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Musique: Alan Menken • Paroles: Howard Ashmand • Tim Rice • Livret: Linda Woolverton • Production originale: 35 versions mentionnées
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According to an article in The Houston Chronicle, "The catalyst for Disney's braving the stage was an article by New York Times theater critic Frank Rich that praised Beauty and the Beast as 1991's best musical.... Theatre Under The Stars executive director Frank Young had been trying to get Disney interested in a stage version of Beauty about the same time Eisner and Katzenberg were mulling over Rich's column. But Young couldn't seem to get in touch with the right person in the Disney empire. Nothing happened till the Disney execs started to pursue the project from their end.... When they asked George Ives, the head of Actors Equity on the West Coast, which Los Angeles theater would be the best venue for launching a new musical, Ives said the best theater for that purpose would be TUTS. Not long after that, Disney's Don Frantz and Bettina Buckley contacted Young, and the partnership was under way."
Genèse: Beauty and the Beast, the musical, is based on the 1991 Disney film of the same name. Seven new songs were written for the stage musical. Beauty ran on Broadway for 5,464 performances between 1994 and 2007, becoming Broadway's eighth-longest running production in history. The musical has played in thirteen countries and 115 cities. Beauty and the Beast premiered in a joint production of Theatre Under The Stars and Disney Theatricals at the Music Hall, Houston, Texas, from November 28, 1993, through December 26, 1993. Original Broadway production) The musical opened on Broadway at the Palace Theatre on April 18, 1994 and ran there until September 5, 1999, transferring to the Lunt-Fontanne Theatre on November 11, 1999, with an official opening date of November 16, 1999. The musical closed on July 29, 2007 after 46 previews and 5,464 performances, and is Broadway's eighth-longest running production in history (as of August 2011). The production holds the record of being the longest running production at both the Palace Theatre, where it opened, and the Lunt-Fontanne Theatre, where it closed its Broadway run. Directed by Robert Jess Roth with choreography by Matt West and assisted by Dan Mojica, the original Broadway cast included Susan Egan as Belle, Terrence Mann as the Beast, Burke Moses as Gaston, Gary Beach as Lumiere and Beth Fowler as Mrs Potts. Orchestrations were by Danny Troob (after his score of the film), scenic designer was Stan Meyer, costume designer Ann Hould-Ward, lighting designer Natasha Katz, sound was by T. Richard Fitzgerald, hair designer David H. Lawrence, and prosthetics were by John Dods. Illusions were by Jim Steinmeyer and John Gaughan, and pyrotechnic design was by Tyler Wymer. The Broadway production closed to make way for Disney's next musical venture, The Little Mermaid. With Disney set to open its Broadway version of The Little Mermaid on November 3, 2007 at the time, it was believed that having two Disney film of the same style I.E. Princesses on Broadway at the same time would divide audiences and cause competition between the two shows. At this point, Disney had three shows running at the same time: Beauty and the Beast, The Lion King, and Tarzan. It was reported that Disney Theatrical planned to revive the show on Broadway for the 2008 holiday season, but Disney did not pursue this. Original London production The West End production opened at London's Dominion Theatre on April 29, 1997 and closed on December 11, 1999. Featured were Julie Alanah Brighton as Belle, Alasdair Harvey as the Beast, Burke Moses reprising his role as Gaston, Derek Griffiths as Lumiere, Mary Millar as Mrs Potts, Norman Rossington as Maurice, Barry James as Cogsworth, Di Botcher as Madame De La Grande Bouche, Richard Gauntlett as Lefou and Rebecca Thornhill as Babette. Notable replacements included Michelle Gayle and Annalene Beechey as Belle and John Barrowman and Earl Carpenter as the Beast, Alex Bourne as Gaston and Terry Doyle as Maurice. The show won the Olivier Award as Best New Musical for 1998. National tours The show had