Florence … Gina Gallagher
Walter … Dennis Parlato
Nickolai … Kurt JohnsCommentaires longs: Like musical theater, chess is an unpredictable game. There was no reason to suspect that London’s success could not be replicated in New York. Chess lasted for 3 years in London, but the New York production closed in less than 2 months.
The original story was thought to be too convoluted, and it seemed to put the Americans in a bad light. Richard Nelson was hired to revamp the entire story. Unfortunately he diluted the parts that might have caused discomfort among the American audience. He took away some of the lighter touches from the original story, and made it depressingly serious. And he added one character and one subplot too many.
The show opens in Bangkok, and moves to Budapest for the second act. Instead of having two tournaments, the American version is confined to just one tournament. A new character, Walter, who is Freddie’s business associate, is added. Freddie’s second, Florence, now has a long lost father whom she is asked to help defect to the West. However, in exchange for this favor, the KGB asks her to persuade her new-found lover and defector, Anatoly, to return to Russia.
It was probably not any one single factor that was responsible for Chess’s American demise. Some blamed Richard Nelson’s book. Others blamed the poisonous reviews by several influential theater critics, like New York Times' Frank Rich.
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Coast of Utopia (The) - Salvage (2002-08-Olivier Theatre-NT-London)
Type de série: OriginalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 3 mois 3 semaines Nombre : 44 représentationsPremière Preview : Thursday 27 June 2002Première : Saturday 03 August 2002Dernière : Saturday 23 November 2002Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Thomas Arnold, Eve Best, John Carlisle, Martin Chamberlain, Raymond Coulthard, Simon Day, Felicity Dean, Stephen Dillane, Janine Duvitski, Charlotte Emmerson, Rachel Ferjani, Guy Henry, Douglas Henshall, Richard Hollis, Jack James, Will Kean, Jennifer Scott Malden, Sarah Manton, Anna Maxwell Martin, Iain Mitchell, John Nolan, Paul Ritter, Nick Sampson, Jonathan Slinger, Janet Spencer-Turner, Kemal Sylvester, Sam Troughton, David Verry, Lucy Whybrow.Presse : BENEDICT NIGHTINGALE for THE TIMES says, "Refreshingly ambitious.....But the trilogy has its longueurs, its dips of energy, its relentlessly protracted arguments." CHARLES SPENCER for THE DAILY TELEGRAPH says, "Excellent in parts but less than Utopian." PAUL TAYLOR for THE INDEPENDENT says, "Stoppard's magnificent spectacle - just the five hours too long." ALASTAIR MACAULAY for THE FINANCIAL TIMES says, "I find this trilogy beautiful....The meanings of the play cohere as you watch, not as narrative but as poetry, and keep growing in recollection." MICHAEL BILLINGTON for THE GIUARDIAN says, "It opens up the subject of revolution while being politically partial. And it contains passages of breathtaking beauty and surprising ordinariness." NICHOLAS DE JONGH for THE EVENING STANDARD says, "Nothing of such intellectual ambition, such daring or epic scope has marked the National Theatre's thirty-eight year history as this brain-storm trilogy of plays by Tom Stoppard." JOHN THAXTER for THE STAGE says, "Stoppard's three plays lack a simple narrative drive and it seems likely that only Voyage, the most Chekhovian, will enjoy regular revivals."
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Coast of Utopia (The) - Shipwreck (2002-08-Olivier Theatre-NT-London)
Type de série: OriginalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 3 mois 3 semaines Nombre : 45 représentationsPremière Preview : Thursday 27 June 2002Première : Saturday 03 August 2002Dernière : Saturday 23 November 2002Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Thomas Arnold, Eve Best, John Carlisle, Martin Chamberlain, Raymond Coulthard, Simon Day, Felicity Dean, Stephen Dillane, Janine Duvitski, Charlotte Emmerson, Rachel Ferjani, Guy Henry, Douglas Henshall, Richard Hollis, Jack James, Will Kean, Jennifer Scott Malden, Sarah Manton, Anna Maxwell Martin, Iain Mitchell, John Nolan, Paul Ritter, Nick Sampson, Jonathan Slinger, Janet Spencer-Turner, Kemal Sylvester, Sam Troughton, David Verry, Lucy Whybrow.Presse : BENEDICT NIGHTINGALE for THE TIMES says, "Refreshingly ambitious.....But the trilogy has its longueurs, its dips of energy, its relentlessly protracted arguments." CHARLES SPENCER for THE DAILY TELEGRAPH says, "Excellent in parts but less than Utopian." PAUL TAYLOR for THE INDEPENDENT says, "Stoppard's magnificent spectacle - just the five hours too long." ALASTAIR MACAULAY for THE FINANCIAL TIMES says, "I find this trilogy beautiful....The meanings of the play cohere as you watch, not as narrative but as poetry, and keep growing in recollection." MICHAEL BILLINGTON for THE GIUARDIAN says, "It opens up the subject of revolution while being politically partial. And it contains passages of breathtaking beauty and surprising ordinariness." NICHOLAS DE JONGH for THE EVENING STANDARD says, "Nothing of such intellectual ambition, such daring or epic scope has marked the National Theatre's thirty-eight year history as this brain-storm trilogy of plays by Tom Stoppard." JOHN THAXTER for THE STAGE says, "Stoppard's three plays lack a simple narrative drive and it seems likely that only Voyage, the most Chekhovian, will enjoy regular revivals."
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Coast of Utopia (The) - Voyage (2002-08-Olivier Theatre-NT-London)
Type de série: OriginalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 3 mois 3 semaines Nombre : 56 représentationsPremière Preview : Thursday 27 June 2002Première : Saturday 03 August 2002Dernière : Saturday 23 November 2002Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Thomas Arnold, Eve Best, John Carlisle, Martin Chamberlain, Raymond Coulthard, Simon Day, Felicity Dean, Stephen Dillane, Janine Duvitski, Charlotte Emmerson, Rachel Ferjani, Guy Henry, Douglas Henshall, Richard Hollis, Jack James, Will Kean, Jennifer Scott Malden, Sarah Manton, Anna Maxwell Martin, Iain Mitchell, John Nolan, Paul Ritter, Nick Sampson, Jonathan Slinger, Janet Spencer-Turner, Kemal Sylvester, Sam Troughton, David Verry, Lucy Whybrow.Presse : BENEDICT NIGHTINGALE for THE TIMES says, "Refreshingly ambitious.....But the trilogy has its longueurs, its dips of energy, its relentlessly protracted arguments." CHARLES SPENCER for THE DAILY TELEGRAPH says, "Excellent in parts but less than Utopian." PAUL TAYLOR for THE INDEPENDENT says, "Stoppard's magnificent spectacle - just the five hours too long." ALASTAIR MACAULAY for THE FINANCIAL TIMES says, "I find this trilogy beautiful....The meanings of the play cohere as you watch, not as narrative but as poetry, and keep growing in recollection." MICHAEL BILLINGTON for THE GIUARDIAN says, "It opens up the subject of revolution while being politically partial. And it contains passages of breathtaking beauty and surprising ordinariness." NICHOLAS DE JONGH for THE EVENING STANDARD says, "Nothing of such intellectual ambition, such daring or epic scope has marked the National Theatre's thirty-eight year history as this brain-storm trilogy of plays by Tom Stoppard." JOHN THAXTER for THE STAGE says, "Stoppard's three plays lack a simple narrative drive and it seems likely that only Voyage, the most Chekhovian, will enjoy regular revivals."
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Comedy of errors (The) (1976-09-Royal Shakespeare Theatre-Stratford-Upon-Avon)
Type de série: OriginalThéâtre: Royal Shakespeare Theatre (Stratford-Upon-Avon - Angleterre) Durée : Nombre : Première Preview : Wednesday 29 September 1976Première : Wednesday 29 September 1976Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Aucun • Producteur :
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Comedy of errors (The) (1977-06-Aldwych Theatre-London)
Type de série: RevivalThéâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : Wednesday 22 June 1977Première : Wednesday 22 June 1977Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Aucun • Producteur :
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Comedy of errors (The) (1977-12-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Wednesday 14 December 1977Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Dench Judi (Adriana), Jones Griffith (Aegeon), Kean Marie (Aemelia), Brooke Paul (Angelo), Gwilym Mike (Antipholus of Ephesus), Rees Roger (Antipholus of Syracuse), Tyrrell Norman (Balthazar), Du Sautoy Carmen (Courtesan), Woodvine John (Dr Pinch), Fitzwilliam Neil (Dromio of Ephesus), Williams Michael (Dromio of Syracuse), Bland Marjorie (Girl), Brown Bobbie (Girl), Carson Avril (Girl), Dury Susan (Luce), Guard Pippa (Luciana), Taylor Keith (Merchant), Witkin Jacob (Merchant), Davies Meg (Nell), Griffiths Richard Thomas (Officer), Cody Alan (Pimp), Coburn Brian (Solinus), Begley Kim (Waiter), Woodward Peter (Waiter), Whitworth Paul (Waiter at The Tiger)Commentaires : Un spectacle de la RSC.
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Coriolanus (1973-10-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Monday 22 October 1973Dernière : InconnuMise en scène : Trevor Nunn • Buzz Goodbody • Euan Smith • Chorégraphie : Producteur : Avec : Angadi Darien (Adrian), Oates Robert (Aedile 1), Sheridan Mark (Aedile 2), Jenkinson Christopher (Captain), Angadi Darien (Citizen), Bellamy Madeline (Citizen), Burton Loftus (Citizen), Carte Eric (Citizen), Charles Joseph (Citizen), Egan Michael (Citizen), Ford Edwina (Citizen), Gaymon Paul (Citizen), Jenkinson Christopher (Citizen), Kaye Malcolm (Citizen), Lidstone Jill (Citizen), Livingstone Sidney (Citizen), Marcell Joe (Citizen), Milman Martin (Citizen), Murphy Gerard (Citizen), Oates Robert (Citizen), Osoba Tony (Citizen), Rowlands Anthony (Citizen), Sheridan Mark (Citizen), Taylor Keith (Citizen), Whybrow Arthur (Citizen), Sheppard Morgan (Citizen 1), Whybrow Arthur (Citizen 2), Kaye Malcolm (Citizen 3), Gaymon Paul (Citizen 4), Oates Robert (Citizen 5), Selby Nicholas (Cominius), Williamson Nicol (Coriolanus), Bellamy Madeline (Gentlewoman 1), Lidstone Jill (Gentlewoman 2), Locke Philip (Junius Brutus), Angel Matthew (Martius (alt)), Howard-Lee Christopher (Martius (alt)), Dignam Mark (Menenius), Livingstone Sidney (Officer 1), Taylor Keith (Officer 2), Bott John (Senator 1), Milman Martin (Senator 2), Stokes Desmond (Senator 3), Pearce Lennard (Senator 4), Egan Michael (Senator 5), Angadi Darien (Servingman), Osoba Tony (Servingman), Burton Loftus (Servingman 1), Marcell Joe (Servingman 2), Charles Joseph (Servingman 3), Nettleton John (Sicinius Velutus), Brown Walter (Titus Lartius), James Oscar (Tullus Aufidius), Angadi Darien (Tullus Lieutenant), Ford Edwina (Valeria), Allnutt Wendy (Virgilia), Osoba Tony (Volscian Citizen), Stokes Desmond (Volscian Elder 1), Pearce Lennard (Volscian Elder 2), Osoba Tony (Volscian Elder 3), Burton Loftus (Volscian Soldier), Charles Joseph (Volscian Soldier), Marcell Joe (Volscian Soldier), Osoba Tony (Volscian Soldier), Tyzack Margaret (Volumnia), Marcell Joe (Watch 1), Osoba Tony (Watch 2)Commentaires : Un spectacle de la RSC.
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Cricket (1986-06-Windsor Castle-Londres)
Type de série: OriginalThéâtre: Windsor Castle (Londres - Angleterre) Durée : Nombre : 0 previews - 1 représentationsPremière Preview : Wednesday 18 June 1986Première : Wednesday 18 June 1986Dernière : Wednesday 18 June 1986Mise en scène : Trevor Nunn • Chorégraphie : Aucun • Producteur :
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Cricket (1986-07-Sydmonton Festival)
Type de série: RevivalThéâtre: Sydmonton Festival (Sydmonton - Angleterre) Durée : Nombre : 0 previews - 1 représentationsPremière Preview : Saturday 05 July 1986Première : Saturday 05 July 1986Dernière : Saturday 05 July 1986Mise en scène : Trevor Nunn • Chorégraphie : Aucun • Producteur :
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Don't Make Me Laugh (1965-02-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 04 February 1965Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Brack Philip (Corporal), Williams Michael (Sergeant), Jago June (Woman), Hinsliff Geoffrey (Youth)Commentaires : Un spectacle de la RSC.
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Fatal Attraction (2014-03-Haymarket Theatre-London)
Type de série: OriginalThéâtre: Haymarket Theatre (Londres - Angleterre) Durée : 2 mois 3 semaines Nombre : Première Preview : Saturday 08 March 2014Première : Tuesday 25 March 2014Dernière : Saturday 21 June 2014Mise en scène : Trevor Nunn • Chorégraphie : Producteur :
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Fiddler on the Roof (2018-12-Menier Chocolate Factory-London)
Type de série: RevivalThéâtre: Menier Chocolate Factory (Londres - Angleterre)
Durée : 3 mois Nombre : Première Preview : Friday 23 November 2018Première : Wednesday 05 December 2018Dernière : Saturday 09 March 2019Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Andy Nyman (Tevye), Judy Kuhn (Golde), Harriet Bunton (Hodel), Dermot Canavan (Lazar Wolf), Stewart Clarke (Perchik), Matt Corner (Fyedka), Joshua Gannon (Motel), Louise Gold (Yente), Kirsty MacLaren (Chava), Molly Osborne (Tzeitel), Miles Barrow, Sofia Bennett, Lottie Casserley, Lia Cohen, Shoshana Ezequiel, Fenton Gray, James Hameed, Matthew Hawksley, Matilda Hopkins, Adam Margilewski, Robert Maskell, Benny Maslov, Gaynor Miles, Ellie Mullane, Craig Pinder, Valentina Theodoulou.
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Fiddler on the Roof (2019-03-Playhouse Theatre-London)
Type de série: West End TransferThéâtre: Playhouse Theatre (Londres - Angleterre) Durée : 7 mois 1 semaine Nombre : Première Preview : Thursday 21 March 2019Première : Wednesday 27 March 2019Dernière : Saturday 02 November 2019Mise en scène : Trevor Nunn • Chorégraphie : Jerome Robbins • Math Cole • Producteur : Avec : Andy Nyman (Tevye), Maria Friedman (Golde), Anita Dobson (Yente), Nicola Brown (Chava), Harriet Bunton (Hodel), Dermot Canavan (Lazar Wolf), Stewart Clarke (Perchik), Joshua Gannon (Motel), Matthew Hawksley (Fyedka), Molly Osbourne (Tzeitel), Miles Barrow, Philip Bertioli, Fenton Gray, James Hameed, Adam Linstead, Adam Margilewski, Robert Maskell, Robyn McIntyre, Gaynor Miles, Ellie Mullane, Tania Newton, George Olney, Craig Pinder, Ed Wade, Taylor Walker, Sofia Bennett, Lottie Casserley, Elena Cervesi, Lia Cohen, Talia Etherington, Shoshana Ezequiel, Isabella Foat, Valentina Theodoulou.Commentaires : Fiddler on the Roof has transferred to the West End's Playhouse Theatre following its revival at the Menier Chocolate Factory, with director Trevor Nunn giving Joseph Stein, Jerry Bock and Sheldon Harnick's classic musical a new lease of life. The production opened in the West End to the Playhouse Theatre on 27th March 2019, after tickets for Fiddler on the Roof at the Menier Chocolate Factory in London sold out.
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Flare Path (2011-03-Haymarket Theatre-London)
Type de série: RevivalThéâtre: Haymarket Theatre (Londres - Angleterre) Durée : 3 mois Nombre : Première Preview : Friday 04 March 2011Première : Thursday 10 March 2011Dernière : Saturday 11 June 2011Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Sienna Miller (Patricia), James Purefoy (Peter), Sheridan Smith (Doris) , Joe Armstrong (Dusty), Sarah Crowden (Mrs.Oakes), Clive Woods (Swanson), Jim Creighton (Wiggy Jones), Mark Dexter (Count Skriczevinsky), Harry Hadden-Paton (Teddy), Emma Handy (Maudie), Matthew Tennyson (Percy)Presse : "Magnificent revival...overwhelmingly moving."
Michael Billington for The Guardian
"Richly entertaining and beautifully judged revival of this theatrical rarity."
Paul Taylor for The Independent
"Superb production as a three-handkerchief weepie that somehow manages to be both profoundly moving and wonderfully funny."
Charles Spencer for The Daily Telegraph
"...tempted to nod off in parts...the pace limps along like a battle-battered Wellington bomber flying on one engine."
Paul Callan for The Daily Express
"Sir Trevor's direction is lucid and scrupulously precise...polished and potent."
