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Musical
0001 - Lion King (The) (1997)
Musique: Elton John
Paroles: Tim Rice
Livret: Irene Mecchi • Roger Allers
Production originale:
9 versions mentionnées
Dispo: Résumé  
Vidéos:  

Genèse:

Résumé: Scar dispute la Terre des lions à son frère le roi Mufasa. Simba, le fils de ce dernier, grandit insouciant jusqu’à la mort accidentelle de son père dont il se croit – à tort – responsable. Il s’enfuit et mène loin de la savane une vie insouciante avec ses amis Timon et Pumbaa jusqu’au jour où son amour d’enfance, Nala, le convainc de reprendre sa place parmi les siens. A l’issue d’un terrible combat contre son oncle Scar, Simba est adoubé Roi lion.

Création: 15/10/1997 - New Amsterdam Theatre (Broadway) - représ.



Musical
0002 - Aida (1998)
Musique: Elton John
Paroles: Tim Rice
Livret: David Henry Hwrang • Linda Woolverton • Robert Falls
Production originale:
24 versions mentionnées
Dispo: Résumé  Synopsis  Commentaire  Génèse  Liste chansons  
Vidéos:      

La comédie musicale d'Elton John et de Tim Rice a triomphé à Broadway. Trouver des places a longtemps tenu du miracle tant le succès populaire a été important. Elle a même remporté 4 Tony Awards, celui de la meilleure musique originale, des meilleurs décors, des meilleures lumières et son interprète, Heather Headley, celui de la meilleure actrice. Mais quel parcours semé d'embûches pour en arriver là. Rarement un musical de cette envergure a eu un accouchement aussi long et difficile. D'écritures en réécritures, de décors chamboulés en acteurs remplacés, elle aura fait couler beaucoup d'encre. Sans parler de la fameuse colère publique d'Elton qui s'était levé et avait quitté la salle lors de la première car l'on avait pas respecté son désir de retirer une partie qu'il jugeait trop "techno" et qu'il n'avait jamais écrite. Après Broadway, Aida a fait un triomphe en Hollande et en Allemagne, sans parler du Japon. Un musical a découvrir de toute urgence…

