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Nice Fish (2016-11-Harold Pinter Theatre-London)Type de série: Original
Théâtre: Harold Pinter Theatre (Londres - Angleterre) Durée : 1 mois 3 semaines Nombre : Première Preview : Tuesday 15 November 2016Première : Friday 25 November 2016Dernière : Saturday 21 January 2017Mise en scène : Claire van Kampen • Chorégraphie : Producteur : Avec : Mark Rylance, Raye Birk, Kayli Carter, Bob Davis, Jim LichtscheidlCommentaires : Olivier, Tony and Oscar winning actor Mark Rylance returns to London to star in his first self-penned play, Nice Fish, drawn from the words of Lewis Jenkins. Directed by his wife Claire van Kampen, it has been described as an "icy absurdist drama" and likened to a "folksy Waiting for Godot."
Originally commissioned and produced by The Guthrie Theater in 2013, the play ran at the A.R.T Theatre in Cambridge, Mass. before transferring to St Ann's Warehouse in Brooklyn, New York.Presse : "Rylance plays a goofball novice on an ice-fishing trip in a play that feels derivative and slides into absurdism." Michael Billington for The Guardian
"A patience-baiting tragicomedy...Is it a tad pretentious? Borderline codswallop? Of course it is." Dominic Cavendish for The Telegraph
Othello (2018-08-Globe Theatre-London)Type de série: Revival
Théâtre: Globe Theatre (Londres - Angleterre) Salle : Globe TheatreDurée : 2 mois 1 semaine Nombre : Première Preview : Friday 20 July 2018Première : Wednesday 01 August 2018Dernière : Saturday 13 October 2018Mise en scène : Claire van Kampen • Chorégraphie : Producteur : Avec : Mark Rylance, André HollandCommentaires : The republic of Venice employs General Othello, a self-made man and a Moor, to defend its overseas territories against the Turks. As the Turkish threat gathers and Venetian forces are despatched to Cyprus, the love Othello holds for his new wife becomes a raging, uncontrollable torrent. Iago, a junior officer secretly enraged by Othello, exploits his General’s ambiguous position and ingenuous nature, driving him into a passionate and overpowering jealousy.
Othello is an all too human story; marked by the domestic intimacy of a chamber piece, it has the feel of a relentless Greek tragedy.
The wasteland of death may be both Iago’s goal and his harvest, but the stage belongs to Othello, a man who loved perhaps unwisely and too well.