Henry Hitchings for The Evening Standard
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Gone with the Wind (2008-04-New London Theatre-London)
Type de série: OriginalThéâtre: Gillian Lynne Theatre (Londres - Angleterre)
Durée : 1 mois 3 semaines Nombre : 79 représentationsPremière Preview : Saturday 05 April 2008Première : Tuesday 22 April 2008Dernière : Saturday 14 June 2008Mise en scène : Trevor Nunn • Chorégraphie : David Bolger • Producteur : Avec : Jill Paice (Scarlett O’Hara), Darius Danesh (Rhett Butler), Edward Baker-Duly (Ashley Wilkes), Madeleine Worral (Melanie Hamitlon), Natasha Yvette Williams (Mammy), Jina Burrows (Prissy), Susan Jane Tanner (Aunt Pittypat), Jeff Shankley (Dr Meade), Julian Forsyth, Susannah Fellows, Ray Shell.Commentaires : Based on the 1936 novel by Margaret Mitchell and the subsequent film–script, the epic “Gone with the Wind” had become one of the most popular and best-remembered stories of the 20th Century. Drawing on his experience with “Nicholas Nickleby” in 1980, Trevor Nunn used the same technique to cram the 1000 page novel into three and a half hours onstage: relying heavily on multiple narrators who rattle through the plot by interspersing dialogue with large chunks of narration straight from the novel. Accordingly, the songs seem constantly to interrupt the proceedings rather than deepening or adding to the story. The production included some tentative efforts at political correctness by supplying the slaves with some attractive gospel songs and spirituals and by turning Prissy (the lazy and stupid slave-girl from the film version) into a sanitised, witty would-be teacher. However, the film’s splendid epic quality is sorely missed - the much-remembered burning of Atlanta sequence is represented by some orange lights and the burning of a Confederate flag – and with 36 actors playing over 90 parts the show often becomes a blur of activity, some of it blundering and clumsy, and some of it moving so quickly that the audience could not keep up with the plot. There was praise for the performers and the design, but, all in all, it was felt to be a self-indulgent, prolonged vanity exercise for the composer and the director, and a painfully drawn out and tedious exercise for the audience. Although initially bookings were accepted up to the end of September, the show was finally withdrawn on June 14 th after 79 performances.Commentaires longs: Une version musicale "honnête" de 'Gone with the wind'. Les critiques ont été catatstrophiques et le spectacle a été plombé dès le début… Sans doute, de manière totalement exagérée. Le spectacle est long, il est vrai. Et alors? Les artistes sont de qualité, la mise en scène simple mais efficace. On a vu nettement pire ailleurs sans que cela déclenche une levée de bouclier pareille.Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "Is a small, well-placed tornado in the vicinity of the theatre too much to hope for?...I found it a cruel, unusual punishment."
PAUL TAYLOR for THE INDEPENDENT says, "The show is neither as bad as one feared nor as good as one has a right to expect."
MICHAEL BILLINGTON for THE GUARDIAN says, "The problem is structural: how do you cram a 1,000-page novel into three-and-a-half hours of stage time? The answer is "with great difficulty...there is something extravagantly pointless about the whole enterprise."
CHARLES SPENCER for THE DAILY TELEGRAPH says, "Soullessly efficient show merely feels like one damn thing after another, an endless parade of unexciting incidents that leaves the viewer feeling neither shaken nor stirred."
BENEDICT NIGHTINGALE for THE TIMES says, " It just doesn’t have the variety, the quirkiness or the moral power. And it doesn’t need the tunes."
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Hedda Gabler (1975-07-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Tuesday 15 July 1975Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : St Clement Pam (Bertha), Stewart Patrick (Eilert Lovborg), Eyre Peter (George Tesman), Jackson Glenda (Hedda Tesman), West Timothy (Judge Brack), Chapman Constance (Juliana Tesman), Linden Jennie (Mrs Elvsted)Commentaires : Un spectacle de la RSC.
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Henry V (1965-05-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 27 May 1965Dernière : InconnuMise en scène : Trevor Nunn • John Barton • Chorégraphie : Producteur : Avec : Collier Patience (Alice), Hardwick Paul (Ancient Pistol), Rigby Terence (Bates), Sheppard Morgan (Bishop of Ely), McClelland Fergus (Boy), Nettleton John (Canterbury), Marsden Robert (Chorus), Porter Eric (Chorus), Brack Philip (Constable of France), Wynne Ken (Corporal Nym), Harrison Peter (Court), Bryant Michael (Dauphin), Farnsworth Michael (Duke of Bedford), Lissek Leon (Duke of Bourbon), Sullivan Hugh (Duke of Burgundy), Jayston Michael (Duke of Exeter), Bell Colin (Duke of Gloucester), Hussey John (Duke of Orleans), Steiner John (Earl of Cambridge), Clayton Edward (English Herald), Malcolm John (Erpingham), Marsden Robert (Erpingham), Nettleton John (Fluellen), Hardy Timothy (French Messenger), Harries Davyd (Governor of Harfleur), Normington John (Gower), Holm Ian (Henry V), Collier Patience (Hostess), Hamilton Gabrielle (Isabel), Hogg Ian (Jamy), Dotrice Michele (Katherine), Selby Nicholas (King of France), Malcolm John (Lieutenant Bardolph), Sullivan Hugh (Macmorris), Wynne Ken (Monsieur Lefeu), Rose Clifford (Montjoy), Blair Isla (Unnamed parts), Collier Ian (Unnamed parts), David David (Unnamed parts), Donaldson Peter (Unnamed parts), Fuerst Tamara (Unnamed parts), Gordon Guy (Unnamed parts), Harrison Peter (Unnamed parts), Hogg Ian (Unnamed parts), Lodge Andrew (Unnamed parts), Mair Peter (Unnamed parts), McDowell Malcolm (Unnamed parts), Moore Richard (Unnamed parts), Percival Michael (Unnamed parts), Pinkney Lyn (Unnamed parts), Sewards Terence (Unnamed parts), Trowell Stanford (Unnamed parts), Sheppard Morgan (Williams)Commentaires : Un spectacle de la RSC.
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Henry VIII (1970-12-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 17 December 1970Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Harrow Lisa (Anne Bullen), Shannon Michael (Bishop of Lincoln), Berwyn John (Brandon), Pedley Anthony (Cardinal Campeius), Mason Brewster (Cardinal Wolsey), Henderson Don (Commoner), Mackenzie Boyd (Commoner), Pedley Anthony (Commoner), Shannon Michael (Commoner), Alexander Maev (Coronation Lady), Cannon Madeleine (Coronation Lady), James Emrys (Cranmer), Mackenzie Boyd (Crier), Hutchings Geoffrey (Cromwell), Bromley Sydney (Doctor Butts), Shannon Michael (Doctor Butts), Messaline Peter (Doorkeeper), Dyson Anne (Duchess of Norfolk), Pasco Richard (Duke of Buckingham), Dench Jeffery (Duke of Norfolk), Holmes Denis (Duke of Suffolk), Gambon Michael (Earl of Surrey), Sinclair David (Executioner), Smith Derek (Gardiner), Geddis Peter (Gentleman 1), Reid Gordon (Gentleman 2), Bailie David (Gentleman 3), Bailie David (Guard), Biggins Christopher (Guard), Donaghy Pip (Guard), Henderson Don (Guard), Pedley Anthony (Guard), Sinden Donald (Henry VIII), Alexander Maev (Lady), Aykroyd Juliet (Lady), Cannon Madeleine (Lady), Hall Carol (Lady), Harrow Lisa (Lady), Clarke Basil (Lord), Gambon Michael (Lord), Henderson Don (Lord), Messaline Peter (Lord), Sinclair Peter (Lord), Sinclair David (Lord Abergavenny), Selby Nicholas (Lord Chamberlain), Clarke Basil (Lord Chancellor), Clarke Basil (Lord Sands), Whiteside Janet (Marchioness Dorset), Dundas David (Masquer), Holmes Denis (Masquer), Mackenzie Boyd (Masquer), Messaline Peter (Masquer), Sinclair David (Masquer), Dyson Anne (Old Lady), Brown Stephen (Page), Collis George (Page), Harrison David (Page), Heywood Richard (Page), Jones Joseph (Page), Samuels Martin (Page), Wistreich Adrian (Page), Collis George (Page to Gardiner), Whiteside Janet (Patience), Henderson Don (Porter), Mackenzie Boyd (Porter's Man), Ashcroft Peggy (Queen Katharine), Bailie David (Reveller), Berwyn John (Reveller), Bromley Sydney (Reveller), Biggins Christopher (Scribe), Donaghy Pip (Scribe), Gambon Michael (Scribe), Geddis Peter (Scribe), Reid Gordon (Scribe), Sinclair David (Scribe), Biggins Christopher (Secretary), Gambon Michael (Secretary), Messaline Peter (Secretary), Mackenzie Boyd (Sergeant-at-Arms), Biggins Christopher (Servant), Anderson Miles (Sir Henry Guildford), Dundas David (Sir Nicholas Vaux), Mayes Richard (Sir Thomas Lovell), Shannon Michael (Surveyor)Commentaires : Un spectacle de la RSC.
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If There Weren't Any Blacks … (1965-02-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 04 February 1965Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Jones Freddie (Backwards Man), Wynne Ken (Blind Man), Steiner John (Young Man)Commentaires : Un spectacle de la RSC.
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In Extremis / De Profundis (2000-11-Cottesloe Theatre-NT-London)
Type de série: OriginalThéâtre: National Theatre (Londres - Angleterre) Salle : Dorfman TheatreDurée : 1 mois 1 semaine Nombre : 15 représentationsPremière Preview : Friday 03 November 2000Première : Tuesday 07 November 2000Dernière : Saturday 16 December 2000Mise en scène : Trevor Nunn • Corin Redgrave • Chorégraphie : Producteur : Avec : Corin Redgrave as 'Wilde', Sheila HancockPresse : DOMINIC CAVENDISH for THE DAILY TELEGRAPH says, "This double-bill on the National's Cottesloe stage - a new play by Neil Bartlett and a monologue woven from De Profundis by Merlin Holland, both starring Corin Redgrave as the king of bons mots - is an elegant, unsentimental affair." SUSANNAH CLAPP for the OBSERVER says, " Redgrave's performance in De Profundis .....is impressive, though his Irish cadences see-saw repetitively." JOHN THAXTER for THE STAGE says, "The Play ( In Extremis) sits heavily on Redgrave's shoulders, but Sheila Hancock...gives a many-layered portrayal of a woman teasingly recalling this encounter from beyond the grave." MADELEINE NORTH for TIME OUT says, "This is an imaginative pairing, offering an intimacy with Wilde only a dramatisation of this kind could achieve."
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Julius Cesar (1973-10-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Tuesday 23 October 1973Dernière : InconnuMise en scène : Trevor Nunn • Buzz Goodbody • Euan Smith • Chorégraphie : Producteur : Avec : Livingstone Sidney (A Poet), Bott John (A Soothsayer), Jenkinson Christopher (Antony's Lieutenant), Godfrey Patrick (Artemidorus), Stewart Patrick (Caius Cassius), Gaymon Paul (Caius Ligarius), Rutherford Mary (Calpurnia), Locke Philip (Casca), Stokes Desmond (Cicero), Price Emlyn (Cinna), Pearce Lennard (Cinna the Poet), Oates Robert (Citizen 1), Whybrow Arthur (Citizen 2), Livingstone Sidney (Citizen 3), Egan Michael (Citizen 4), Sheridan Mark (Citizen 5), Sheridan Mark (Claudius), Taylor Keith (Clitus), Price Emlyn (Dardanius), Milman Martin (Decius Brutus), Brown Walter (Flavius), Dignam Mark (Julius Caesar), Price Emlyn (Lepidus), Bott John (Lucilius), Marcell Joe (Lucius), Johnson Richard (Marcus Antonius), Wood John (Marcus Brutus), Godfrey Patrick (Marullus), Brown Walter (Messala), Pigott-Smith Tim (Metellus Cimber), Redgrave Corin (Octavius Caesar), Hunt Gareth (Octavius' Lieutenant), Charles Joseph (Pindarus), Livingstone Sidney (Popilius Lena), Tyzack Margaret (Portia), Stokes Desmond (Strato), Pigott-Smith Tim (Titinius), Taylor Keith (Trebonius), Bellamy Madeline (Unnamed parts), Bott John (Unnamed parts), Brown Walter (Unnamed parts), Charles Joseph (Unnamed parts), Ford Edwina (Unnamed parts), Gaymon Paul (Unnamed parts), Godfrey Patrick (Unnamed parts), Hunt Gareth (Unnamed parts), Jenkinson Christopher (Unnamed parts), Lidstone Jill (Unnamed parts), Milman Martion (Unnamed parts), Osoba Tony (Unnamed parts), Pearce Lennard (Unnamed parts), Pigott-Smith Tim (Unnamed parts), Stokes Desmond (Unnamed parts), Taylor Keith (Unnamed parts), Whybrow Arthur (Unnamed parts), Oates Robert (Varro), Milman Martin (Volumnius)Commentaires : Un spectacle de la RSC.
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Juno and the Paycock (1980-10-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Tuesday 07 October 1980Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Rodway Norman (Captain Jack Boyle), Murray Bryan (Charles Bentham), Lambert Mark (Coal Block Vendor), Wallace Kevin (Furniture Man 1), Wilmot Ronan (Furniture Man 2), Grimes Frank (Jerry Deoine), Murphy Gerard (Johny Boyle), Rogan John (Joxer Daly), Dench Judi (Juno Boyle), Molloy Dearbhla (Mary Boyle), Keogh Doreen (Mrs Madigan), Kean Marie (Mrs Tancred), Stewart Ritchie (Needle Nugent), Alexander Denyse (Neighbour), Briars Shevaun (Neighbour), Cosgrave Frankie (Neighbour), Gallivan Colum (Sewing Machine Man)Commentaires : Un spectacle de la RSC.
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King Lear (1977-05-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Monday 02 May 1977Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Lunghi Cherie (Cordelia), Hicks Greg (Cornwall's Steward), Sagoo Dev (Curan), Clinton Dennis (Doctor), Nettles John (Duke of Albany), Hicks Greg (Duke of Burgundy), Moriarty Paul (Duke of Cornwall), Church Tony (Earl of Gloucester), Peck Bob (Earl of Kent), Pennington Michael (Edgar), Shelley Paul (Edmund), Williams Michael (Fool), Lyon David (Gentleman), Pollitt Clyde (Gloucester's Steward), Leigh-Hunt Barbara (Goneril), Hicks Greg (Herald), Sinden Donald (King Lear), Zuber Mark (King of France), Clinton Dennis (Old Man), Howey David (Oswald), Davies Meg (Regan), Cashman Michael (Unnamed parts), Galloway Jack (Unnamed parts), Hicks Greg (Unnamed parts), Molina Alfred (Unnamed parts), Pollitt Clyde (Unnamed parts), Sagoo Dev (Unnamed parts), Zuber Marc (Unnamed parts)Commentaires : Un spectacle de la RSC.
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King Lear (2007-11-New London Theatre-London)
Type de série: RevivalThéâtre: Gillian Lynne Theatre (Londres - Angleterre) Durée : 1 mois 2 semaines Nombre : Première Preview : Wednesday 14 November 2007Première : Wednesday 28 November 2007Dernière : Saturday 12 January 2008Mise en scène : Trevor Nunn • Chorégraphie : Aucun • Producteur : Avec : Ian Mckellen (King Lear ), Ben Addis (King Of France), Frances Barber (Goneril), Adam Booth (1st Knight), Zoe Boyle (Goneril's Lady In Waiting), Russell Byrne (Doctor), Naomi Capron (Servant ), Monica Dolan (Regan), Romola Garai (Cordelia), William Gaunt (Gloucester), Richard Goulding (2nd Knight), Julian Harries (Albany ), John Heffernan (Oswald), Peter Hinton (Duke Of Burgundy), Jonathan Hyde (Kent), Melanie Jessop (3rd Servant), Gerald Kyd (Servant), Seymour Matthews (Curan), Sylvester Mccoy (Fool), Ben Meyjes (Edgar), David Weston (Gentleman), Guy Williams (Cornwall), Philip Winchester (Edmund)Commentaires longs: Une production de la RSCPresse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "[Ian McKellen's] Lear proves no more profound or adventurous than a jovial, charity jog." SARAH HEMMING for THE FINANCIAL TIMES says, "It is a production distinguished by energetic intelligence and lucidity: Nunn brings out the symmetries and ironies in the play." MICHAEL BILLINGTON for THE GUARDIAN says, "Trevor Nunn's extraordinarily lucid King Lear...Ian McKellen's mesmerising performance...this is a fine production that proves McKellen is every inch a Lear." CHARLES SPENCER for THE DAILY TELEGRAPH says, "Ian McKellen charts every stage of Lear's terrible journey with clarity and intelligence...Impressive...But, in the final analysis...just miss true greatness." BENEDICT NIGHTINGALE for THE TIMES says, "A superlative performance from McKellen."
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Kiss me Kate (2012-11-Old Vic-London)
Type de série: RevivalThéâtre: Old Vic (Londres - Angleterre) Durée : 3 mois Nombre : Première Preview : Tuesday 20 November 2012Première : Tuesday 27 November 2012Dernière : Saturday 02 March 2013Mise en scène : Trevor Nunn • Chorégraphie : Stephen Mear • Producteur : Presse : "A lengthy but slick show with high production values."
Fiona Mountford for The Evening Standard
"Though it is the effervescent wit of Cole Porter’s songs, with their insolently ingenious double and triple rhymes and unforgettable melodies, that are the star attraction, Sam and Bella Spewack’s book crackles with comic energy and great one-liners, while also finding moments of tenderness and hurt amid the dizzy joie-de-vire...Frankly, nights at the theatre don’t often come more enjoyable than this."
Charles Spencer for The Daily Telegraph
"This talent-packed production has all the right ingredients – but falls short of excellence."
Ian Shuttleworth for The Financial Times
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Lettice and Lovage (2017-05-Menier Chocolate Factory-London)
Type de série:Théâtre: Menier Chocolate Factory (Londres - Angleterre) Durée : 1 mois 3 semaines Nombre : Première Preview : Thursday 04 May 2017Première : Wednesday 17 May 2017Dernière : Saturday 08 July 2017Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Felicity Kendal, Maureen Lipman, Petra Markham and Sam DastorCommentaires : This elegant and light British comedy by the author of Equus and Amadeus won the Tony Award for Best Play.