Genèse: Pre-Broadway: Origins, Atlanta and Chicago Aida was originally conceived for production as an animated musical film by Disney executives, who wanted to do another project with the collaborative team of Sir Elton John & Sir Tim Rice, following the success enjoyed by the animated film The Lion King. Disney wanted to do another animated feature, and it was John's idea to develop the story directly as a musical. A first reading was presented to Disney executives on April 1, 1996. John also recorded multiple demos of the original songs, which were never released but were widely bootlegged. Early readings featured Simone(Aida) Hank Stratton(Radames)and Sherrie Rene Scott(Amneris). It took 2 1/2 years from first reading, to first full production presentation in September 1998 in Atlanta. One of the many issues was what to call the musical. Elaborate Lives: The Legend of Aida had its world premiere at the Alliance Theatre in Atlanta, Georgia with the production running from September 16 to November 8, 1998.[3] The Atlanta production featured Heather Headley (Aida), Hank Stratton (Radames) and Sherie Rene Scott (Amneris). The production featured several songs which were cut from the final production. The original Atlanta staging conceived of the play with a nearly empty set, displaying only a six-ton gold pyramid-shaped set piece in the center. Driven by hydraulic controls, the pyramid's sides and bottom could be turned and rotated to suggest various locations such as a ship stern or a tomb. However, the piece, constructed at a price of nearly $10 million, frequently broke down, and a new production designer was hired for restaging in Chicago. Nothing of the original Atlanta set design remained in the new production. A new, revised production opened on November 12, 1999 at the Cadillac Palace in Chicago and ran through January 9, 2000.[4][5] Aida producers made substantial changes to its team for the Chicago production. From the Atlanta staging, only Heather Headley, as Aida, and Sherie Rene Scott, as Amneris, remained. Adam Pascal joined the cast as Radames for the Chicago run. Robert Falls took over as director in Chicago, replacing Robert Jess Ross; and set designer Bob Crowley replaced Stanley A. Meyer. Also part of the new Chicago team was choreographer Wayne Cilento. The Chicago production featured one number "Our Nation Holds Sway", originally performed near the beginning of both act 1 and act 2, which was cut from the final Broadway production. During the Chicago run at the Cadillac Theatre, on November 13, 1999, a set mishap during the final moments of the performance injured stars Headley and Pascal. According to an eyewitness report, while the two actors were being conveyed in a suspended boxlike "tomb" at the climax of the show, the set piece broke from its support and plunged approximately eight feet to the stage. A subsequent press release from the show's publicist stated that Headley and Pascal sustained minor injuries and were taken to Northwestern Memorial Hospital for examination. Both were released from the hospital a few hours later. From then on, the tomb remained on the ground. Broadway The musical, now titled Elton John and Tim Rice's Aida, premiered on Broadway at the Palace Theatre on March 23, 2000 and closed on September 4, 2004 after 1,852 performances and 30 previews. The run ranks it as 34th in the longest runs in Broadway history.[7] Directed by Robert Falls, and choreographed by Wayne Cilento, scenery and costumes were designed by Bob Crowley and the lighting design by Natasha Katz. Considered by its producers to be a financial success, Aida on Broadway recovered its investment in 99 weeks, and generated a profit of $12 million.[8] Heather Headley originated the title role of Aida. Headley won the Tony Award for Best Actress in a Musical in 2000 for her performance in this role. Headley also received broad critical acclaim for her performance. Adam Pascal played the role of Radames in both the OBC and closing productions of Aida on Broadway. Sherie René Scott, who was with the project since its first workshop, originated the role of Amneris, and was named the Most Promising Actress in 2000 for her performance (Clarence Derwent Award). The cast also included Tyrees Allen (Amonasro), John Hickok (Zoser), Daniel Oreskes (Pharaoh), Damian Perkins (Mereb), and Schele Williams (Nehebka). Pop stars, including Deborah Cox, Toni Braxton and Michelle Williams played the title role of Aida during its run on Broadway, as well as Maya Days, Saycon Sengbloh, Simone and Merle Dandridge. Notable replacements for Radames included Will Chase, Patrick Cassidy, Richard H. Blake, William Robert Gaynor, and Matt Bogart. Notable replacements for Amneris included Idina Menzel, Jessica Hendy, Mandy Gonzalez, Felicia Finley, Taylor Dayne and Lisa Brescia; and Mickey Dolenz and Donnie Kehr as Zoser. US National tours Elton John and Tim Rice's Aida also had a critically acclaimed US National tour from March 2001 to 2003.[10] The show won awards in 2002 for Best Musical, Best Actress (Simone), and Best Actor(Patrick Cassidy) from the National Broadway Theatre Awards (now called "Touring Broadway Awards". The National tour also featured Kelly Fournier(Amneris). Notable replacements included Jeremy Kushnier(Radames) and Lisa Brescia (Amneris). The musical also had a non-equity US national tour during 2006-2007 featuring Marja Harmon (Aida) Casey Elliott (Radames) and Leah Allers (Amneris). This production had a revised script by Henry David Hwang authorized by Disney. The new script was considered to be more serious and darker, with much of the shticky and comedic elements removed from Amneris' character especially. 'Strongest Suit' was staged as a scene in which Aida helped Amneris chose her outfit for the evening instead of a random fashion show. The scene prior to 'Strongest Suit Reprise' was revised with Aida teaching Amneris how to thread, adding more a sense of bond between the women and also humbling Amneris in wanting to learn something new and not just 'be a princess.' Introduced to the plot was the revelation that Radames' mother was a prostitute and that Zoser treated her as such and fought and schemed for Radames to achieve his position of Captain of Phaoroh's armies.

Résumé: Aïda, une princesse Nubienne, est capturée par un capitaine égyptien, Radames. Ignorant son rang, il tombe vite amoureux d'elle et la sauve de la rude vie d'esclave en l'attachant au service de sa future épouse, la princesse égyptienne Amneris. Aïda est l'histoire de trois personnes qui sont forcées de faire des choix difficiles qui changeront l'histoire à jamais.

Création: 17/9/1998 - Alliance Theatre (Atlanta) - 1852 représ.



Musical
0003 - Billy Elliot (2005)
Musique: Elton John
Paroles: Lee Hall
Livret: Lee Hall
Production originale:
9 versions mentionnées

Dispo: Résumé  Synopsis  Commentaire  Génèse  Isnpiration  Liste chansons  
Vidéos:    