three US national tours. The first opened on November 15, 1995 and closed in 1999. It featured Kim Huber as Belle and Fred Inkley as the Beast. The second national tour opened in 1999 with Susan Owen as Belle and Grant Norman as The Beast. This production closed in 2003. The third national tour opened in 2001 and closed in 2003. This production starred Jennifer Shraeder as Belle and Roger Befeler as the Beast. Notable replacements on the tours have included Sarah Litzsinger, Erin Dilly and Danyelle Bossardet as Belle. The three touring companies visited 137 venues in 90 North American cities. About 5.5 million people in the United States and Canada saw these tours. A fourth national tour of Beauty and the Beast began February 2010, opening in Providence, Rhode Island starring Liz Shivener as Belle and Justin Glaser as The Beast. The UK National tour (prior to the closure of the West End Production in 1999) began on November 2, 2001 at the Empire Theatre in Liverpool with stops in Bristol, Birmingham, Dublin, Southampton, Manchester and ended on April 12, 2003 at the Playhouse Theatre in Edinburgh. The tour starred Annalene Beechey (reprising her role from the London Production) as Belle, Alistair Robins as the Beast, Ben Harlow as Gaston, Julia Goss as Mrs Potts, Stephen Matthews as Lumiere Barry James (reprising his role from the London Production) as Cogsworth, Billy Boyle (reprising his role from the London Production) as Maurice, Karen Davies as Madame De La Grande Bouche, Kate Graham (reprising her role from the London Production) as Babette, Anthony Clegg as Lefou and Oliver Taylor and Sion Eifion sharing the role of Chip. Notable replacements included Dianne Pilkington as Belle, Alex Bourne as the Beast, Earl Carpenter as Gaston, Marilyn Cutts as Mrs Potts, Richard Tate as Maurice and Drew Varley as Lefou. In October 2005, UK Productions produced a UK Tour of the show which ended in January 2010. The original cast included Katie Rowley Jones as Belle, Nic Greenshields as The Beast and Michael Quinn as Gaston. Notable replacements have included Jo Gibb and Ashley Oliver as Belle, Matthew Cammelle and Shaun Dalton as the Beast and Ben Harlow (who reprised his role from the Original Disney UK Tour as Gaston). The tour also visited other countries such as Malaysia and Greece. Other productions Los Angeles: A Los Angeles production opened at the Shubert Theatre on April 12, 1995 and closed on September 29, 1996. Most of the original Broadway cast, including Susan Egan, Terrence Mann, Gary Beach, Beth Fowler, Burke Moses and Tom Bosley reprised their roles. Notable replacements included James Barbour as the Beast. The sets in this production were widely considered to be the largest out of all the musical's productions in the world. After the show closed in Los Angeles, all of the sets were transferred for the production in Mexico City in 1997. Canada: The Toronto production opened at the Princess of Wales Theatre on August 8, 1995 and closed in 1998. The production starred Kerry Butler as Belle and Chuck Wagner as the Beast, and Terry Doyle as Maurice. Notable replacements included Melissa Thomson as Belle and Steve Blanchard as the Beast. The lesser known Halifax production at the Neptune Theatre was the longest running production in the theatre's history. International productions In 1995, the musical began its original Australian run in Melbourne at The Princess Theatre, before moving on to Sydney. The original Australian cast included Michael Cormick as The Beast, Rachael Beck as Belle, Hugh Jackman as Gaston, and Ernie Bourne as Maurice. In South America, Brazil was the second country to host the musical. Disney had plans to bring it to the country in 1999, after the success in Argentina, but nobody really knew if it would work. Three years later, in 2002, Beauty and the Beast finally opened in Brazil at Teatro Abril, one of the biggest theaters in the country. It was a huge hit, for more than one and a half years, it was presented with Kiara Sasso, playing Belle and Saulo Vasconcelos playing the Beast. In 2009, a new Belle and a new Beast were cast, Lissah Martins and Ricardo Vieira, as the musical came back to Brazil, Kiara Sasso was playing Maria in The Sound of