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Life and Adventures of Nicholas Nickleby (The) (1980-06-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : 1 mois Nombre : Première Preview : InconnuPremière : Saturday 21 June 1980Dernière : Saturday 26 July 1980Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Producteur : Avec : Rashbrook Stephen (Alphonse), Dench Jeffery (Arthur Gride), Rashbrook Stephen (Belling), Kempner Teddy (Benjamin), Tandy Mark (Bolder), Pollitt Clyde (Brooker), Hawkins Andrew (Captain Adams), Crowden Graham (Casino Proprietor), Meredith David Lloyd (Charles Cheeryble), Pollitt Clyde (Coachman), Hawkins Andrew (Coates), Matshikiza John (Cobbey), Tyrrell Norman (Colonel Chowser), Spall Timothy (Croupier), Bertish Suzanne (Fanny Squeers), Jones Griffith (Flunkey), Kightley Timothy (Flunkey), Ravenscroft Christopher (Frank Cheeryble), Kingsley Ben (Furious Gentleman), Gill Alan (George), Gill Alan (Graymarsh), Travers-Deacon Clare (Hannah), Petherbridge Edward (Hawk's Rival), Peasgood Julie (Infant Phenomenon), Godfrey Patrick (Irate Gentleman), Gecks Nicholas (Jackson), Harvey Terence (Jennings), Peck Bob (John Browdie), Littler Susan (Kate Nickleby), Gill Alan (Keeper), Dench Jeffery (Landlord), Gecks Nicholas (Lord Verisopht), Whiteley Thelma (Madame Mantalini), Hammond-Hill Juliet (Madeline Bray), Godfrey Patrick (Man Next Door), Tandy Mark (Master Crummles), Phillips Neil (McTaggart), Bertish Suzanne (Milliner), Bower Sharon (Milliner), East Ian (Milliner), Hammond-Hill Juliet (Milliner), Harrison Cathryn (Milliner), Maxwell William (Milliner), Peasgood Julie (Milliner), Rashbrook Stephen (Milliner), Travers-Deacon Clare (Milliner), Dale Janet (Miss Belvawney), Bower Sharon (Miss Bravassa), Travers-Deacon Clare (Miss Gazingi), Downs Jane (Miss Green), Dale Janet (Miss Knag), Hill Rose (Miss La Creevy), Hammond-Hill Juliet (Miss Ledrock), Harrison Cathryn (Miss Petowker), Bertish Suzanne (Miss Snevellicci), Ravenscroft Christopher (Mobbs), Travers-Deacon Clare (Morleena Kenwigs), Rashbrook Stephen (Mr Bane), Dench Jeffery (Mr Blightey), Harvey Terence (Mr Bonney), East Ian (Mr Crowl), Rees Hubert (Mr Curdle), Dench Jeffery (Mr Cutler), Jones Griffith (Mr Fluggers), Spall Timothy (Mr Folair), Hawkins Andrew (Mr Hetherington), Godfrey Patrick (Mr Kenwigs), Phillips Neil (Mr Lenville), Kightley Timothy (Mr Lillyvick), McEnery John (Mr Mantalini), Maxwell William (Mr Pailey), Kempner Teddy (Mr Pluck), Matshikiza John (Mr Pyke), Maxwell William (Mr Snawley), McEnery John (Mr Snevellicci), Ravenscroft Christopher (Mr Snobb), Kingsley Ben (Mr Squeers), Kingsley Ben (Mr Wagstaff), Horn Roderick (Mr Wititterley), Kaye Lila (Mrs Crummles), Littler Susan (Mrs Curdle), Dale Janet (Mrs Cutler), Hill Rose (Mrs Grudden), King Shirley (Mrs Kenwigs), Bower Sharon (Mrs Kenwigs' Sister), King Shirley (Mrs Lenville), Downs Jane (Mrs Nickleby), Dale Janet (Mrs Snawley), Whiteley Thelma (Mrs Snevellicci), Kaye Lila (Mrs Squeers), Dale Janet (Mrs Wititterley), Hawkins Andrew (Muffinboy), Rees Hubert (Ned Cheeryble), Petherbridge Edward (Newman Noggs), Rees Roger (Nicholas Nickleby), Whiteley Thelma (Nurse), Jones Griffith (Old Lord), Bower Sharon (Opera Singer), Hawkins Andrew (Opera Singer), Woodvine John (Opera Singer), Bertish Suzanne (Peg Sliderskew), Kempner Teddy (Percy Crummles), Kempner Teddy (Peters), Harrison Cathryn (Phib), Bower Sharon (Pitcher), Hawkins Andrew (Policeman), Tandy Mark (Policeman), Horn Roderick (Pugstyles), Woodvine John (Ralph), Bower Sharon (Rich Lady), King Shirley (Rich Lady), East Ian (Roberts), Pollitt Clyde (Scaley), Meredith David Lloyd (Sir Matthew Pupker), Peck Bob (Sir Mulberry Hawk), Threlfall David (Smike), Dale Janet (Snawley Major), Travers-Deacon Clare (Snawley Minor), Hammond-Hill Juliet (Sprouter), Hill Rose (Stout Lady), Kightley Timothy (Surgeon), Jones Griffith (Tim Linkinwater), Kempner Teddy (Tix), Maxwell William (Tomkins), Horn Roderick (Umpire), Crowden Graham (Vincent Crummles), Bower Sharon (Waitress), Hammond-Hill Juliet (Waitress), Tyrrell Norman (Walter Bray), Phillips Neil (Westwood), McEnery John (William), Hammond-Hill Juliet (Young Fiancee), Spall Timothy (Young Wackford), Travers-Deacon Clare (Young Woman)Commentaires : Un spectacle de la RSC.
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Life and Adventures of Nicholas Nickleby (The) (1980-11-Aldwych Theatre-London)
Type de série: RepriseThéâtre: Aldwych Theatre (Londres - Angleterre) Durée : 1 mois 1 semaine Nombre : Première Preview : InconnuPremière : Saturday 22 November 1980Dernière : Saturday 03 January 1981Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Producteur : Avec : Rashbrook Stephen (Alphonse), Dench Jeffery (Arthur Gride), Rashbrook Stephen (Belling), Kempner Teddy (Benjamin), Tandy Mark (Bolder), Pollitt Clyde (Brooker), Hawkins Andrew (Captain Adams), Crowden Graham (Casino Proprietor), Meredith David Lloyd (Charles Cheeryble), Pollitt Clyde (Coachman), Hawkins Andrew (Coates), Matshikiza John (Cobbey), Tyrrell Norman (Colonel Chowser), Spall Timothy (Croupier), Bertish Suzanne (Fanny Squeers), Jones Griffith (Flunkey), Kightley Timothy (Flunkey), Ravenscroft Christopher (Frank Cheeryble), Kingsley Ben (Furious Gentleman), Gill Alan (George), Gill Alan (Graymarsh), Travers-Deacon Clare (Hannah), Petherbridge Edward (Hawk's Rival), Peasgood Julie (Infant Phenomenon), Godfrey Patrick (Irate Gentleman), Gecks Nicholas (Jackson), Harvey Terence (Jennings), Peck Bob (John Browdie), Littler Susan (Kate Nickleby), Gill Alan (Keeper), Dench Jeffery (Landlord), Gecks Nicholas (Lord Verisopht), Whiteley Thelma (Madame Mantalini), Hammond-Hill Juliet (Madeline Bray), Godfrey Patrick (Man Next Door), Tandy Mark (Master Crummles), Phillips Neil (McTaggart), Bertish Suzanne (Milliner), Bower Sharon (Milliner), East Ian (Milliner), Hammond-Hill Juliet (Milliner), Harrison Cathryn (Milliner), Maxwell William (Milliner), Peasgood Julie (Milliner), Rashbrook Stephen (Milliner), Travers-Deacon Clare (Milliner), Dale Janet (Miss Belvawney), Bower Sharon (Miss Bravassa), Travers-Deacon Clare (Miss Gazingi), Downs Jane (Miss Green), Dale Janet (Miss Knag), Hill Rose (Miss La Creevy), Hammond-Hill Juliet (Miss Ledrock), Harrison Cathryn (Miss Petowker), Bertish Suzanne (Miss Snevellicci), Ravenscroft Christopher (Mobbs), Travers-Deacon Clare (Morleena Kenwigs), Rashbrook Stephen (Mr Bane), Dench Jeffery (Mr Blightey), Harvey Terence (Mr Bonney), East Ian (Mr Crowl), Rees Hubert (Mr Curdle), Dench Jeffery (Mr Cutler), Jones Griffith (Mr Fluggers), Spall Timothy (Mr Folair), Hawkins Andrew (Mr Hetherington), Godfrey Patrick (Mr Kenwigs), Phillips Neil (Mr Lenville), Kightley Timothy (Mr Lillyvick), McEnery John (Mr Mantalini), Maxwell William (Mr Pailey), Kempner Teddy (Mr Pluck), Matshikiza John (Mr Pyke), Maxwell William (Mr Snawley), McEnery John (Mr Snevellicci), Ravenscroft Christopher (Mr Snobb), Kingsley Ben (Mr Squeers), Kingsley Ben (Mr Wagstaff), Horn Roderick (Mr Wititterley), Kaye Lila (Mrs Crummles), Littler Susan (Mrs Curdle), Dale Janet (Mrs Cutler), Hill Rose (Mrs Grudden), King Shirley (Mrs Kenwigs), Bower Sharon (Mrs Kenwigs' Sister), King Shirley (Mrs Lenville), Downs Jane (Mrs Nickleby), Dale Janet (Mrs Snawley), Whiteley Thelma (Mrs Snevellicci), Kaye Lila (Mrs Squeers), Dale Janet (Mrs Wititterley), Hawkins Andrew (Muffinboy), Rees Hubert (Ned Cheeryble), Petherbridge Edward (Newman Noggs), Rees Roger (Nicholas Nickleby), Whiteley Thelma (Nurse), Jones Griffith (Old Lord), Bower Sharon (Opera Singer), Hawkins Andrew (Opera Singer), Woodvine John (Opera Singer), Bertish Suzanne (Peg Sliderskew), Kempner Teddy (Percy Crummles), Kempner Teddy (Peters), Harrison Cathryn (Phib), Bower Sharon (Pitcher), Hawkins Andrew (Policeman), Tandy Mark (Policeman), Horn Roderick (Pugstyles), Woodvine John (Ralph), Bower Sharon (Rich Lady), King Shirley (Rich Lady), East Ian (Roberts), Pollitt Clyde (Scaley), Meredith David Lloyd (Sir Matthew Pupker), Peck Bob (Sir Mulberry Hawk), Threlfall David (Smike), Dale Janet (Snawley Major), Travers-Deacon Clare (Snawley Minor), Hammond-Hill Juliet (Sprouter), Hill Rose (Stout Lady), Kightley Timothy (Surgeon), Jones Griffith (Tim Linkinwater), Kempner Teddy (Tix), Maxwell William (Tomkins), Horn Roderick (Umpire), Crowden Graham (Vincent Crummles), Bower Sharon (Waitress), Hammond-Hill Juliet (Waitress), Tyrrell Norman (Walter Bray), Phillips Neil (Westwood), McEnery John (William), Hammond-Hill Juliet (Young Fiancee), Spall Timothy (Young Wackford), Travers-Deacon Clare (Young Woman)Commentaires : Un spectacle de la RSC.
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Life and Adventures of Nicholas Nickleby (The) (1981-04-Aldwych Theatre-London)
Type de série: RepriseThéâtre: Aldwych Theatre (Londres - Angleterre) Durée : 1 mois 4 semaines Nombre : Première Preview : InconnuPremière : Thursday 23 April 1981Dernière : Saturday 20 June 1981Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Producteur : Avec : Rashbrook Stephen (Alphonse), Dench Jeffery (Arthur Gride), Rashbrook Stephen (Belling), Kempner Teddy (Benjamin), Tandy Mark (Bolder), Pollitt Clyde (Brooker), Hawkins Andrew (Captain Adams), Crowden Graham (Casino Proprietor), Meredith David Lloyd (Charles Cheeryble), Pollitt Clyde (Coachman), Hawkins Andrew (Coates), Matshikiza John (Cobbey), Tyrrell Norman (Colonel Chowser), Spall Timothy (Croupier), Bertish Suzanne (Fanny Squeers), Jones Griffith (Flunkey), Kightley Timothy (Flunkey), Ravenscroft Christopher (Frank Cheeryble), Kingsley Ben (Furious Gentleman), Gill Alan (George), Gill Alan (Graymarsh), Travers-Deacon Clare (Hannah), Petherbridge Edward (Hawk's Rival), Peasgood Julie (Infant Phenomenon), Godfrey Patrick (Irate Gentleman), Gecks Nicholas (Jackson), Harvey Terence (Jennings), Peck Bob (John Browdie), Littler Susan (Kate Nickleby), Gill Alan (Keeper), Dench Jeffery (Landlord), Gecks Nicholas (Lord Verisopht), Whiteley Thelma (Madame Mantalini), Hammond-Hill Juliet (Madeline Bray), Godfrey Patrick (Man Next Door), Tandy Mark (Master Crummles), Phillips Neil (McTaggart), Bertish Suzanne (Milliner), Bower Sharon (Milliner), East Ian (Milliner), Hammond-Hill Juliet (Milliner), Harrison Cathryn (Milliner), Maxwell William (Milliner), Peasgood Julie (Milliner), Rashbrook Stephen (Milliner), Travers-Deacon Clare (Milliner), Dale Janet (Miss Belvawney), Bower Sharon (Miss Bravassa), Travers-Deacon Clare (Miss Gazingi), Downs Jane (Miss Green), Dale Janet (Miss Knag), Hill Rose (Miss La Creevy), Hammond-Hill Juliet (Miss Ledrock), Harrison Cathryn (Miss Petowker), Bertish Suzanne (Miss Snevellicci), Ravenscroft Christopher (Mobbs), Travers-Deacon Clare (Morleena Kenwigs), Rashbrook Stephen (Mr Bane), Dench Jeffery (Mr Blightey), Harvey Terence (Mr Bonney), East Ian (Mr Crowl), Rees Hubert (Mr Curdle), Dench Jeffery (Mr Cutler), Jones Griffith (Mr Fluggers), Spall Timothy (Mr Folair), Hawkins Andrew (Mr Hetherington), Godfrey Patrick (Mr Kenwigs), Phillips Neil (Mr Lenville), Kightley Timothy (Mr Lillyvick), McEnery John (Mr Mantalini), Maxwell William (Mr Pailey), Kempner Teddy (Mr Pluck), Matshikiza John (Mr Pyke), Maxwell William (Mr Snawley), McEnery John (Mr Snevellicci), Ravenscroft Christopher (Mr Snobb), Kingsley Ben (Mr Squeers), Kingsley Ben (Mr Wagstaff), Horn Roderick (Mr Wititterley), Kaye Lila (Mrs Crummles), Littler Susan (Mrs Curdle), Dale Janet (Mrs Cutler), Hill Rose (Mrs Grudden), King Shirley (Mrs Kenwigs), Bower Sharon (Mrs Kenwigs' Sister), King Shirley (Mrs Lenville), Downs Jane (Mrs Nickleby), Dale Janet (Mrs Snawley), Whiteley Thelma (Mrs Snevellicci), Kaye Lila (Mrs Squeers), Dale Janet (Mrs Wititterley), Hawkins Andrew (Muffinboy), Rees Hubert (Ned Cheeryble), Petherbridge Edward (Newman Noggs), Rees Roger (Nicholas Nickleby), Whiteley Thelma (Nurse), Jones Griffith (Old Lord), Bower Sharon (Opera Singer), Hawkins Andrew (Opera Singer), Woodvine John (Opera Singer), Bertish Suzanne (Peg Sliderskew), Kempner Teddy (Percy Crummles), Kempner Teddy (Peters), Harrison Cathryn (Phib), Bower Sharon (Pitcher), Hawkins Andrew (Policeman), Tandy Mark (Policeman), Horn Roderick (Pugstyles), Woodvine John (Ralph), Bower Sharon (Rich Lady), King Shirley (Rich Lady), East Ian (Roberts), Pollitt Clyde (Scaley), Meredith David Lloyd (Sir Matthew Pupker), Peck Bob (Sir Mulberry Hawk), Threlfall David (Smike), Dale Janet (Snawley Major), Travers-Deacon Clare (Snawley Minor), Hammond-Hill Juliet (Sprouter), Hill Rose (Stout Lady), Kightley Timothy (Surgeon), Jones Griffith (Tim Linkinwater), Kempner Teddy (Tix), Maxwell William (Tomkins), Horn Roderick (Umpire), Crowden Graham (Vincent Crummles), Bower Sharon (Waitress), Hammond-Hill Juliet (Waitress), Tyrrell Norman (Walter Bray), Phillips Neil (Westwood), McEnery John (William), Hammond-Hill Juliet (Young Fiancee), Spall Timothy (Young Wackford), Travers-Deacon Clare (Young Woman)Commentaires : Un spectacle de la RSC.
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Love in Idleness (2017-05-Apollo Theatre-London)
Type de série: West End TransferThéâtre: Apollo Theatre (Londres - Angleterre) Durée : 1 mois 3 semaines Nombre : Première Preview : Thursday 11 May 2017Première : Thursday 11 May 2017Dernière : Saturday 01 July 2017Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Eve Best, Anthony Head, Edward Bluemel, Vivienne Rochester, Nicola SloaneCommentaires : Transfert du Menier Chocolate Factory
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Love in Idleness (2017-05-Apollo Theatre-London)
Type de série:Théâtre: Menier Chocolate Factory (Londres - Angleterre) Durée : 1 mois 2 semaines Nombre : Première Preview : Friday 10 March 2017Première : Friday 10 March 2017Dernière : Saturday 29 April 2017Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Eve Best, Anthony Head, Edward Bluemel, Vivienne Rochester, Nicola SloaneCommentaires : Transféré à l'Apollo Theatre dans le West End, pour cause de succès
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Love's Labour's Lost (2003-02-Olivier Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 3 semaines Nombre : 26 représentationsPremière Preview : Saturday 15 February 2003Première : Friday 21 February 2003Dernière : Tuesday 18 March 2003Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Joseph Fiennes (Berowne), John Barrowman (Dumaine), Simon Day (King of Navarre), Philip Voss (Boyet), Robin Soans (Holofernes), Olivia Williams (Princess Of France), Kate Fleetwood (Rosaline) , Anthony Cable, Paul Grunert, Richard Henders, Akiya Henry, Tam Mutu, Martin Marquez, Jane Fowler, Mary Stockley, Christopher Bennett, Tom Espiner, Duncan Smith, Annette McLaughlin, Daniel Crossley, Yao Chin, Jye Frasca, Charlotte Gorton, Shaun Henson, Duncan MacVicar, Jane Mark, Corey Skaggs, Nicola Sloane, Rachel Stanley, Lee William-Davis, Claire Winsper, Nikki WorrallPresse : RHODA KOENIG for THE INDEPENDENT says, "Tame play ...lacks the energy to fill the vast Olivier stage." BENEDICT NIGHTINGALE for THE TIMES says "Nunn's last labour ends with a bang." He goes on to say, " [Joseph] Fiennes is excellent: debonair, sophisticated, but wiser, deeper than any Berowne I’ve seen." NICHOLAS DE JONGH for THE EVENING STANDARD says, "Nunn's labour wins". CHARLES SPENCER for DAILY TELEGRAPH says, "Ravishing production." MICHAEL BILLINGTON for THE GUARDIAN says, "There is much to enjoy. But what the production cries out for is severe editing so that the verbal fencing is swifter and sharper."