Genèse: Original London production) The musical was planned to premiere at the Tyne Theatre in Newcastle upon Tyne, England. This was abandoned due to the financial problems of the Tyne Theatre's operator and the production's growing budget. The musical premiered in the West End at the Victoria Palace Theatre, opening in previews on 31 March 2005 and officially on 11 May 2005; it is still running today, with the booking date recently being extended to 15 December 2012. It reportedly cost £5.5 million to produce (the original film version cost $5 million). The producers were Working Title Films, Old Vic Productions Plc and David Furnish. It was directed by Stephen Daldry and choreographed by Peter Darling, as was the original film. Liam Mower, James Lomas and George Maguire were the original actors who alternated in the title role, and the supporting cast included Haydn Gwynne as Mrs. Wilkinson and Tim Healy as Billy's father. The sets were designed by Ian MacNeil, and the costumes were by Nicky Gillibrand, lighting was by Rick Fisher, and sound by Paul Arditti. The original cast album was released on 10 January 2006. The musical received favourable reviews: the Daily Telegraph's Charles Spencer called it "the greatest British musical I have ever seen", and The Daily Mail thought it "a theatrical masterpiece". Billy Elliot the Musical won four Laurence Olivier Awards: Best New Musical, Best Actor (awarded jointly to James Lomas, George Maguire and Liam Mower, the boys who played Billy), Best Sound design and Best Choreographer. It also won the Evening Standard Award as well as the Critcs Circle Award and the Theatregoers Choice Award, all for Best Musical.[6] On 12 May 2006, the three original Billys appeared together in a performance of the musical to celebrate its first anniversary. The three rotated the role during the performance and were joined at the end by Sir Elton John. Billy Youth Theatre Billy Youth Theatre is a countrywide scheme as part of which participating schools and youth groups will be given the opportunity to stage their own production of this internationally award-winning show. Billy Elliot writer Lee Hall, together with Martin Koch (Musical Supervision and Orchestrations), have adapted their original script and orchestrations to produce a shortened version of the show exclusively for groups staging local productions as part of Billy Youth Theatre. Original Australian production The musical opened at Sydney's Capitol Theatre on 13 November 2007, directed by Daldry in association with Julian Webber, and choreographed by Darling.[8] Rhys Kosakowski, Lochlan Denholm, Rarmian Newton, and Nick Twiney alternated in the title role. The production earned good notices, and in January 2008 it won Best Musical at the 2008 Sydney Theatre Awards.[9] The show also won seven Helpmann Awards, including the awards for Best Musical, Best Direction, Best Choreography, Best Actress (Genevieve Lemon as Mrs. Wilkinson) and Best Actor, awarded jointly to the four boys who played Billy Elliot.[10] The production concluded in Sydney on 9 November 2008 with all eight Sydney Billys in the finale. The Sydney production transferred to Melbourne's Her Majesty's Theatre, opening on 13 December 2008. The Melbourne production closed on 14 June 2009 after a successful run. Original Broadway production The Broadway production opened at the Imperial Theatre on 1 October 2008 in previews and officially on 13 November 2008. The London production's creative team directed and designed the Broadway production. The title role was rotated among three young actors, David Álvarez, Kiril Kulish and Trent Kowalik, the last of whom had played the role in London. The supporting cast included Haydn Gwynne, reprising her role of Mrs. Wilkinson from the London production, and Gregory Jbara as Billy's father. The production received rave reviews: Time called it a "triumph"; critic Liz Smith termed it "breathtakingly brilliant" and "absolutely, unequivocally awesome"; the Daily News said it was "so exhilarating that at times you feel like leaping"; the New York Post said it was "almost like being in love" and termed it "amusing, perfect and passionate" and "the best show you will ever see"; and the Los Angeles Times called it a "global theatrical phenomenon". It has also been very financially successful, with $20 million taken in advance ticket sales.[15] The production received fifteen Tony Award nominations, tying with The Producers for the most nominations ever received by a Broadway show,[18] and winning ten. The original three boys in the lead role jointly won a Tony Award for Best Leading Actor in a Musical. The production recouped its original investment of $18 million in 14 months and, as of 2010, continues to sell strongly. On 3 October 2011, it was announced that the Broadway Production will close on 8 January 2012 following 40 previews and 1,304 regular performances.

Résumé: L'histoire se passe dans le comté de Durham en Angleterre, lors des grèves de mineurs de 1984 et 1985 suite aux réformes proposées par Margaret Thatcher. Billy, un jeune garçon âgé de 11 ans, s'entraine à boxer, comme le veut son père. Un jour, il s'attarde dans le gymnase après son cours de boxe et participe à un cours de danse classique sous la houlette de Miss Wilkinson. Par la suite, il cesse d'assister aux cours de boxe pour lesquels il n'a aucun goût et devient le seul garçon du cours de danse en cachette de son père. Pensant qu'il a du talent, Miss Wilkinson l'encourage à auditionner à la Royal Ballet School de Londres contre l'avis de sa famille.

Création: 12/5/2005 - Victoria Palace Theatre (Londres) - représ.



Musical
0004 - Lestat (2005)
Musique: Elton John
Paroles: Bernie Taupin
Livret: Linda Woolverton
Production originale:
2 versions mentionnées
Dispo: Résumé  

Genèse:

Résumé: The romantic and heartbreaking story of the extraordinary journey pf one man who escapes the tyranny of his oppressive family only to have his life taken from him. Thrust into the seductive and sensual world of the vampire, Lestat sets out on a road of adventures in a quest for everlasting love and companionship but is forced to reconcile his innate sense of good with the primal need to exist.

Création: 17/12/2005 - Curran Theatre (San Francisco) - représ.