Music and Saulo was Captain Von Trapp. Beauty and the Beast remained for six months at Teatro Abril. Even though the play was brought back as a way to try to recoup some of the money lost in Brazilian's version of Miss Saigon, this second encarnation of Beauty And The Beast failed to create any critical buzz, or to be a Box Office success. In Spain there have been two productions of the show. The first one, based on the original Broadway production, had its Madrid debut on December 2, 1999 at Teatro Lope de Vega. The original cast included Xenia Reguant (later replaced by Julia Möller) as Belle, Carlos Marín (later replaced by Joe Luciano) as Beast, Lisardo Guarinos (later replaced by Manuel Bandera) as Gaston, Víctor Ullate Roche as Lefou, Germán Torres as Lumiere, Kirby Navarro as Mrs Potts, David Venancio Muro as Cogsworth, Dulcinea Juárez as Babette, Laura Inclán as Madame de la Grande Bouche and Miguel de Grandy as Maurice. After a successful run of 27 months and about 900 performances, the production finally closed on March 3, 2002, becoming the longest-running musical ever in Madrid. More recently, its record was surpassed by Mamma Mia!, Hoy no me puedo levantar and Sam Mendes' Cabaret. In 2007, a second version produced by Stage Entertainment premiered on October 3, at Teatro Coliseum, Madrid, for a limited run of 6 months, but the closing was postponed due to a successful season. The original cast included Julia Möller reprising her role as Belle (later replaced by María Adamuz), David Ordinas as Beast, Pablo Puyol as Gaston, Raúl Peña as Lefou, Armando Pita as Lumiere, Angels Jiménez as Mrs Potts (later replaced by Rita Barber), Esteban Oliver as Cogsworth, Silvia Luchetti as Babette, María José Oquendo as Madame de la Grande Bouche and Lorenzo Valverde as Maurice. The production closed on January 11, 2009 and was transferred to Barcelona, where it ran from February 26, 2009 to January 10, 2010, at BTM, with some changes in the cast, including Mercè Martínez as Mrs Potts, Marta Capel as Babette and Albert Muntanyola as Maurice. According to Disney, Beauty and the Beast has performed around the world in a total of 14 countries in 116 cities including Argentina (1998 and 2010), Australia (1995), Austria (1995), Brazil (2001 and 2009), Canada (1995), China (1999), Germany (1997), Ireland (2002 as part of the UK National Tour), Japan, (1995), Mexico (1997), Israel (2006), South Korea (2004), Spain (1999 and 2007), Poland (2008) and the United Kingdom (1997). In 2005, Disney and Stage Entertainment produced a new version of the show using brand new sets and costumes. After touring Holland and playing in Antwerp, Belgium, Disney and Stage Entertainment brought the show to Berlin, Germany in 2006 after a (aprox.) one year-run at the Metronom Theater in Oberhausen. This production opened in 2007 in Madrid, Spain and in 2009 in Milan, Italy, with Arianna as Belle and Michel Altieri as the Beast. The Broadway production played a second time in Mexico City beginning in September 2007 and in Hiroshima, Japan beginning in February 2008. It opened in South Africa in September 2008. In 2004, Disney began to license the show to other companies for touring, and the show has been performed by professional and amateur companies in many countries.
Résumé: Pour sauver son père, enfermé au château d'une bête monstrueuse, Belle accepte d'être emprisonnée à sa place. La Bête n'est en fait qu'un malheureux prince, victime d'un sort. La rose enchantée qu'il possède perd un à un ses pétales et sa seule chance de redevenir humain est d'aimer et d'être aimé en retour avant la chute du dernier pétale. Belle fait la connaissance des habitants du château, eux aussi sous le coup du sort qui les transforme peu à peu en objets. Tous se liguent - avec succès - pour que les deux jeunes gens tombent amoureux l'un de l'autre et brisent la malédiction mais c'est compter sans Gaston. Ce bellâtre veut épouser Belle et tuer La Bête. A l'issue d'un terrible combat sur le toit du château, Gaston est précipité dans l'abîme mais la Belle est blessée au moment où le dernier pétal tombe. Mais le pouvoir de l'amour est si fort qu'il redonne à La Bête son apparence initiale et Belle et lui peuvent enfin se marier.