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Macbeth (1975-03-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Tuesday 04 March 1975Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : McCormack Colin (Angus), Jackson Gordon (Banquo), Price John (Donalbain), Thornton Frank (Duncan), Griffiths Richard Thomas (English Doctor), Taylor Benedict Sean (Fleance), Duddy Mary (Gentlewoman), Mirren Helen (Lady Macbeth), Phillips Angela (Lady Macduff), Moriarty Paul (Lennox), Williamson Nicol (Macbeth), Tierney Malcolm (Macduff), Allan Eric (Malcolm), York Philip (Messenger), Dowse Mark (Murderer), Griffiths Richard Thomas (Murderer), Dowse Mark (Old Man), Pember Ron (Porter), Guinness Matthew (Ross), McDiarmid Ian (Scottish Doctor), McDiarmid Ian (Sergeant), Price John (Seyton), Dyson Anne (Weird Sister), Hayes Patricia (Weird Sister), Kelley Sheila (Weird Sister), Parfitt Michael (Young Macduff (alt)), Relevy John (Young Macduff (alt))Commentaires : Un spectacle de la RSC.
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Merchant of Venice (The) (1999-06-Cottesloe Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Dorfman TheatreDurée : 4 mois 4 semaines Nombre : 55 représentationsPremière Preview : Friday 11 June 1999Première : Thursday 17 June 1999Dernière : Saturday 13 November 1999Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Henry Goodman as 'Shylock', David Bamber, Oliver Cotton, Raymond Coulthard, Derbhle Crotty, Peter de Jersey, Daniel Evans, Andrew French, alexander Hanson, Richard Henders, Oscar James, Gabrielle Jourdan, Alex Kelly, John Nolan, Dhobi Oparei, Mark Umbers.Commentaires : 2 séries:
> Cottesloe (17/6 - 13/11/1999) 55 représ devant 13.012 spect
> Olivier (29/11/1999 - 10 /5/2000) 59 représ devant 55.205 spect
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Merchant of Venice (The) (1999-11-Olivier Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 5 mois 1 semaine Nombre : 59 représentationsPremière Preview : Monday 29 November 1999Première : Monday 29 November 1999Dernière : Wednesday 10 May 2000Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Henry Goodman as 'Shylock', David Bamber, Oliver Cotton, Raymond Coulthard, Derbhle Crotty, Peter de Jersey, Daniel Evans, Andrew French, alexander Hanson, Richard Henders, Oscar James, Gabrielle Jourdan, Alex Kelly, John Nolan, Dhobi Oparei, Mark Umbers.Commentaires : 2 séries:
> Cottesloe (17/6 - 13/11/1999) 55 représ devant 13.012 spect
> Olivier (29/11/1999 - 10 /5/2000) 59 représ devant 55.205 spect
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Merry Wives of Windsor (The) (1980-05-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 08 May 1980Dernière : InconnuMise en scène : Trevor Nunn • John Caird • Chorégraphie : Producteur : Avec : Threlfall David (Abraham Slender), Tracy Susan (Alice Ford), Harrison Cathryn (Anne Page), Tyrrell Norman (Bardolph), Hutchings Geoffrey (Dr Caius), Gecks Nicholas (Fenton), Kingsley Ben (Frank Ford), Peck Bob (George Page), Kightley Timothy (Host of the Garter), Meredith David Lloyd (Hugh Evans), Tandy Mark (John), Downs Jane (Margaret Page), Kaye Lila (Mistress Quickly), Kempner Teddy (Nym), Spall Timothy (Peter Simple), McEnery John (Pistol), Harvey Terence (Robert), Godfrey Patrick (Robert Shallow), Fletcher Dexter (Robin), East Ian (Rugby), Gill Alan (Servant), Rashbrook Stephen (Servant), King Shirley (Serving woman), Townley Hilary (Serving woman), Woodvine John (Sir John Falstaff), Holender Daniel (William Page (alt)), Murray Dicon (William Page (alt))Commentaires : Un spectacle de la RSC.
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Misérables (Les) (1985-10-Barbican-London)
Type de série: OriginalThéâtre: Barbican (Londres - Angleterre)Salle : TheatreDurée : 1 mois 2 semaines Nombre : 63 représentationsPremière Preview : InconnuPremière : Tuesday 08 October 1985Dernière : Saturday 23 November 1985Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur : Avec : Colm Wilkinson (Jean Valjean), Roger Allam (Javert), Patti LuPone (Fantine), Michael Ball (Marius), Francis Ruffelle (Eponine), Alun Armstrong (Thenardier), Susan-Jane Tanner (Mme. Thenardier), Clive Carter, Ian Calvin, Dave Willets, Jackie Marks, Peter Polycarpou, Keith Burns
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Misérables (Les) (1985-11-London Run)
Type de série: OriginalThéâtre: London Run (Londres - Angleterre)Durée : 33 ans 7 mois 4 semaines Nombre : Première Preview : Tuesday 08 October 1985Première : Saturday 23 November 1985Dernière : Saturday 13 July 2019Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur : Commentaires : After 19 years at the Palace Theatre the production was moved to the smaller Queen’s Theatre (the Palace needed considerable renovation to meet safety standards). In order to fit into the new space the scenery was reduced in size and the physical production needed shrinking. The most controversial aspect of the move was the size of the orchestra. The Palace pit accommodated 21 musicians, but the Queen’s could only hold 11. The rest of the sound was provided by a computer. The Musicians Union threatened a strike, but capitulated when Cameron Mackintosh claimed the only alternative was to close the show. The critics generally agreed that the “reduced” version had suffered no loss of richness or texture, and the new orchestral sound was perfectly satisfactory thanks to the new-fangled “Sinfonia” computer. Having now been seen by more than 50 million people in 38 countries and 21 languages, “Les Mis” had now become the most successful musical of all time.Commentaires longs: Cette version a été créé au Barbican théâtre le 8 octobre 1985, avant dêtre transféré au Palace Theatre le 4 décembre où il a été joué jusqu'au 27 mars 2004… Le spectacle a alors encore changé de maison pour émigrer 500 mètres plus lon au Queen's theatre où il a ouvert le 3 avril 2004, lieu où il se joue toujours, devenant le musical le plus joué de l'histoire!
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Misérables (Les) (1985-12-Palace-London)
Type de série: OriginalThéâtre: Palace Theatre (Londres - Angleterre)Durée : 18 ans 3 mois 4 semaines Nombre : Première Preview : InconnuPremière : Wednesday 04 December 1985Dernière : Saturday 27 March 2004Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur : Commentaires longs: Cette version a été créé au Barbican théâtre le 8 octobre 1985, avant dêtre transféré au Palace Theatre le 4 décembre où il a été joué jusqu'au 27 mars 2004… Le spectacle a alors encore changé de maison pour émigrer 500 mètres plus lon au Queen's theatre où il a ouvert le 3 avril 2004, lieu où il se joue toujours, devenant le musical le plus joué de l'histoire!
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Misérables (Les) (1987-03-Broadway Original)
Type de série: RevivalThéâtre: Broadway Run (Broadway - Etats-Unis)Durée : 16 ans 2 mois 1 semaine Nombre : 11 previews - 6680 représentationsPremière Preview : Saturday 28 February 1987Première : Thursday 12 March 1987Dernière : Sunday 18 May 2003Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur :
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Misérables (Les) (1988-09-Raimund Theater-Vienne)
Type de série: RevivalThéâtre: Raimund Theater (Vienne - Autriche) Durée : 1 an 6 mois 2 semaines Nombre : Première Preview : Thursday 15 September 1988Première : Thursday 15 September 1988Dernière : Saturday 31 March 1990Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur : Avec : Reinhard Brussmann (Jean Valjean), Norbert Lamla (Javert), Sona MacDonald (Fantine), Martina Dorak (Cosette), Jane Comerford (Eponine), Susanne Altschul (Madame Thénardier), Franz Csencsits (Monsieur Thénardier), Alexander Diepold (Enjolras), Felix Martin (Marius), Paul Welterlen (Grantaire/Bamatabois), Peter Thunhart (Combeferre), Thomas Sigwald (Feuilly), Dean Welterlen (Montparnasse), Henri Menendez (Courfeyrac), Stefan Huber (Jean Prouvaire/Zuhälter), Marcello de Nardo (Babet), Doug Jones (Joly), Jesse Webb (Claquesous/Zuhälter), John Wiseman (Brujon/Vorarbeiter), Peter Zeug (Bischof/Lesgles), Marika Lichter (Alte Bettlerin/1. Hure), Annika Bruhns (Hure/Fabrikarbeiterin), Ester Stein (Hure/Fabrikarbeiterin), Morenike Fadayomi (Straßenjunge 1), Andrea Weiss (Straßenjunge 2), Michaela Fussi (1. Fabrikarbeiterin), Ruth Hale (Alte Frau/Fabrikarbeiterin), Patricia Simpson (Junge Prostituierte), Aris Sas (Gavroche), Leni Tanzer (Kleine Cosette), Jasmin Madwar (Kleine Eponine)
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Misérables (Les) (1991-02-Carré Theater-Amsterdam)
Type de série: RevivalThéâtre: Carré (Koninlijk Theater) (Amsterdam - Pays-Bas) Durée : 7 mois 3 semaines Nombre : Première Preview : Thursday 28 February 1991Première : Thursday 28 February 1991Dernière : Sunday 20 October 1991Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur : Commentaires longs: Il s'agit du musical fondateur de ce que va devenir l'industrie musicale hollandaise. Il s'agit tout d'abord de l'une des premières mégaproductions signée Joop van den Ende. Mais aussi bon nombre de jeune chanteurt vont ici faire leur premiers pas dans le monde des musicals, avant de devenir des stars du genre: Pia Douwes (Fantine), Vera Mann (Eponine), Danny de Munk (Marius), Stanley Burleson (Montparnasse), Uwe Kröger (Feuilly).
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Misérables (Les) (1991-10-Théâtre Mogador-Paris)
Type de série: RevivalThéâtre: Théâtre Mogador (Paris - France) Durée : 7 mois Nombre : Première Preview : Wednesday 23 October 1991Première : Wednesday 23 October 1991Dernière : Sunday 24 May 1992Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur : Avec : Robert Marien (Valjean), Patrick Rocca (Javert), Laurent Gendron (Thenardier), Julien Combey (Enjolras), Jérôme Pradon (Marius), Stephanie Martin (Eponine), Marie France Roussel (Mme Thenardier), Louise Pitre (Fantine), Marie Zamora (Cosette), Renaud Marx (Grantaire)
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Misérables (Les) (1991-12-Fortis Circustheater-Scheveningen)
Type de série: RevivalThéâtre: Afas Circustheater (Scheveningen - Pays-Bas) Durée : 3 mois Nombre : Première Preview : Friday 06 December 1991Première : Friday 06 December 1991Dernière : Sunday 08 March 1992Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur : Avec : Jean Valjean: Henk Poort, Ronald Beerepoot, Robert Valter / Javert: Ernst Daniël Smid, Peter De Smet, Bas Groenenberg / Enjolras: Bill van Dijk, Uwe Kröger, Rik Luycx, Alberto ter Doest / Marius: Danny de Munk, Dennis Kivit, Rolf Koster, Edwin de Jongh / Fantine: Pia Douwes, Betty Vermeulen, Lizzy Haslinghuis / Cosette: Joke de Kruijf, Margot Giselle, Marika Lansen / Eponine: Vera Mann, Marika Lansen, Marjolein Spijkers / Monsieur Thénardier: Paul de Leeuw, Door van Boeckel, Bert Luttjeboer, Arthur Schlemper, Filip Bolluyt / Madame Thénardier: Simone Kleinsma, Irene Kuiper, Doris BaatenCommentaires : Prolongation des représentations jouées depuis le 28/2/1991 au Carré Theater d'Amsterdam
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Misérables (Les) (1996-01-Musichall Theater-Duisburg)
Type de série: RevivalThéâtre: Theater am Marientor (Duisburg - Allemagne) Durée : 3 ans 10 mois 1 semaine Nombre : Première Preview : InconnuPremière : Friday 26 January 1996Dernière : Sunday 28 November 1999Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur :
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Misérables (Les) (1998-05-Stadsschouwburg-Antwerpen)
Type de série: RevivalThéâtre: Stadsschouwburg (Anvers - Belgique) Durée : 11 mois Nombre : Première Preview : Sunday 24 May 1998Première : Sunday 24 May 1998Dernière : Sunday 25 April 1999Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur :
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Misérables (Les) (2003-09-Theater des Westens-Berlin)
Type de série: RevivalThéâtre: Theater des Westens (Berlin - Allemagne) Durée : 1 an 3 mois 1 semaine Nombre : Première Preview : Friday 26 September 2003Première : Friday 26 September 2003Dernière : Friday 31 December 2004Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur : Avec : Olegg Vynnyk (Jean Valjean), Uwe Kröger (Javert), Ann Christin Elverum (Fantine), Vera Bolten (Eponine / Cover Fantine), Lucius Wolter (Marius), Martin Pasching (Enjolras), Ulrich Wiggers (Monsieur Thénardier), Heike Wiltrud Schmitz (Madame Thénardier), Valerie Link (Cosette), Eva Maria Bender (Cover Fabrikarbeiterin / Swing), Kasper Holmboe (Bischof von Digne / Cover Jean Valjean / Cover Javert / Ensemble), Marcus Hezel (Feuilly / Cover Enjolras / Ensemble), Nico Gaik (Joly / Ensemble), Seth Lerner (Bamatabois / Coureferac / Cover Jean Valjean / Ensemble), Karim Khawatmi (Grantaire / Fabrikarbeiter / Cover Javert / Cover Bischof von Digne / Ensemble), Chris Murray (Claquesous / Cover Jean Valjean / Cover Javert / Ensemble), Oliver Mülich (Babet / Cover Monsieur Thénardier / Cover Bamatabois / Cover Bischof von Digne / Ensemble), Tim Reichwein (Combeferre / Cover Marius / Cover Bischof von Digne / Cover Fabrikarbeiter / Ensemble), Christian Schleicher (Brujon / Fabrikarbeiter / Swing), Carl van Wegberg (Montparnasse / Cover Marius / Cover Bamatabois / Ensemble), Christiane Heinke (Fabrikarbeiterin / Cover Fantine / Ensemble), Tilmann von Blomberg (Pouvraire / Cover Monsieur Thénardier / Cover Fabrikarbeiter / Cover Grantaire / Ensemble), Mark Derichs (Cover Enjolras / Cover Grantaire / Swing), Henriette Grawwert (Cover Eponine / Cover Fabrikarbeiterin / Ensemble), Patricia Gressley (Cover Madame Thénardier / Ensemble), Monica Gugganig (Cover Fantine / Ensemble), Jessica Kessler (Cover Eponine / Ensemble), Christian Alexander Müller (Cover Enjolras / Swing), Claudie Reinhard (Cover Madame Thénardier / Swing), Veit Schäfermeier (Cover Monsieur Thénardier / Swing), Liv Eirin Pedersen (Cover Eponine / Ensemble), Tillmann Schnieders (Cover Marius / Swing), Heidelinde Schuster (Cover Cosette / Swing), Jana Stelley (Cover Eponine / Ensemble), Ina Trabesinger (Cover Cosette / Ensemble), Wiebke Wiedeck (Cover Madame Thénardier / Ensemble), Wiebke Wötzel (Cover Cosette / Ensemble), Thomas Hurter (Ensemble), Philipp Hägeli (Swing), Timo Röder (Swing)
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Misérables (Les) (2004-04-Queen's-London)
Type de série: OriginalThéâtre: Sondheim Theatre (Londres - Angleterre)Durée : 15 ans 3 mois Nombre : 10000 représentationsPremière Preview : Sunday 04 April 2004Première : Monday 12 April 2004Dernière : Saturday 13 July 2019Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur : Avec : Daniel Koek (Jean Valjean), Tam Mutu (Javert), Samantha Dorsey (Cosette), Cameron Blakely (Thenardier), Na-Young Jeon (Fantine) , Rob Houchen (Marius) Anton Zetterholm (Enjolras), Carrie Hope Fletcher (Eponine), Wendy Ferguson (Madame Thenardier).Commentaires : After 19 years at the Palace Theatre the production was moved to the smaller Queen’s Theatre (the Palace needed considerable renovation to meet safety standards). In order to fit into the new space the scenery was reduced in size and the physical production needed shrinking. The most controversial aspect of the move was the size of the orchestra. The Palace pit accommodated 21 musicians, but the Queen’s could only hold 11. The rest of the sound was provided by a computer. The Musicians Union threatened a strike, but capitulated when Cameron Mackintosh claimed the only alternative was to close the show. The critics generally agreed that the “reduced” version had suffered no loss of richness or texture, and the new orchestral sound was perfectly satisfactory thanks to the new-fangled “Sinfonia” computer. Having now been seen by more than 50 million people in 38 countries and 21 languages, “Les Mis” had now become the most successful musical of all time.Commentaires longs: Cette version a été créé au Barbican théâtre le 8 octobre 1985, avant dêtre transféré au Palace Theatre le 4 décembre où il a été joué jusqu'au 27 mars 2004… Le spectacle a alors encore changé de maison pour émigrer 500 mètres plus lon au Queen's theatre où il a ouvert le avril 2004, lieu où il se joue toujours, devenant le musical le plus joué de l'histoire!
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Misérables (Les) (2006-10-Broadhurst Theatre-Broadway)
Type de série: RevivalThéâtre: Broadhurst Theatre (Broadway - Etats-Unis) Durée : 1 an 1 mois 4 semaines Nombre : 17 previews - 463 représentationsPremière Preview : Tuesday 24 October 2006Première : Thursday 09 November 2006Dernière : Sunday 06 January 2008Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur :
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Misérables (Les) (2006-10-Freilichtspiele Tecklenburg-Tecklenburg)
Type de série: RevivalThéâtre: Freilichtspiele Tecklenburg (Tecklenburg - Allemagne) Durée : 2 mois Nombre : Première Preview : Saturday 24 June 2006Première : Saturday 24 June 2006Dernière : Saturday 26 August 2006Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur :
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Misérables (Les) (2008-04-Nieuw Luxor Teater-Rotterdam)
Type de série: RevivalThéâtre: Nieuw Luxor Theater (Rotterdam - Pays-Bas) Durée : 8 mois 2 semaines Nombre : Première Preview : Tuesday 01 April 2008Première : Sunday 20 April 2008Dernière : Sunday 04 January 2009Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur :
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Misérables (Les) (2009-01-Carré Theater-Amsterdam)
Type de série: RevivalThéâtre: Carré (Koninlijk Theater) (Amsterdam - Pays-Bas) Durée : 1 mois Nombre : Première Preview : Saturday 17 January 2009Première : Saturday 17 January 2009Dernière : Sunday 22 February 2009Mise en scène : Trevor Nunn • John Caird • Chorégraphie : Kate Flatt • Producteur :
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Much Ado About Nothing (1969-07-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 17 July 1969Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Cormack George (Antonio), Firth David (Balthasar), Suzman Janet (Beatrice), Howard Alan (Benedick), Stewart Patrick (Borachio), Lloyd Bernard (Claudio), Kingsley Ben (Conrade), Waller David (Dogberry), Rose Clifford (Don John), Bate Anthony (Don Pedro), Curry Julian (Friar Francis), Mirren Helen (Hero), Shaw Sebastian (Leonato), Kestelman Sara (Margaret), Kane John (Messenger), Barry Richard Jones (Servant 1), Oates Robert (Servant 2), Cotterill Ralph (Servant 3), Cochran Peter (Sexton), Dyson Ian (Soldier 1), Stender J D (Soldier 2), Minifie Valerie (Ursula), Simpson Richard (Verges), York John (Watch 1), Manikum Phillip (Watch 2), Keays-Byrne Hugh (Watch 3), Lewis Glynne(Watch 4)Commentaires : Un spectacle de la RSC.
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Mutabilitie (1997-11-Cottesloe Theatre-NT-London)
Type de série: OriginalThéâtre: National Theatre (Londres - Angleterre) Salle : Dorfman TheatreDurée : 2 mois 4 semaines Nombre : 48 représentationsPremière Preview : InconnuPremière : Thursday 20 November 1997Dernière : Tuesday 17 February 1998Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Aisling O'sullivan, Anton Lesser, Diana Hardcastle And Frances TomeltyPresse : NICHOLAS DE JONGH of THE EVENING STANDARD says, director Trevor Nunn's production "goes in for Florid declamation which strikes me as oddly old fashioned, and not to this odd play's advantage." KATE STRATTON of TIME OUT says "McGuinness provides elegant mirror images of English assurance and Irish diffidence and a web of thought provoking ideas about artistic responsibility." ANDREW ALDRIDGE of THE STAGE found the play dull; saying the set design "leaves a stronger impression than what happens on it". BILL HAGERTY of THE NEWS OF THE WORLD said all the cast try hard "but the evening remains wet". JOHN PETER of THE SUNDAY TIMES says, "Trevor Nunn's direction performs near-miracles with a text that is eventful but essentially static."
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My Fair Lady (2001-03-Lyttelton Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Lyttelton TheatreDurée : 3 mois 2 semaines Nombre : 133 représentationsPremière Preview : Monday 05 March 2001Première : Thursday 15 March 2001Dernière : Saturday 30 June 2001Mise en scène : Trevor Nunn • Chorégraphie : Matthew Bourne • Producteur : Commentaires : Transféré au Drury Lane en juillet 2001
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My Fair Lady (2001-07-Drury Lane Theatre-London)
Type de série: RevivalThéâtre: Drury Lane Theatre (Londres - Angleterre) Durée : 2 ans 1 mois 1 semaine Nombre : 873 représentationsPremière Preview : Saturday 21 July 2001Première : Saturday 21 July 2001Dernière : Saturday 30 August 2003Mise en scène : Trevor Nunn • Chorégraphie : Matthew Bourne • Producteur : Avec : Jonathan Pryce (Henry Higgins), Martine McCutcheon (Eliza Doolittle), Dennis Waterman (Alfred P. Doolittle), Nicholas Le Prevost (Colonel Pickering), Caroline Blakiston (Mrs Higgins), Mark Umbers (Freddy Eynsford-Hill), Patsy Rowlands (Mrs Pearce), Jill Martin, Sevan Stephan, Ann EmeryCommentaires : This hugely-praised revival won four Olivier Awards, including Best Musical, and awards for Martine McCutcheon and Matthew Bourne. From the outset Martine McCutcheon was plagued with throat problems, and very frequently missed performances, being replaced (to much acclaim!) by her understudy, Alexandra Jay. By December, with five months left on her contract, it was clear that Martine McCutcheon could not continue, and she was replaced with Joanna Riding (who went on to win a further Olivier Award for the show as Best Actress in a Musical in 2003). The show ran two years at Drury Lane, finishing at the end of August, 2003. (It was revived for a 12 city UK tour in September 2005, ending in August 2006. This tour starred Amy Nuttall and Lisa O’Hare as Eliza, Christopher Cazenove as Henry Higgins, Russ Abbot and Gareth Hale as Doolittle, and Honor Blackman and Hannah Gordon as Mrs Higgins.)Commentaires longs: Reprise de la version My Fair Lady (2001-03-Lyttelton Theatre (NT)-London)Presse : NICHOLAS DE JONGH for THE EVENING STANDARD describes Martine McCutcheon's performance as 'marvellous" and describes the show as "fairly magical".
SHERIDAN MORLEY for TELETEXT says the show is "sharp and sturdy".He goes on to say, "Matthew Bourne's choreography is brilliant.."
MICHAEL COVENEY for THE DAILY MAIL, describes McCutcheon's performance as "bubbly, bright and immensely endearing". He goes on to say, "In Jonathan Pryce's Higgins we have a major performance by a major actor." He finishes with describing the show as "Wonderfully theatrical."
CHARLES SPENCER for THE DAILY TELEGRAPH says, "Pryce combines commanding authority with charm and delivers the songs with far more panache than Rex Harrison." He goes on to say, "The night belongs to McCutcheon."
BENEDICT NIGHTINGALE for THE TIMES says, "A success to rival the National's Oklahoma!."
MICHAEL BILLINGTON for THE GUARDIAN says, "The first half of the evening is shamelessly enjoyable. But after the interval, doubts crowd in about the show and the production."
ROBERT GORE-LANGTON for THE DAILY EXPRESS says, "It's effortlessly enjoyable."
RHODA KOENIG for THE INDEPENDENT says, "Trevor Nunn's show crackles like a house on fire."
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My Fair Lady (2005-09-UK Tour)
Type de série: RevivalThéâtre: UK Tour ( - Angleterre) Durée : 10 mois 2 semaines Nombre : Première Preview : Wednesday 28 September 2005Première : Wednesday 28 September 2005Dernière : Saturday 12 August 2006Mise en scène : Trevor Nunn • Chorégraphie : Matthew Bourne • Producteur : Commentaires longs: Reprise de la version My Fair Lady (2001-03-Lyttelton Theatre (NT)-London) qui s'est poursuivie au Théatre Royal Drury Lane avant de partir dans cet UK Tour.Presse : NICHOLAS DE JONGH for THE EVENING STANDARD describes Martine McCutcheon's performance as 'marvellous" and describes the show as "fairly magical". SHERIDAN MORLEY for TELETEXT says the show is "sharp and sturdy".He goes on to say, "Matthew Bourne's choreography is brilliant.." MICHAEL COVENEY for THE DAILY MAIL, describes McCutcheon's performance as "bubbly, bright and immensely endearing". He goes on to say, "In Jonathan Pryce's Higgins we have a major performance by a major actor." He finishes with describing the show as "Wonderfully theatrical." CHARLES SPENCER for THE DAILY TELEGRAPH says, "Pryce combines commanding authority with charm and delivers the songs with far more panache than Rex Harrison." He goes on to say, "The night belongs to McCutcheon." BENEDICT NIGHTINGALE for THE TIMES says, "A success to rival the National's Oklahoma!." MICHAEL BILLINGTON for THE GUARDIAN says, "The first half of the evening is shamelessly enjoyable. But after the interval, doubts crowd in about the show and the production." ROBERT GORE-LANGTON for THE DAILY EXPRESS says, "It's effortlessly enjoyable." RHODA KOENIG for THE INDEPENDENT says, "Trevor Nunn's show crackles like a house on fire."
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My Fair Lady (2007-09-US Tour)
Type de série: RevivalThéâtre: US Tour ( - Etats-Unis) Durée : 9 mois 2 semaines Nombre : Première Preview : Wednesday 12 September 2007Première : Wednesday 12 September 2007Dernière : Sunday 22 June 2008Mise en scène : Trevor Nunn • Chorégraphie : Matthew Bourne • Producteur :
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Not about Nightingales (1998-03-Cottesloe Theatre-NT-London)
Type de série: OriginalThéâtre: National Theatre (Londres - Angleterre) Salle : Dorfman TheatreDurée : 1 mois 3 semaines Nombre : 37 représentationsPremière Preview : InconnuPremière : Thursday 05 March 1998Dernière : Thursday 30 April 1998Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Corin Redgrave, James Black, Alex Giannini, Tom Hodgkins, Sherri Parker Lee , Noble ShropshireCommentaires : Une co-production avec le Moving Theatre & en association avec le Alley Theater de HoustonPresse : JOHN PETER of THE SUNDAY TIMES says the production is "A superlative achievement and the National ought to be very proud of it". NICHOLAS DE JONGH of THE EVENING STANDARD was very excited about he play saying, "This is one of the most remarkable theatrical discoveries of the last quarter century." However, SHERIDAN MORLEY was not as enthusiastic and said of Corin Redgrave's that he "Had none of the sinister charisma required".
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Oklahoma! (1998-07-Olivier Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 2 mois 2 semaines Nombre : 102 représentationsPremière Preview : Monday 06 July 1998Première : Wednesday 15 July 1998Dernière : Saturday 03 October 1998Mise en scène : Trevor Nunn • Chorégraphie : Susan Stroman • Producteur : Avec : Maureen Lipman (Aunt Eller), Hugh Jackman (Curly), Josefina Gabrielle (Laurey), Jimmy Johnston (Will Parker), Vicki Simon (Ado Annie), Shuler Hensley (Jud Fry), Peter Polycarpou (AH Hakim), Gavin LeeCommentaires : Ce spectacle a été présenté au prestigieux National Theatre de Londres, dans la grande salle (Olivier Theatre), avec un financement supplémentaire de Cameron Mackintosh. Cela a été une magnifique production qui s'est jouée à bureaux fermés. Certains se sont offusqués, se demandant si le National Theatre subventionné devait produire un spectacle aussi «manifestement commercial», mais la grande majorités des critiques n'ont pas suivi cet avis car tout le monde a convenu qu’il était d’un tel niveau qui avait peu de chances d’être amélioré. Après son succès à guichets fermés à l’Olivier, il a été transféré dans le West End pour une série de cinq mois au Lyceum.
Trevor Nunn, le directeur du National Theatre et metteur en scène, voulait que ce soit un nouvel Oklahoma!, un Oklahoma plus sombre!, basé sur l'histoire de l'Ouest américain. Il est revenu à la source originale, la pièce «Green Grow the Lilacs» de Lynn Riggs. Il a d'ailleurs incorporé plusieurs lignes de dialogue de la pièce dans sa version du musical.
Cette version a aussi proposée de nouvelle chorégraphie imaginées par Susan Stroman. Les danses dans Oklahoma! sont basées sur la conquête de l'Ouest américain au tournant du XIXème siècle. Se battre pour un territoire en Amérique est l'un des thèmes principaux: se battre avec les poings, les fusils et les mots. Grâce à ses recherches, dont de nombreuses images du Far West, Stroman a choisi de créer une chorégraphie robuste et athlétique. Même les femmes se déplaçaient comme de vraies pionnières avec de la boue sur leurs jupes. Tout au long du spectacle, la chorégraphie est axée sur le combat – exécutée avec force et, parfois, de façon comique. Les personnages jouent même à des jeux de défi comme "Pouvez-vous faire mieux?" utilisant la danse.
Pour le célèbre Dream Ballet, Trevor Nunn et Susan Stroman, ont longtemps évalué la possibilité d'avoir un Curly et une Laurey qui pourraient réellement danser leurs rôles principaux dans le Ballet. Traditionnellement, il y a toujours eu un Dream Curly et un Dream Laurey, des danseurs qui remplaçaient les personnages principaux à ce moment-là. Ils ont décidé qu'il serait plus fort si ces acteurs que le public avait suivis toute la soirée interprétaient réellement la danse au lieu d'introduire deux nouvelles figures «de rêve». Cela seul a marqué cette version d'Oklahoma!.
Ils ont engagé Hugh Jackman en tant que Curly, Josephina Gabrielle en tant que Laurey et Shuler Hensley en tant que Jud. Grâce à la vaste expérience de Josephina Gabrielle dans le ballet, Stroman a pu créer un ballet qui était une véritable extension lyrique de son personnage. Et vu les importantes capacités de danse de Hugh Jackman et Shuler Hensley, la danse et les combats semblaient instinctifs et crédibles.
Le ballet commence par une danse de joie de passage à l'âge adulte. Elle porte sa première robe, rêvant d'un mariage entre elle et Curly. Lorsque Jud semble la voler, son rêve se transforme en cauchemar. La chorégraphie passe d'un mouvement aimant, lumineux et lyrique à des pas arqués et rythmés, avec une sensualité ombragée. Laurey se réveille avec un cri terrifiant, trempée d'une sueur froide. Sa prise de conscience qu'un côté plus sombre de son personnage - ces aspects têtus, jaloux, voire intolérants qui vivent en chacun de nous - ont créé une fin tragique à son rêve. À la fin du premier acte, nous voyons Laurey aux prises avec la culpabilité que ses actions pourraient être à blâmer et, à leur tour, pourraient être un signe inquiétant des choses à venir.
Les ayant-droit ont autorisé cette production à changer les arrangements des moments de danse pour correspondre aux nouvelles chorégraphies. David Krane s'est chargé de ces nouveaux arrangements. Sa capacité à comprendre la danse et à la traduire en musique est un vrai don. Il est comme un tailleur musical, prenant la musique de Rodgers et l'élevant pour correspondre au visuel. C'était comme si Rodgers et Hammerstein eux-mêmes étaient dans la salle de répétition.Presse : MICHAEL COVENEY of THE DAILY MAIL says "A truly great evening."
BENEDICT NIGHTINGALE of THE TIMES says, "Has there ever been a higher standard of dance in any subsidised theatre? No."
CHARLES SPENCER of THE DAILY TELEGRAPH says "The National has a huge hit on its hands."
MICHAEL COVENEY of THE DAILY MAIL says "A truly great evening, easily the equal of Guys and Dolls and Carousel. Enjoy."
NICOLAS DE JONGH of THE EVENING STANDARD was more luke-warm saying " A rich feast of dream-pie, but not my kind of meal".
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Oklahoma! (1999-01-Lyceum Theatre-London)
Type de série: RevivalThéâtre: Lyceum Theatre (Londres - Angleterre) Durée : 5 mois Nombre : 93 représentationsPremière Preview : Thursday 21 January 1999Première : Thursday 21 January 1999Dernière : Saturday 26 June 1999Mise en scène : Trevor Nunn • Chorégraphie : Susan Stroman • Producteur : Avec : Maureen Lipman (Aunt Eller), Hugh Jackman (Curly), Josefina Gabrielle (Laurey), Jimmy Johnston (Will Parker), Vicki Simon (Ado Annie), Shuler Hensley (Jud Fry), Peter Polycarpou (AH Hakim), Gavin LeeCommentaires : With additional funding from Cameron Mackintosh this was a glorious full-scale production, and a sell-out for its National Theatre season, earning the desperately needed money following cuts in the arts grants. Reservations were expressed about whether the subsidised National Theatre should be producing such obviously commercial material, but everyone agreed it was of a standard unlikely to be bettered. Following its sell-out success at the Olivier it was re-staged for a five month run at the Lyceum.Presse : MICHAEL COVENEY of THE DAILY MAIL says "A truly great evening."
BENEDICT NIGHTINGALE of THE TIMES says, "Has there ever been a higher standard of dance in any subsidised theatre? No."
CHARLES SPENCER of THE DAILY TELEGRAPH says "The National has a huge hit on its hands."
MICHAEL COVENEY of THE DAILY MAIL says "A truly great evening, easily the equal of Guys and Dolls and Carousel. Enjoy."
NICOLAS DE JONGH of THE EVENING STANDARD was more luke-warm saying " A rich feast of dream-pie, but not my kind of meal".