Création: /11/1993 - Theatre Under the Stars (Houston) - représ.
Musique: Elton John • Paroles: Tim Rice • Livret: David Henry Hwrang • Linda Woolverton • Robert Falls • Production originale: 25 versions mentionnées
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La comédie musicale d'Elton John et de Tim Rice a triomphé à Broadway. Trouver des places a longtemps tenu du miracle tant le succès populaire a été important. Elle a même remporté 4 Tony Awards, celui de la meilleure musique originale, des meilleurs décors, des meilleures lumières et son interprète, Heather Headley, celui de la meilleure actrice. Mais quel parcours semé d'embûches pour en arriver là. Rarement un musical de cette envergure a eu un accouchement aussi long et difficile. D'écritures en réécritures, de décors chamboulés en acteurs remplacés, elle aura fait couler beaucoup d'encre. Sans parler de la fameuse colère publique d'Elton qui s'était levé et avait quitté la salle lors de la première car l'on avait pas respecté son désir de retirer une partie qu'il jugeait trop "techno" et qu'il n'avait jamais écrite. Après Broadway, Aida a fait un triomphe en Hollande et en Allemagne, sans parler du Japon. Un musical a découvrir de toute urgence…
Genèse: Pre-Broadway: Origins, Atlanta and Chicago Aida was originally conceived for production as an animated musical film by Disney executives, who wanted to do another project with the collaborative team of Sir Elton John & Sir Tim Rice, following the success enjoyed by the animated film The Lion King. Disney wanted to do another animated feature, and it was John's idea to develop the story directly as a musical. A first reading was presented to Disney executives on April 1, 1996. John also recorded multiple demos of the original songs, which were never released but were widely bootlegged. Early readings featured Simone(Aida) Hank Stratton(Radames)and Sherrie Rene Scott(Amneris). It took 2 1/2 years from first reading, to first full production presentation in September 1998 in Atlanta. One of the many issues was what to call the musical. Elaborate Lives: The Legend of Aida had its world premiere at the Alliance Theatre in Atlanta, Georgia with the production running from September 16 to November 8, 1998. The Atlanta production featured Heather Headley (Aida), Hank Stratton (Radames) and Sherie Rene Scott (Amneris). The production featured several songs which were cut from the final production. The original Atlanta staging conceived of the play with a nearly empty set, displaying only a six-ton gold pyramid-shaped set piece in the center. Driven by hydraulic controls, the pyramid's sides and bottom could be turned and rotated to suggest various locations such as a ship stern or a tomb. However, the piece, constructed at a price of nearly $10 million, frequently broke down, and a new production designer was hired for restaging in Chicago. Nothing of the original Atlanta set design remained in the new production. A new, revised production opened on November 12, 1999 at the Cadillac Palace in Chicago and ran through January 9, 2000. Aida producers made substantial changes to its team for the Chicago production. From the Atlanta staging, only Heather Headley, as Aida, and Sherie Rene Scott, as Amneris, remained. Adam Pascal joined the cast as Radames for the Chicago run. Robert Falls took over as director in Chicago, replacing Robert Jess Ross; and set designer Bob Crowley replaced Stanley A. Meyer. Also part of the new Chicago team was choreographer Wayne Cilento. The Chicago production featured one number "Our Nation Holds Sway", originally performed near the beginning of both act 1 and act 2, which was cut from the final Broadway production. During the Chicago run at the Cadillac Theatre, on November 13, 1999, a set mishap during the final moments of the performance injured stars Headley and Pascal. According to an eyewitness report, while the two actors were being conveyed in a suspended boxlike "tomb" at the climax of the show, the set piece broke from its support and plunged approximately eight feet to the stage. A subsequent press release from the show's publicist stated that Headley and Pascal sustained minor injuries and were taken to Northwestern Memorial Hospital for