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Oklahoma! (2002-03-George Gershwin Theatre-Broadway)
Type de série: RevivalThéâtre: Gershwin Theatre (Broadway - Etats-Unis) Durée : 11 mois 1 semaine Nombre : 25 previews - 388 représentationsPremière Preview : Saturday 23 February 2002Première : Thursday 21 March 2002Dernière : Sunday 23 February 2003Mise en scène : Trevor Nunn • Chorégraphie : Susan Stroman • Producteur : Avec : Andrea Martin (Aunt Eller), Patrick Wilson (Curly), Josefina Gabrielle (Laurey), Ronn Carroll (Ike Skidmore), Justin Bohon (Will Parker), Shuler Hensley (Jud Fry), Jessica Boevers (Ado Annie Carnes), Aasif Mandvi (Ali Hakim), Mia Price (Gertie Cummings), Michael McCarty (Andrew Carnes), Michael X. Martin (Cord Elam); Ensemble: Matt Allen (Corky), Clyde Alves (Jess), Bradley Benjamin (Susie), Kevin Bernard (Slim), Amy Bodnar (Aggie), Stephen R. Buntrock (Joe), Nicolas Dromard (Sam), Merwin Foard (Chalmers), Rosena M. Hill (Ellen), Chris Holly (Jake), Michael Thomas Holmes (Mike), Elizabeth Loyacano (Kate), Audrie Neenan (Armina), Rachelle Rak (Rosie), Jermaine R. Rembert (Tom), Laura Shoop (Vivian), Sarah Spradlin-Bonomo (Emily), Greg Stone (Fred), Kathy Voytko (Sylvie), Catherine Wreford (Lucy); Children: Julianna Rose Mauriello (Lil Titch), Stephen Scott Scarpulla (Travis), Lauren Ullrich (Desiree), William Ullrich (Maverick)Commentaires : Il s'agit de la production qui avait été créée au National Theatre de Londres le 15 juillet 1998 et qui avait ensuite été transférée dans le West End. L'entièreté de l'équipe de création de Londres a géré ce revivaal à Broadway.
Etonnement cette production ne fut qu'un petit succès, tenant l'affiche moins d'un an.
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Once in a Lifetime (1979-09-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Tuesday 04 September 1979Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Gillian Lynne • Producteur : Avec : Bertenshaw Michael (1st couple) Fitzgerald Kate (1st couple) Johnson Darlene (2nd Couple;Bridsmaid) Reddington Ian (Artist) Hendrick Allan (Bellboy) Cunningham Jocelyn (Bridesmaid) Dury Susan (Bridesmaid) Fitzgerald Kate (Bridesmaid) Brammer Helen (Bridesmaidetc.) Fellows Susannah (Bridesmaidetc.) Fellows Susannah (Cigarette girl) Brammer Helen (Coat check girl) Hall Cheryl (Continuity Girl) Raistrick George (Couple 2; Bishop) McGough Philip (Cowboy star) Reddington Ian (Cyril Fonsdale) Hendrick Allan (Dr Lewis' Secretary) Abbott Brian (Electrician) McGough Philip (Electrician) Nettles John (Ernest;Art Sullivan) Hall Cheryl (Florabel Leigh) Griffiths Richard Thomas (George Lewis) Brown Gaye (Helen Hobart) Suchet David (Herman Glogauer) McEnery Peter (Jerry Hyland) Charleson Ian (Lawrence Veil) McGough Philip (Lightman) White Arthur (Lightman) Wanamaker Zoe (Mary Daniels) Stevenson Juliet (Miss Chasen) Abbott Brian (Miss Fontaine's Chaf) Cunningham Jocelyn (Miss Fontaine's Maid) Reddington Ian (Miss Leigh's Chauffe) Dury Susan (Miss Leigh's maid) Du Sautoy Carmen (Miss Leighton) Freshwater Geoffrey (Mr Flick) Freshwater Geoffrey (Mr Meterstein) White Arthur (Mr Weisskopf) Fitzgerald Kate (Mr Weisskopf's comp) Lush Valerie (Mrs Walker) Bradley David (Oliver Fultonetc.) Barker Alan (Page) Buffery Bill (Page) Van Fossen Diana (Phyllis Fontaine) Bradley David (Policeman) Hodiak Keith (Porter;Truckmanetc.) McGough Philip (Reporter) Brooke Paul (Rudolph Kammerling) Van Fossen Diana (Script Girl) Fuller Toria (Susan Walker) Bertenshaw Michael (Tie Salesman) Bertenshaw Michael (Victor Moulton)Commentaires : Un spectacle de la RSC.
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Porgy and Bess (1986-07-Glyndebourne Festival-Glyndebourne)
Type de série: RevivalThéâtre: Glyndebourne Festival (Glyndebourne - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : InconnuDernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Commentaires longs: Trevor Nunn tackled the work in an acclaimed 1986 production at England's Glyndebourne Festival. The 1986 Trevor Nunn production was scenically expanded and videotaped for television in 1993 (see below in "Film and television"). These productions were also based on the "complete score," without incorporating Gershwin's revisions. A semi-staged version of this production was performed at the Proms in 1998.
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Porgy and Bess (2006-10-Savoy Theatre-London)
Type de série: RevivalThéâtre: Savoy Theatre (Londres - Angleterre) Durée : 5 mois 3 semaines Nombre : Première Preview : Wednesday 25 October 2006Première : Thursday 09 November 2006Dernière : Saturday 05 May 2007Mise en scène : Trevor Nunn • Chorégraphie : Jason Pennycooke • Producteur : Avec : Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), O-T Fagbenie (Sportin’Life), Cornell S John (Crown), Edward Baruwa, Yolanda Grant-Thompson, Ruby King, Lorraine Velez, Des Coleman, Anton StephansCommentaires : Notes: Trevor Nunn had directed the opera “Porgy and Bess” at Glyndebourne in 1986, and that production, conducted by Simon Rattle, was re-created as a television opera in 1993, and re-staged for a one-night concert version at the 1998 Royal Albert Hall Promenade Season. This, however, was produced as a “musical” not an opera. Working with the Gershwin estate, Nunn used dialogue from the original novel and subsequent Broadway stage play to replace the recitatives with naturalistic scenes. He also considerably reduced its running time. He did not cast operatic voices but relied on musical theatre actors as leads. Gareth Valentine re-scored the work for a 20-strong orchestra (as opposed to the 50 piece symphony orchestra of the Glyndebourne version).
In spite of generally welcoming reviews the show did not attract an audience, and closed after just a few months.Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says, " Ardent production." PAUL TAYLOR for THE INDEPENDENT says, " 'Electrifying' is an overworked word in the critical lexicon, but if ever a show deserved it, it is Trevor Nunn's magnificent revival of the Gershwins' Porgy and Bess." SCOTT MATTHEWMAN for THE STAGE says, "A visual and aural spectacle." MICHAEL BILLINGTON for THE GUARDIAN says, "If the show now seems a museum-piece, Nunn's production invests it with social detail...this is an essentially conservative show." BENEDICT NIGHTINGALE for THE TIMES says, "Nunn’s company brings enormous energy and plenty of class to Ira Gershwin’s libretto."
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Relapse (The) (1967-08-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 17 August 1967Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Hyde Sarah (Abigail), Fleetwood Susan (Amanda), Suzman Janet (Berinthia), Kinnear Roy (Bull), Burton Donald (Coupler), Frampton Rufus (Cupid), Hardiman Terrence (Dr Serringe), Steen Derek (Hosier), Kane John (La Verole), Sinden Donald (Lord Foppington), Wylton Tim (Lory), Thomas Charles (Loveless), Mohan Ursula (Maid), De La Tour Frances (Miss Hoyden), Kaye Lila (Nurse), Frampton Rufus (Page), Kahn Richard (Page), Sheppard Morgan (Porter), Lindsay Joanne (Seamstress), Sheppard Morgan (Shoemaker), Simpson Richard (Sir John Friendly), Waller David (Sir Tunbelly Clumsey), Cormack George (Tailor), East Robert (Unnamed parts), Georgeson Tom (Unnamed parts), Goldie Michael (Unnamed parts), Hyde Sarah (Unnamed parts), Kay John (Unnamed parts), Kent Trevor (Unnamed parts), Kingsley Ben (Unnamed parts), Matthews Seymour (Unnamed parts), Mohan Ursula (Unnamed parts), Palmer Gregg (Unnamed parts), Rees Roger (Unnamed parts), Reid Gregory (Unnamed parts), Steen Derek (Unnamed parts), York Mark (Unnamed parts), Goldie Michael (Waterman), Kingsley Ben (Wigmaker), Stewart Patrick (Worthy), Howard Alan(Young Fashion)Commentaires : Un spectacle de la RSC.
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Relapse (The) (1968-08-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 15 August 1968Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Greatrex Christina (Abigail), Farleigh Lynn (Amanda), Robins Toby (Berinthia), Smith Derek (Bull), Dench Jeffery (Coupler), Wilcox Robert (Cupid), Hutchings Geoffrey (Dr Serringe), Bennett Frederick (Hosier), Geddis Peter (La Varole), Ingham Barrie (Lord Foppington), Sheppard Morgan (Lory), Thomas Charles (Loveless), Sheers Susan (Maid to Amanda), De La Tour Frances (Miss Hoyden), Kaye Lila (Nurse), Terry Philip (Page), Wilcox Robert (Page), Henderson Don (Porter), Head Ruby (Seamstress), McGuirk William (Shoemaker), Mayes Richard (Sir John Friendly), Mason Brewster (Sir Tunbelly Clumsey), Rees Roger (Tailor), Bennett Frederick (Unnamed parts), Clay Peter (Unnamed parts), Daniels Ron (Unnamed parts), Forster Brian (Unnamed parts), Greatrex Christina (Unnamed parts), Head Ruby (Unnamed parts), Mackenzie Boyd (Unnamed parts), McGuirk William (Unnamed parts), Messaline Peter (Unnamed parts), Nolan John (Unnamed parts), Palmer Gregg (Unnamed parts), Rees Roger (Unnamed parts), Rogan John (Unnamed parts), Sheers Susan (Unnamed parts), Taylor Philip (Unnamed parts), Henderson Don (Waterman), Bromley Sydney (Wigmaker), James Emrys (Worthy), Jayston Michael (Young Fashion)Commentaires : Un spectacle de la RSC.
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Relapse (The) (2001-07-Olivier Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 4 mois Nombre : 59 représentationsPremière Preview : InconnuPremière : Friday 20 July 2001Dernière : Saturday 17 November 2001Mise en scène : Trevor Nunn • Stephen Rayne • Chorégraphie : Producteur : Commentaires : THE RELAPSE (1696) by John Vanbrugh
Director Trevor Nunn with Stephen Rayne Olivier 20 July - 17 November 59 performances; 41,617 (74% & 59%)
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Relative Values (2014-04-Harold Pinter Theatre-London)
Type de série: RevivalThéâtre: Harold Pinter Theatre (Londres - Angleterre) Durée : 2 mois 1 semaine Nombre : Première Preview : Wednesday 19 March 2014Première : Monday 14 April 2014Dernière : Saturday 21 June 2014Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Patricia Hodge (Felicity), Caroline Quentin (Moxie), Neil Morrissey (Crestwell), Ben Mansfield (Don Lucas), Leigh Zimmerman (Miranda Frayle), Steven Pacey (Peter), Timothy Kightley (Admiral Sir John Hayling ), Amanda Boxer (Lady Cynthia Hayling), Sam Hoare (Nigel), Rebecca Birch (Alice)Presse : "This is the kind of unashamedly frivolous play that doubtless helped turn John Osborne into an angry young man but it is likely to provide nothing but pleasure to those who admire Coward’s wit and stylish insouciance." Charles Spencer for The Telegraph
"While there's much pleasure to be had from the stylish acting and direction, Coward's play remains a musty, tribal relic in praise of the class system." Michael Billington for The Guardian
"It’s impossible not to be amused by Hodge’s silkily imperious tone as she tries to ensure the upper classes remain unsullied by such an arriviste." Fiona Mountford for The Evening Standard
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Revenger's Tragedy (1969-11-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 27 November 1969Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Pauline Grant • Producteur : Avec : Hardiman Terrence (Ambitioso), Rose Clifford (Antonio), Mirren Helen (Castiza), Collier Patience (Duchess), Waller David (Duke), Jones Barry Richard (Gentleman 1), Valentine Ted (Gentleman 2), Kaye Lila (Gratiana), Stewart Patrick (Hippolito), Simpson Richard (Judge), Myers Bruce (Junior), Firth David (Lord 1), York John (Lord 2), Lewis Glynne (Lord 3), Bax Martin (Lord 4), Howard Alan (Lussurioso), Oates Robert (Officer 1), Cochran Peter (Officer 2), Turner Stephen (Officer 3), Dyson Ian (Officer 4), Simpson Richard (Piero), Rodway Norman (Spurio), Keays-Byrne Hugh (Spurio's Man), Harlowe Peter (Spurio's Man), Stender J D (Spurio's Man), Kane John (Supervacuo), Arlington Paul (Unnamed parts), Blythe Domini (Unnamed parts), Cotterill Ralph (Unnamed parts), Forbes David (Unnamed parts), Head Ruby (Unnamed parts), Kestelman Sara (Unnamed parts), Minifie Valerie (Unnamed parts), Morris Vernon (Unnamed parts), Stern David (Unnamed parts), Richardson Ian(Vendice)Commentaires : Un spectacle de la RSC.
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Romeo and Juliet (1977-07-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Tuesday 05 July 1977Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Preston Duncan (Abraham), Pollitt Clyde (Apothecary), Hicks Greg (Balthazar), Rees Roger (Benvolio), Woodvine John (Capulet), Bown John (Chorus), Durden Richard (Count Paris), Jones Griffith (Escalus), Clinton Dennis (Friar John), Waller David (Friar Lawrence), Preston Leonard (Gregory), Annis Francesca (Juliet), Brown Bobbie (Lady), Carson Avril (Lady), Guard Pippa (Lady), Harte Judith (Lady), Shelley Barbara (Lady Capulet), Harte Judith (Lady Montague), Pennington Michael (Mercutio), Preston Leonard (Mercutio's page), Beavis Ivan (Montague), Howey David (Musician), Taylor Keith (Musician), Witkin Jacob (Musician), Kean Marie (Nurse), Tyrrell Norman (Old Capulet), Woodward Peter (Page), Whitworth Paul (Paris' Page), Griffiths Richard Thomas (Peter), McKellen Ian (Romeo), Howey David (Sampson), Shelley Paul (Tybalt), Clinton Dennis (Unnamed parts), Pollitt Clyde (Unnamed parts), Preston Leonard (Unnamed parts), Taylor Keith (Unnamed parts), Witkin Jacob (Unnamed parts), Preston Duncan (Watch), Taylor Keith (Watch), Witkin Jacob (Watch)Commentaires : Un spectacle de la RSC.
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Royal Hunt of the Sun (The) (2006-03-Olivier Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 4 mois Nombre : 72 représentationsPremière Preview : Thursday 30 March 2006Première : Wednesday 12 April 2006Dernière : Saturday 12 August 2006Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Alun Armstrong (Pizarro), Paterson Joseph (Atahuallpa), Philip Voss (Miguel Estete), Israel Aduramo, Natasha Bain, Micah Balfour, Dwayne Barnaby, Tristan Beint, Ralph Birtwell, Martin Carroll, Oliver Cotton, Jim Creighton, Branwell Donaghey, Darrell D Silva, Andrew Frame, Bradley Freegard, Daniel Lindquist, Richard Lintern, George Daniel Long, Andrew McDonald, Tam Mutu, Terel Nugent, Owen Oakeshott, Gary Oliver, Bhasker Patel, Paul Ritter, Nataylia Roni, Douglas Scott Franklin, Amit Shah, Malcolm Storry, Michael Taibi, Oliver Tompsett, Ewart James Walters.Presse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "A spectacular theatrical epic." PAUL TAYLOR for THE INDEPENDENT says, "Old-fashioned in stage-craft and style." MICHAEL BILLINGTON for THE GUARDIAN says, "While the play was a startling antidote to 60s naturalism, what now seems more interesting is Shaffer's understanding of the imperialist instinct in which the conquest of the Incas becomes a metaphor for modern Iraq." CHARLES SPENCER for THE DAILY TELEGRAPH says, "Lumbering production by Trevor Nunn, full of empty displays of ritual, dodgy choreography and naff mime sequences" BENEDICT NIGHTINGALE for THE TIMES says, "There’s much to admire in Nunn’s use of a bare, round, wooden stage with plenty of gorgeous costumes but a minimum of props."
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Schikaneder (2016-09-Raimund Theater-Vienne)
Type de série: OriginalThéâtre: Raimund Theater (Vienne - Autriche) Durée : 8 mois 3 semaines Nombre : Première Preview : Friday 30 September 2016Première : Friday 30 September 2016Dernière : Wednesday 21 June 2017Mise en scène : Trevor Nunn • Chorégraphie : Anthony Van Laast • Producteur : Avec : Mark Seibert (Emanuel Schikaneder), Milica Jovanović (Eleonore Schikaneder), Florian Peters (Johann Friedel), Stefan Poslovski (Benedikt Schack (ab April 2017) // Cover Benedikt Schack / Cover Karl Marinelli / Ensemble), Katie Hall (Maria Anna Miller), Hardy Rudolz (Franz Moser / Josef von Bauernfeld), Reinwald Kranner (Karl Marinelli), Franziska Schuster (Barbara Gerl / Cover Eleonore Schikaneder), Armin Kahl (Benedikt Schack (bis 3. April 2017)), Katja Reichert (Josepha Hofer), Ricardo Frenzel Baudisch (Cover Emanuel Schikaneder / Ensemble), Oliver Floris (Cover Emanuel Schikaneder / Ensemble), Marle Martens (Cover Eleonore Schikaneder / Ensemble), Tobias Joch (Cover Johann Friedel / Cover Benedikt Schack / Ensemble), Christopher Dederichs (Cover Johann Friedel / Ensemble (ab März 2017)), Martin Pasching (Cover Benedikt Schack / Ensemble (ab 5. April 2017)), Lillian Maandag (Cover Maria Anna Miller / Ensemble), Andreja Zidaric (Cover Maria Anna Miller / Ensemble), Ulrich Talle (Cover Franz Moser / Cover Josef von Bauernfeld / Ensemble), Fernand Delosch (Cover Karl Marinelli / Cover Josef von Bauernfeld / Ensemble), Jon Geoffrey Goldsworthy (Cover Franz Moser / Ensemble), Jana Stelley (Cover Barbara Gerl / Ensemble), Daniela Braun (Cover Josepha Hofer / Ensemble), Jil Clesse (Cover Josepha Hofer / Ensemble), Jessica Kessler (Cover Barbara Gerl / Ensemble (ab 5. April 2017)), Peter Kratochvil (Ensemble), Tessa Jill Brockhoff (Ensemble), Shari Lynn Stewen (Swing), Rebecca Soumagné (Swing), Livia Wrede (Swing), Shane Dickson (Swing), Ronnie Veró Wagner (Dance Captain / Swing), Stef van Gelder (Swing), Karoline Gable (Cover Barbara Gerl / Ensemble (bis April 2017)), Andreas Bongard (Cover Johann Friedel / Cover Benedikt Schack / Ensemble (bis März 2017))
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Seagull (The) (2007-11-New London Theatre-London)
Type de série: RevivalThéâtre: Gillian Lynne Theatre (Londres - Angleterre) Durée : 1 mois 2 semaines Nombre : Première Preview : Wednesday 21 November 2007Première : Tuesday 27 November 2007Dernière : Saturday 12 January 2008Mise en scène : Trevor Nunn • Chorégraphie : Aucun • Producteur : Avec : Ian McKellen and William Gaunt will share the role of Sorin. Frances Barber (Arkadina), Ben Addis (Servant), Adam Booth (Estate Worker), Zoe Boyle (Arkadina's Maid), Russell Byrne (Servant), Naomi Capron (Cook), Monica Dolan (Masha), Romola Garai (Nina), Richard Goulding (Konstantin), Julian Harries (Estate Worker ), John Heffernan (Estate Worker), Peter Hinton (Yakov), Jonathan Hyde (Dr Dorn), Melanie Jessop (Polina), Gerald Kyd (Trigorin), Seymour Matthews (Old Servant), Ben Meyjes (Medvedenko), David Weston (Butler), Guy Williams (Shamrayev), Philip Winchester (Estate Worker)Commentaires longs: Une production de la RSCPresse : NICHOLAS DE JONGH for THE EVENING STANDARD says, "Nunn's production is hampered by monotonous langour, conceptual vagueness and melodramatic pointing." MICHAEL BILLINGTON for THE GUARDIAN says, "Trevor Nunn's production is a mixed bag: strong at the margins, fallible at the centre and, at three hours 20 minutes, desperately long." CHARLES SPENCER for THE DAILY TELEGRAPH says, "Impressive...But, in the final analysis...just miss true greatness." GERALD BERKOWITZ for THE STAGE says, "Excellent production."BENEDICT NIGHTINGALE for THE TIMES says, "Frances Barber...giving a deeper performance than at Stratford."
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South Pacific (2001-12-Olivier Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 4 mois 2 semaines Nombre : 163 représentationsPremière Preview : Monday 03 December 2001Première : Wednesday 12 December 2001Dernière : Saturday 27 April 2002Mise en scène : Trevor Nunn • Chorégraphie : Matthew Bourne • Producteur : Avec : Lauren Kennedy (Nellie Forbush), Philip Quast (Emile), Edward Baker-Duly (Lt. Cable), Sheila Francisco (Bloody Mary) , Nick Holder (Luther).Commentaires : This major revival at the National Theatre interpolated two songs that had been cut from the original production: “My Girl Back Home” and “The Time is Now”. It was staged with some grainy newsreel projections, and there was an attempt at “gritty realism” by ensuring the crew of GIs were tubby, sweaty and a long way from the usual dancing chorus boys. There was the usual criticism that taxpayers’ money should not be used to subsidise commercial musicals at the National Theatre, but it was generally agreed this was an excellent production of a now slightly dated show.Presse : BENEDICT NIGHTINGALE for THE TIMES says, “South Pacific at the National is almost an enchanted evening.”
CHARLES SPENCER for THE DAILY TELEGRAPH says, “The show may not be in the same league as the National's earlier musical hits, but at its best, as the song says, it offers some enchanted evening.”
MICHAEL BILLINGTON for THE GUARDIAN says, “Decently dull production.” He goes on to say, “An evening that dutifully delivers a musical classic but only briefly acquires a touch of ecstasy.”
RHODA KOENIG for THE INDEPENDENT says, “A fabulous cast includes Lauren Kennedy as a wonderfully brassy-tender Nellie, Edward Baker-Duly as the clean-cut, anguished Lieutenant, Nick Holder as a flabby, fast-talking small-time Sergeant Bilko, and the fine John Shrapnel as the humane but comically exasperated Commander of the island.”
NICHOLAS DE JONGH for THE EVENING STANDARD says, “Glamour-laden, beautifully drilled production.”
MICHAEL COVENEY for THE DAILY MAIL said, “Nunn's revival, magically designed by John Napier with exquisite lighting by David Hersey, is every bit as good as the RNT's previous Rodgers and Hammersteins, Carousel and Oklahoma!”
SHERIDAN MORLEY for TELETEXT says the production is , "fatally unsexy" and "underpowered". He goes on to say, "It is also bloodless, overlong and lacks any narrative drive."
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Starlight Express (1984-03-Apollo Victoria Theatre-London)
Type de série: OriginalThéâtre: Apollo Victoria Theatre (Londres - Angleterre)Durée : 17 ans 9 mois 3 semaines Nombre : 7406 représentationsPremière Preview : Tuesday 27 March 1984Première : Tuesday 27 March 1984Dernière : Saturday 12 January 2002Mise en scène : Trevor Nunn • Chorégraphie : Arlene Phillips • Producteur : Avec : Jeff Shankley (Greaseball), Chrissy Wickham (Ashley), Nancy Wood (Buffy), Frances Ruffelle (Dina), Stephanie Lawrence (Pearl), Michael Staniforth (C.B.), Lon Satton (Poppa), Jeffrey Daniel (Electra), Ray Shell (Rusty)Commentaires : The performers were required to race around the theatre on roller-skates. They underwent several months of skating training to be able to take part and the theatre itself had to undergo major alterations to accommodate racing tracks running through the auditorium, up to the circle, then back down through the stalls. The show went on to become one of the major hits of all time, with world-wide productions.
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Starlight Express (1984-03-Apollo Victoria Theatre-London) Original Version
Type de série: OriginalThéâtre: Apollo Victoria Theatre (Londres - Angleterre)Durée : Nombre : Première Preview : Tuesday 27 March 1984Première : Tuesday 27 March 1984Dernière : InconnuMise en scène : Trevor Nunn • Dion McHugh • Chorégraphie : Arlene Phillips • Producteur : Commentaires : The West End production, directed by Trevor Nunn and choreographed by Arlene Phillips opened on 27 March 1984 at the Apollo Victoria Theatre, where it ran for 7,406 performances, closing on 12 January 2002. Original cast members included Stephanie Lawrence, Frances Ruffelle, Jeff Shankley, Jeffrey Daniel and Ray Shell.Starlight Express had one of the most spectacular stage sets ever created. As well as the steeply-banked central arena, there were swooping race tracks that extended into and around the theatre's auditorium. One of the set's most dramatic elements was the six-tonne steel bridge. During the show's high-speed races, the bridge lifted and tilted to connect the various levels of the set. This means the actors started racing on a track in the stalls and end up in the dress circle.
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Starlight Express (1987-03-George Gershwin Theatre-Broadway)
Type de série: Original BroadwayThéâtre: Gershwin Theatre (Broadway - Etats-Unis) Durée : 1 an 10 mois Nombre : 22 previews - 761 représentationsPremière Preview : Tuesday 24 February 1987Première : Sunday 15 March 1987Dernière : Sunday 08 January 1989Mise en scène : Trevor Nunn • Chorégraphie : Arlene Phillips • Producteur : Commentaires longs: This version featured extensive revisions to the plot and the addition and omission of several musical numbers. "C.B." at this point lost his name and was henceforth known only as "Red Caboose," and rather than racing simply for the accolade "Champion Engine of the World", the trains raced for a prize, the "Silver Dollar".
The race structure changed from three heats with one winner each in the final, to two heats with two winners each in the final. Rusty didn't race in the heats at all, making Belle (Memphis Belle, as she was re-named) redundant. This made the show considerably shorter and less complex, as there was now one race fewer and no debate over whether or not Rusty should be allowed to race in the final. It also lead to Belle being entirely cut from the show in later productions, as she served no useful purpose. The engines now raced for a prize, the Silver Dollar, rather than just for the sake of winning.
The "Entry of National Engines" was moved to the beginning of the show, in the place of the overture. The song "Engine of Love" was used when Rusty brought the Coaches in near the beginning of the show. Pearl then went off with him before "A Lotta Locomotion", so that it was sung only by Dinah, Buffy and Ashley. "He Whistled at Me" was replaced with the more sedate ballad "Make Up My Heart." "AC/DC" no longer came to a conclusion, but was interrupted by Greaseball with "Pumping Iron", now a direct challenge to the newcomer. Because Electra had already entered with his entourage, the second and third class Sleepers no longer existed. Joule, Volta and Wrench now joined "Pumping Iron" in their places. "There's Me" became a duet between Caboose and Dinah.
"The Rap" was completely re-written as the original, mainly concerning Rusty's predicament, was irrelevant. For the "Downhill Final", Rusty appeared in a new costume as the Starlight Express. None of the other characters recognised him. After the race, Caboose stole the Silver Dollar. The company accuse Rusty of having stolen it, and he consents to being searched if the opposition have to do likewise. This led to a lengthy slapstick chase ("The Chase"), at the conclusion of which was Caboose crashing into Greaseball and Electra. "No Comeback" was cut. The disguised Rusty idea was scrapped during the Broadway run and reverted back to Rusty entering the Final as himself, and "The Chase" being cut completely. Greaseball, Caboose, & Electra then sang "One Rock 'n' Roll Too Many", rearranged with choreography that was more slapstick and less sexual innuendo laden. Pearl sang a brief reprise of "Make Up My Heart" ('It's thanks to you that things worked out all right. I knew it from the start. Now I know I've made up my heart.'), however it was cut early in the preview period. "Only He" was replaced with an expanded "Only You", and the show ended with "Light at the end of the Tunnel."
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Starlight Express (1988-06-Starlighthalle-Bochum)
Type de série: RevivalThéâtre: Starlight Express Theater (Bochum - Allemagne) Durée : 32 ans 10 mois Nombre : Première Preview : Sunday 12 June 1988Première : Sunday 12 June 1988Dernière : Open end, ouvert actuellement jusqu'au Wed 31 March 2021Mise en scène : Trevor Nunn • Chorégraphie : Arlene Phillips • Producteur : Commentaires : The Starlighthalle was built especially for the production in an extraordinary time of less than one year. Both the special building and record breaking build time were documented in the Guinness Book of Records. The Starlighthalle was specially designed for the show, with large tracks on two levels in a U-like shape with the audience sitting in the middle and around these tracks. On stage the tracks even run over three levels which allows several race combinations. In 2003 a 'Y' shaped track was added to the smallest inner track, the Parkett, dividing it into 3 seating areas and allowing greater flexibility of staging and more tricks for the skaters. A good impression of the Starlighthalle can be seen on the official website from a 360° panorama view and lots of high resolution pictures from the show, featuring the current cast.
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Starlight Express (1992-11-Apollo Victoria Theatre-London) Revised Version
Type de série: RecréationThéâtre: Apollo Victoria Theatre (Londres - Angleterre)Durée : 9 ans 1 mois 3 semaines Nombre : Première Preview : Monday 23 November 1992Première : Monday 23 November 1992Dernière : Saturday 12 January 2002Mise en scène : Trevor Nunn • Dion McHugh • Chorégraphie : Arlene Phillips • Producteur : Avec : Mark Walker (Greaseball), Samantha Lane (Ashley), Voyd (Buffy), Caron Cardelle (Dina), Reva Rice (Pearl), Lon Satton (Poppa), John Partridge (Electra), Greg Ellis (Rusty)Commentaires : In November 1992, the London production, christened The New Starlight Express, was re-launched with heavy revisions to the material, partly influenced by the subsequent productions described below. Five songs ("Crazy", "He'll Whistle at Me", "Make Up My Heart", "Next Time You Fall in Love", "The Megamix") were added, 12 songs (the Overture, "Engine of Love", "Call Me Rusty", "Hitching and Switching", "There's Me", "Belle The Sleeping Car", "Heat Three", "Wide Smile", "High Style", "No Comeback", "Only He", "Only You") and two characters ("C.B." and "Belle") were cut.
Belle, having proved incompatible with the shorter 4-race system on Broadway, was cut along with C.B. Cutting C.B. required a near complete overhaul of the plot (though the lighting design didn't change – his spotlight still came up in "Freight" right up to the last performance of the show), as without a clear cut villain, Rusty, Electra and Greaseball had to cause their own problems or be the victims of circumstance to move the story along.
The "Overture" was scrapped, with the "Entry of National Trains" moved to the opening of the show from its former place following "Freight". The energetic, high speed "He Whistled at Me" was reworked into "He'll Whistle at Me" and moved to earlier on in the show. In its original place was the languid ballad "Make Up My Heart" that was first recorded on a 1987 studio recording. "Pumping Iron" was moved to immediately after "AC/DC", shifting the intention from merely boasting to a direct challenge from Greaseball to the newcomer and cutting off the end of the preceding song. This meant that the 2nd and 3rd class Sleepers were no longer seen, as the performers who had filled those roles were now on-stage as the female Components. Rather than winning a heat each, as in the 5-race structure, Greaseball and Electra come first and second in the first heat, securing places in the final for each of them. Rusty now didn't race at all until the final, only reluctantly taking Poppa's place after the title song. Poppa won the second heat with Bobo coming second.
"The Rap" was completely re-written, as the debate – whether or not Rusty should be allowed to race in Poppa's place when he'd already been disqualified – was completely redundant. It became an anthem to how great racing is, rather than an argument. Pearl still switched engines to Electra, leaving Dinah uncoupled. With Belle gone, Ashley and Buffy carried "Rolling Stock (Reprise)" by themselves, allowing them each more vocals. After the Uphill Final, when Dinah uncouples Electra, with no C.B. he partners Buffy instead for the Downhill Final. Rather than being crashed intentionally, Electra and Greaseball crash accidentally at the end of the race. Electra then took C.B.'s place in "One Rock 'n' Roll Too Many", and also took one of Greaseball's spoken lines("You mean I could be converted to steam?" became "D'you think I could be converted to steam?") afterwards to be included in the scene. As a second finale, "The Megamix" was added. It consists of a few phrases from most of the songs in the show, including one that by the end was no longer there – "He'll Whistle at Me" was cut in 1996, but remained represented.
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Summerfolk (1999-09-Olivier Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 6 mois 2 semaines Nombre : 56 représentationsPremière Preview : Friday 27 August 1999Première : Friday 03 September 1999Dernière : Saturday 18 March 2000Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Jennifer Ehle (Varvara), Patricia Hodge (Maria Lvovna), Roger Allam, Jasper Britton, Michael Bryant, Robert burt, Claudia Cadette, Martin Chamberlain, Oliver Cotton, Raymond Coulthard, Jim Creighton, Derbhle Crotty, Henry Goodman, Ceri Ann Gregory, Victoria Hamilton, Richard Henders, Jack James, Gabrielle Jourdan, Alex Kelly, Beverley Klein, Leigh McDonald, Liam Mckenna, Elisabeth Renihan, Simon Russell Beale, Aislinn Sands, Myra Sands, David Weston.
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Sunset Boulevard (1993-07-Adelphi Theatre-London)
Type de série: OriginalThéâtre: Adelphi Theatre (Londres - Angleterre)
Durée : 3 ans 8 mois 4 semaines Nombre : 1529 représentationsPremière Preview : InconnuPremière : Monday 12 July 1993Dernière : Saturday 05 April 1997Mise en scène : Trevor Nunn • Chorégraphie : Bob Avian • Producteur : Avec : Version 1:
Patti LuPone
12 juil 1993 - 12 mars 1994
Version 2:
Betty Buckley
19 avr 1994 - 14 mai 1995
(out du 29 nov 1994 - 7 jan 1995 remplacée par Elaine Page)
Elaine Paige
17 mai 1995 - 6 jan 1996
(out du 2 sept - 14 oct 1995, remplacée par Petula Clark)
Petula Clarck
9 jan 1996 - 5 avr 1997
(out du 9 sept - 2 nov 1996, remplacée par Rita Moreno)Commentaires : A londres, Norma Desmond sera jouée successivement par Patti LuPone, Betty Buckley, Elaine Paige, Petula Clark et Rita Moreno.
Les critiques ayant été mitigée à l'ouverture, le show va fermer trois semaines et rouvrir le 19 avril 1994 avec de nombreuses modifications rapprochant cette version de celle de Los Angeles (Glenn Close) qui avait elle été très bien accueillie.
Early in 1997, Andrew Lloyd Webber announced the immediate closure of both the West End and Broadway productions, claiming it was impossible to find cast replacements of sufficiently high quality. (Later it was disclosed the whole undertaking had lost an absolute fortune and was seriously impacting on the overall finances of Lloyd Webber’s Really Useful Company. The sum of money paid to Faye Dunaway for breach of contract when she was sacked from the USA version was never disclosed, but it was claimed that Patti LuPone, initially promised the Broadway run, sued Lloyd Webber and received a settlement reported to be $1 million.
According to Broadway critic Frank Rich in his book “The Hot Seat”, these lawsuits contributed to “Sunset Boulevard” setting the record for the biggest loss ever made on a musical show. The operating costs exceeded the income, and the touring companies also generated large financial losses. In spite of running for more than two years and selling over a million tickets on Broadway, Rich puts the final losses near or above $20 million.
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Sunset Boulevard (1993-07-Adelphi Theatre-London) VERSION 1
Type de série: OriginalThéâtre: Adelphi Theatre (Londres - Angleterre)
Durée : 8 mois Nombre : Première Preview : Monday 12 July 1993Première : Monday 12 July 1993Dernière : Saturday 12 March 1994Mise en scène : Trevor Nunn • Chorégraphie : Bob Avian • Producteur : Avec : Patti LuPone (Norma Desmond), Kevin Anderson (Joe Gillis), Meredith Braun (Betty Schaefer), Daniel Benzali (Norma's ex-husband, Max)Commentaires : Billy Wilder and his wife Audrey were joined by Nancy Olson, who had played Betty Schaefer in the original film, at the opening night performance. Of it, Wilder observed, "The best thing they did was leave the script alone," and of Patti LuPone he exclaimed, "She's a star from the moment she walks on stage."