examination. Both were released from the hospital a few hours later. From then on, the tomb remained on the ground. Broadway The musical, now titled Elton John and Tim Rice's Aida, premiered on Broadway at the Palace Theatre on March 23, 2000 and closed on September 4, 2004 after 1,852 performances and 30 previews. The run ranks it as 34th in the longest runs in Broadway history. Directed by Robert Falls, and choreographed by Wayne Cilento, scenery and costumes were designed by Bob Crowley and the lighting design by Natasha Katz. Considered by its producers to be a financial success, Aida on Broadway recovered its investment in 99 weeks, and generated a profit of $12 million. Heather Headley originated the title role of Aida. Headley won the Tony Award for Best Actress in a Musical in 2000 for her performance in this role. Headley also received broad critical acclaim for her performance. Adam Pascal played the role of Radames in both the OBC and closing productions of Aida on Broadway. Sherie René Scott, who was with the project since its first workshop, originated the role of Amneris, and was named the Most Promising Actress in 2000 for her performance (Clarence Derwent Award). The cast also included Tyrees Allen (Amonasro), John Hickok (Zoser), Daniel Oreskes (Pharaoh), Damian Perkins (Mereb), and Schele Williams (Nehebka). Pop stars, including Deborah Cox, Toni Braxton and Michelle Williams played the title role of Aida during its run on Broadway, as well as Maya Days, Saycon Sengbloh, Simone and Merle Dandridge. Notable replacements for Radames included Will Chase, Patrick Cassidy, Richard H. Blake, William Robert Gaynor, and Matt Bogart. Notable replacements for Amneris included Idina Menzel, Jessica Hendy, Mandy Gonzalez, Felicia Finley, Taylor Dayne and Lisa Brescia; and Mickey Dolenz and Donnie Kehr as Zoser. US National tours Elton John and Tim Rice's Aida also had a critically acclaimed US National tour from March 2001 to 2003. The show won awards in 2002 for Best Musical, Best Actress (Simone), and Best Actor(Patrick Cassidy) from the National Broadway Theatre Awards (now called "Touring Broadway Awards". The National tour also featured Kelly Fournier(Amneris). Notable replacements included Jeremy Kushnier(Radames) and Lisa Brescia (Amneris). The musical also had a non-equity US national tour during 2006-2007 featuring Marja Harmon (Aida) Casey Elliott (Radames) and Leah Allers (Amneris). This production had a revised script by Henry David Hwang authorized by Disney. The new script was considered to be more serious and darker, with much of the shticky and comedic elements removed from Amneris' character especially. 'Strongest Suit' was staged as a scene in which Aida helped Amneris chose her outfit for the evening instead of a random fashion show. The scene prior to 'Strongest Suit Reprise' was revised with Aida teaching Amneris how to thread, adding more a sense of bond between the women and also humbling Amneris in wanting to learn something new and not just 'be a princess.' Introduced to the plot was the revelation that Radames' mother was a prostitute and that Zoser treated her as such and fought and schemed for Radames to achieve his position of Captain of Phaoroh's armies.
Résumé: Aïda, une princesse Nubienne, est capturée par un capitaine égyptien, Radames. Ignorant son rang, il tombe vite amoureux d'elle et la sauve de la rude vie d'esclave en l'attachant au service de sa future épouse, la princesse égyptienne Amneris. Aïda est l'histoire de trois personnes qui sont forcées de faire des choix difficiles qui changeront l'histoire à jamais.
Création: 17/9/1998 - Alliance Theatre (Atlanta) - 1852 représ.
Musique: Elton John • Paroles: Bernie Taupin • Livret: Linda Woolverton • Production originale: 2 versions mentionnées
Résumé: The romantic and heartbreaking story of the extraordinary journey pf one man who escapes the tyranny of his oppressive family only to have his life taken from him. Thrust into the seductive and sensual world of the vampire, Lestat sets out on a road of adventures in a quest for everlasting love and companionship but is forced to reconcile his innate sense of good with the primal need to exist.
Création: 17/12/2005 - Curran Theatre (San Francisco) - représ.