Reviews were mixed…
The show closed for three weeks, re-opening on 19 April 1994, revamped to follow the Los Angeles production, with a second official "opening".Presse : the review by Michael Kuchwara for the AP: "Some reviewers felt Lloyd Webber took the sting out of a cynical tale. 'Wilder's bitter brew has been diluted,' wrote AP Drama Critic Michael Kuchwara. He added: 'When LuPone is off stage, the show sags.'"
Frank Rich wrote "Much of the film's plot, dialogue and horror-movie mood are preserved, not to mention clips used to illustrate those sequences in which the faded silent-film star, Norma Desmond ...and her kept young screenwriter, Joe Gillis ..., travel by car. The lyricist, Don Black ..., and the playwright, Christopher Hampton ..., smartly tailor their jokes to the original screenplay's style. At times even Lloyd Webber gets into the Wilder swing. Both acts open with joltingly angry diatribes about Hollywood, part exposition-packed recitative and part song, in which the surprisingly dark, jazz-accented music, the most interesting I've yet encountered from this composer, meshes perfectly with the cynical lyrics. Anderson makes the sardonic Wilder voice an almost physical presence in Sunset Boulevard. But that voice is too often drowned out by both LuPone's Broadway belt and by the mechanical efforts of Lloyd Webber and his director, Trevor Nunn, to stamp the proven formulas of Phantom and Les Miz on even an intimate tale. At odd moments the mammoth set advances like a glacier toward the audience or retreats or, most dramatically, rises partly up into the flies, actors in tow."
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Sunset Boulevard (1993-12-Shubert Theatre-Los Angeles)
Type de série: RevivalThéâtre: Shubert Theatre (Los Angeles - Etats-Unis) Durée : 7 mois 2 semaines Nombre : 232 représentationsPremière Preview : InconnuPremière : Thursday 09 December 1993Dernière : Tuesday 26 July 1994Mise en scène : Trevor Nunn • Chorégraphie : Bob Avian • Producteur : Commentaires : Initially, Faye Dunaway and Rex Smith were to replace Close and Campbell. However, Dunaway was hired with no prior musical stage (or film) experience, and a week before her previews were to begin, Lloyd Webber fired her and decided to close the show.
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Sunset Boulevard (1994-04-Adelphi Theatre-London) VERSION 2
Type de série: OriginalThéâtre: Adelphi Theatre (Londres - Angleterre)Durée : 2 ans 11 mois 3 semaines Nombre : Première Preview : Tuesday 19 April 1994Première : Tuesday 19 April 1994Dernière : Saturday 05 April 1997Mise en scène : Trevor Nunn • Chorégraphie : Bob Avian • Producteur : Avec : Betty Buckley
19 avr 1994 - 14 mai 1995
(out du 29 nov 1994 - 7 jan 1995 remplacée par Elaine Page)
Elaine Paige
17 mai 1995 - 6 jan 1996
(out du 2 sept - 14 oct 1995, remplacée par Petula Clark)
Petula Clarck
9 jan 1996 - 5 avr 1997
(out du 9 sept - 2 nov 1996, remplacée par Rita Moreno)Commentaires : Buckley then followed Glenn Close as Norma Desmond in the second year of the Broadway production. Elaine Paige, who had filled in when Buckley was ill in 1994, took over as Norma Desmond in the West End in May 1995 before joining the Broadway production for the end of its run between 1996 and 1997. Petula Clark filled in for Paige during her holiday in September/October 1995, before taking over the role in January 1996 when Paige departed for the United States. The last "star" to take on the role of Norma Desmond in London was Rita Moreno, who filled in for a vacationing Clark in September and October 1996. John Barrowman played Joe until 1995, when he was replaced by Alexander Hanson. Graham Bickley played the role for the final year of the London run.
The show closed on 5 April 1997, running for 1,530 performances.Presse : The show closed for three weeks, re-opening on 19 April 1994, revamped to follow the Los Angeles production, with a second official "opening". The revamped musical had a new song, "Every Movie's A Circus", a new set, and new stars, Betty Buckley and John Barrowman. Michael Bauer, who had played DeMille in the original production replaced Benzali as Max, a role he played until the end of the London run (and subsequently on the UK tour and the BBC concert) and Anita Louise Combe (also from the original cast, understudying the role of Betty Shaeffer for the first nine months – and subsequently went on to play Betty Schaeffer in the Canadian Premiere with Diahann Carroll). Buckley and the production garnered rave reviews. David Lister of The Independent, for example wrote: "The show looked an improvement on the one that got decidedly mixed reviews last summer."
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Sunset Boulevard (1994-11-Minskoff Theatre-Broadway)
Type de série: Original BroadwayThéâtre: Minskoff Theatre (Broadway - Etats-Unis) Durée : 2 ans 4 mois Nombre : 17 previews - 977 représentationsPremière Preview : Tuesday 01 November 1994Première : Thursday 17 November 1994Dernière : Saturday 22 March 1997Mise en scène : Trevor Nunn • Chorégraphie : Bob Avian • Producteur :
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Taming of the Shrew (The) (1967-08-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 03 August 1967Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Kinnear Roy (Baptista), Matthews Seymour (Bartholomew), Watts June (Bianca), Kane John (Biondello), Sheppard Morgan (Christopher Sly), Kane John (Curtis), Hardiman Terrence (Gremio), Stewart Patrick (Grumio), Wylton Tim (Hortensio), Kaye Lila (Hostess), East Robert (Huntsman), Georgeson Tom (Huntsman), Kingsley Ben (Huntsman), Rees Roger (Huntsman), Steen Derek (Huntsman), Watts June (Joseph), Suzman Janet (Katharina), Burton Donald (Lord), Lloyd Robert (Lucentio), Thomas Charles (Nathaniel), De La Tour Frances (Nicholas), Suzman Janet (Officer), Williams Michael (Officer), Cormack George (Pedant), Williams Michael (Petruchio), Lloyd Robert (Philip), Simpson Richard (Tailor), Goldie Michael (Tapster), Thomas Charles (Tranio), Simpson Richard (Vincentio), De La Tour Frances (Widow)Commentaires : Un spectacle de la RSC.
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Tango (1966-05-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Wednesday 25 May 1966Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Pauline Grant • Producteur : Avec : Mohan Ursula (Ala), Nunn Trevor (Arthur), Williams Michael (Arthur), Pratt Mike (Eddie), Jameson Pauline (Eleanora), Eddison Robert (Eugene), Collier Patience (Eugenia), Jeffrey Peter (Stomil)Commentaires : Un spectacle de la RSC.
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Thwarting of Baron Bolligrew (The) (1965-12-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Saturday 11 December 1965Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Rigby Terence (Badger), McKern Leo (Baron Bolligrew), Sewards Terence (Cook), Sewards Terence (Dashwood), Lodge Andrew (Digby Trumpington), Bolt Robert (Dragon), Nettleton John (Duke), Maguire Oliver (Graceless Strongbody), Bell Colin (Jones), Mair Peter (Juniper), Harrison Peter (Lord Mayor), Moore Richard (Magpie), Clayton Edward (Man-at-Arms), Maguire Oliver (Man-at-Arms), Blair Iain (Mazeppa), Wynne Ken (Moloch), Harries Davyd (Obadiah Bobblenob), Normington John (Oblong Fitz-Oblong), Bell Colin (Peasant), Blair Iain (Peasant), Collier Ian (Peasant), Jack Andrew (Peasant), Lodge Andrew (Peasant), Mair Peter (Peasant), McDowell Malcolm (Peasant), Sport James (Peasant), Rigby Terence (Sea Captain), Brack Philip (Smoothely-Smoothe), Selby Nicholas (Squire Blackheart), Jayston Michael (Storyteller)Commentaires : Un spectacle de la RSC.
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Thwarting of Baron Bolligrew (The) (1966-12-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Tuesday 20 December 1966Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Kinnear Roy (Baron Bolligrew), Jones Mark (Dashwood), Brierley Roger (Digby Trumpington), Scofield Paul (Dragon), Lissek Leon (Graceless Strongbody), Armstrong Hugh (Jones), Collins Noel (Juniper), Stanton Barry (Lord Mayor), Williams Michael (Magpie), Davis Robert (Man-at-Arms), Malcolm Chris (Man-at-Arms), Woolf Henry (Mazeppa), Kay Charles (Moloch), Rose Clifford (Obadiah Bobblenob), Shaw Sebastian (Oblong Fitz-Oblong), Bond Christopher (Peasant), Callaghan Ray (Peasant), Matthews Seymour (Peasant), Pack Roger Lloyd (Peasant), Steen Derek (Peasant), Hogg Ian (Sea Captain), Harries Davyd (Smoothely-Smoothe), Selby Nicholas (Squire Blackheart), Hardiman Terrence (Storyteller), Sullivan Hugh(The Duke)Commentaires : Un spectacle de la RSC.
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Titus Andronicus (1973-10-Aldwych Theatre-London)
Type de série:Théâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Wednesday 24 October 1973Dernière : InconnuMise en scène : Trevor Nunn • Buzz Goodbody • Euan Smith • Chorégraphie : Producteur : Avec : Stewart Patrick (Aaron), Taylor Keith (Aemilius), Sheridan Mark (Alarbus), Milman Martin (Bassianus), Charles Joseph (Bassianus' Favourer), Marcell Joe (Bassianus' Favourer), Osoba Tony (Bassianus' Favourer), Price Emlyn (Bassianus' Favourer), Stokes Desmond (Caius), Oates Robert (Chiron), Whybrow Arthur (Clown), Hutchings Geoffrey (Demetrius), Brown Walter (Goth Chieftain), Hunt Gareth (Goth Sentry), Jenkinson Christopher (Goth Soldier), Milman Martin (Goth Soldier), Osoba Tony (Goth Soldier), Geeson Judy (Lavinia), Pigott-Smith Tim (Lucius), Dignam Mark (Marcus Andronicus), Hunt Gareth (Martius), Kent Jonathan (Mutius), Ford Edwina (Nurse), Price Emlyn (Publius), Jenkinson Christopher (Quintus), Wood John (Saturninus), Bellamy Madeline (Saturninus' Favourer), Burton Loftus (Saturninus' Favourer), Egan Michael (Saturninus' Favourer), Ford Edwina (Saturninus' Favourer), Lidstone Jill (Saturninus' Favourer), Livingstone Sidney (Saturninus' Favourer), Whybrow Arthur (Saturninus' Favourer), Godfrey Patrick (Sempronius), Burton Loftus (Slave), Charles Joseph (Slave), Marcell Joe (Slave), Whiting Margaret (Tamora), Blakely Colin (Titus Andronicus), Angadi Darien (Tribune), Bott John (Tribune), Gaymon Paul (Tribune), Pearce Lennard (Tribune), Stokes Desmond (Tribune), Godfrey Patrick (Tribune 1), Gaymon Paul (Valentine), Martin Lloyd (Young Lucius)Commentaires : Un spectacle de la RSC.
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Troilus and Cressida (1999-03-Olivier Theatre-NT-London)
Type de série: RevivalThéâtre: National Theatre (Londres - Angleterre) Salle : Olivier TheatreDurée : 4 mois 1 semaine Nombre : 51 représentationsPremière Preview : Saturday 06 March 1999Première : Monday 15 March 1999Dernière : Saturday 24 July 1999Mise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Roger Allam, David Arneil, David Bamber, Jasper Britton, David Burt, Robert Burt, Claudia Cadette, Oliver Cotton, Raymond Coulthard, Jim Creighton, Ruddy L Davis, Simon Day, Peter de Jersey, Vernon Douglas, Daniel Evans, Andrew French, Alexander Hanson, Jack James, Oscar James, Samantha Lavender, Liam McKenna, Charles Millham, John Nolan, Sophie Okonedo, Chu Omambala, Dhobi Oparei, Sara Powell, Denis Quilley, Mark Springer, Gilz Terera, Mark Umbers, David Weston, michael Wildman, Jaz Williams
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Winter's tale (The) (1970-07-Aldwych Theatre-London)
Type de série: RevivalThéâtre: Aldwych Theatre (Londres - Angleterre) Durée : Nombre : Première Preview : InconnuPremière : Thursday 02 July 1970Dernière : InconnuMise en scène : Trevor Nunn • Chorégraphie : Producteur : Avec : Sheppard Morgan (Antigonus), Berwyn John (Archidamus), Smith Derek (Autolycus), Biggins Christopher (Bear), Selby Nicholas (Camillo), Pedley Anthony (Cleomenes), Messaline Peter (Dion), Harrow Lisa (Dorcas), Henfrey Janet (Emilia), Bailie David (Florizel), Mackenzie Boyd (Gaoler), Kumalo Alton (Green Man), Dench Judi (Hermione), Alexander Maev (Lady), Cannon Madeleine (Lady), Harrow Lisa (Lady), Whiteside Janet (Lady), Ingham Barrie (Leontes), Holmes Denis (Lord 1), Shannon Michael (Lord 2), Clarke Basil (Lord 3), Dundas David (Lord 4), Rees Roger (Lord 5), Richardson Jeremy (Mamillius), Berwyn John (Mariner), Anderson Miles (Officer), Bromley Sydney (Old Shepherd), Spriggs Elizabeth (Paulina), Dench Judi (Perdita), Pasco Richard (Polixenes), Rees Roger (Servant 1), Anderson Miles (Servant 2), Berwyn John (Shepherd), Biggins Christopher (Shepherd), Clarke Basil (Shepherd), Dundas David (Shepherd), Holmes Denis (Shepherd), Mackenzie Boyd (Shepherd), Messaline Peter (Shepherd), Pedley Anthony (Shepherd), Shannon Michael (Shepherd), Sheppard Morgan (Shepherd), Cannon Madeleine (Shepherdess), Henfrey Janet (Shepherdess), Whiteside Janet (Shepherdess), Kumalo Alton (Time), Hutchings Geoffrey (Young Shepherd)Commentaires : Un spectacle de la RSC.
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Woman in White (The) (2004-Palace Theatre-London)
Type de série: OriginalThéâtre: Palace Theatre (Londres - Angleterre) Durée : 1 an 5 mois 1 semaine Nombre : Première Preview : Saturday 28 August 2004Première : Wednesday 15 September 2004Dernière : Saturday 25 February 2006Mise en scène : Trevor Nunn • Chorégraphie : Wayne McGregor • Producteur : Avec : Martin Crewes (Walter Hartwright), Angela Christian (Anne Catherick), Maria Friedman (Marian Halcombe), Jill Paice (Laura Fairlie), Edward Petherbridge (Mr Fairlie), Oliver Darley (Sir Percial Glyde), Michael Crawford (Count Fosco)Commentaires : The show opened to luke-warm reviews with much criticism of the set design - a series of projections said to be dizzying, out of focus, and out of synch with the revolve. After four months Michael Crawford collapsed (as a result of over-sweating in the fat suit he wore to play Count Fosco) and his understudy, Steve Vamom, took over for several weeks. From February to April 2005 the role of Count Fosco was then played by Michael Ball, in a radically new interpretation of the part. From April onwards Fosco was played by Anthony Andrews.
The “original” version of the show closed on July 9th, and two days later re-opened with many cast changes and a heavily re-written libretto and song-order. This “new” version previewed through the summer with the Press invited to review the show in September - at which point Simon Callow became the fifth actor to play Count Fosco. This time the critics were a little more enthusiastic and the projections and revolving effects were said to be much better. However, the show closed on February 25th 2006 after a 19 month run and its 500th performance.Presse : MICHAEL BILLINGTON du THE GUARDIAN: "Andrew Lloyd Webber's best score in years and Trevor Nunn's visually vibrant production can disguise the fact that this show is saddled with an impossible book."
CHARLES SPENCER du THE DAILY TELEGRAPH : "A terrible disappointment.....Yes, there are moments when Lloyd Webber comes up with the big lush romantic melodies that are his forte, though these days they tend to sound alarmingly like retreads of his own earlier work."
PAUL TAYLOR du THE INDEPENDENT : " Fluent production....I suspect The Woman In White will be haunting the West End for some time to come."
NICHOLAS DE JONGH du THE EVENING STANDARD : "So old-fashioned it deserves to be stuffed and displayed in a museum for deceased musicals... I came out humming with boredom."
BENEDICT NIGHTINGALE du THE TIMES: "Why...doesn’t The Woman in White leap from the stage of the smartly refurbished Palace with the panache I’d hoped?...This lady is too pale and plump for thrills."
QUENTIN LETTS du THE DAILY MAIL: "Lloyd Webber's music, never before so classical and operatic, becomes hypnotic and slowly unveils its melodies. You have to work for it but it's worth it."
SARAH HEMMING du THE FINANCIAL TIMES : "There are not many take-home tunes and David Zippel's lyrics are often bland. Still, as a gorgeous-looking piece of daft escapism, it works a treat."
PETER HEPPLE du THE STAGE : "Lloyd Webber can still write a good tune but it invariably echoes some of those he has written previously."
JANE EDWARDES du TIME OUT : "For all its good points, I fear there is no enough here to add up to a hit."
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Woman in White (The) (2005-11-Marquis Theatre-Broadway)
Type de série: Original BroadwayThéâtre: Marquis Theatre (Broadway - Etats-Unis)
Durée : 3 mois Nombre : 20 previews - 109 représentationsPremière Preview : Friday 28 October 2005Première : Thursday 17 November 2005Dernière : Sunday 19 February 2006Mise en scène : Trevor Nunn • Chorégraphie : Wayne McGregor • Producteur : Avec : Maria Friedman (Marian Halcombe), Michael Ball (Count Fosco), Angela Christian (Anne Catherick), Adam Brazier (Walter Hartright), Jill Paice (Laura Fairlie), Ron Bohmer (Sir Percival Glyde), Walter Charles (Mr. Fairlie)Commentaires : The Broadway production - a slightly shortened version - opened in November 2005, generally to negative reviews, with the feeling it was not a terrible show, just very unexciting. During the run Maria Friedman was taken ill and missed a number of performances while she underwent treatment for breast cancer. In a surprise decision, the Broadway show closed in February - a week before the London version. It had given just 109 regular performances and 20 previews. The producers cited Maria Friedman's frequent absences (as well as the negative reviews) as difficult obstacles to overcome.