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Version 1

Bridges of Madison County (The) (2014-02-Gerald Schoenfeld Theatre-Broadway)

Type de série: Original
Théâtre: Gerald Schoenfeld Theatre (Broadway - Etats-Unis)
Durée : 2 mois 3 semaines
Nombre : 137 représentations
Première Preview : Friday 17 January 2014
Première : Thursday 20 February 2014
Dernière : Tuesday 18 May 2004
Mise en scène : Bartlett Sher
Chorégraphie : Danny Mefford
Producteur :
Avec : Kelli O'Hara (Francesca Johnson), Steven Pasquale (Robert Kincaid), Hunter Foster (Bud Johnson), Derek Klena (Michael Johnson), Caitlin Kinnunen (Carolyn Johnson

Version 2

Fiddler on the Roof (2015-12-Broadway Theatre-Broadway)

Type de série: Revival
Théâtre: Broadway Theatre (Broadway - Etats-Unis)
Durée : 1 an 1 semaine
Nombre :
Première Preview : Friday 20 November 2015
Première : Sunday 20 December 2015
Dernière : Saturday 31 December 2016
Mise en scène : Bartlett Sher
Chorégraphie :
Producteur :
Avec : Danny Burstein (Tevye), Jessica Hecht (Golde), Jenny Rose Baker (Shprintze), Michael Bernardi (Mordcha), Adam Dannheisser (Lazar Wolf), Hayley Feinstein (Bielke), Mitch Greenberg (Yussel/Beggar), Adam Grupper (The Rabbi), Adam Kantor (Motel), Karl Kenzler (Constable), Alix Korey (Yente), Samantha Massell (Hodel), Melanie Moore (Chava), Ben Rappaport (Perchik), Nick Rehberger (Fyedka), Alexandra Silber (Tzeitel), Jessica Vosk (Fruma Sarah), Lori Wilner (Grandma Tzeitel), Aaron Young (Sasha), Jennifer Zetlan (Shaindel)
Presse : Les critiques sont très bonnes:

"The superb new production, which opened on Sunday at the Broadway Theater, certainly honors the show’s ebullience of spirit." Charles Isherwood for New York Times

"Danny Burstein brings exuberance along with wry eyes and an open-heart to his Tevye. His star turn lights the way for everyone." Joe Dziemianowicz for New York Daily News

"Burstein has a delicate, almost motherly touch, kibbitzing with God for laughs and tearing out our hearts by the end. No other actor could juggle the comedy and tragedy masks with such style, such a bittersweet dance with tradition." David Cote for Time Out New York

"The 'Fiddler' that opened Sunday at the Broadway Theatre under the leadership of director Bartlett Sher is vibrant and brilliant and heartfelt." Mark Kennedy for Associated Press

"What a pleasure to see a classic infused with fresh talent, intelligence and emotional vitality." David Rooney for Hollywood Reporter

"Some may take exception to some of Sher’s tinkering with the template of the beloved title, but few will find fault in Burstein’s gentle, lovable man of faith, family and community. What’s not to like?" Frank Rizzo for Variety

Version 3

King and I (The) (2015-04-Vivian Beaumont Theatre-Broadway)

Type de série: Revival
Théâtre: Lincoln Center for the Performing Arts (New-York - Etats-Unis)
Durée : 1 an 2 mois 1 semaine
Nombre :
Première Preview : Thursday 12 March 2015
Première : Thursday 16 April 2015
Dernière : Sunday 26 June 2016
Mise en scène : Bartlett Sher
Chorégraphie :
Producteur :
Avec : Kelli O'Hara (Anna Leonowens), Ken Watanabe (King of Siam), Ruthie Ann Miles (Lady Thiang), Ashley Park (Tuptim), Conrad Ricamora (Lun Tha), Edward Baker-Duly (Sir Edward Ramsey), Jon Viktor Corpuz (Prince Chulalongkorn), Murphy Guyer (Captain Orton), Jake Lucas (Louis), Paul Nakauchi (Kralahome), et Marc Oka (Phra Alack)
Commentaires : The production received nine 2015 Tony Award nominations, and took home four of them, including Best Performance by an Actress in a Leading Role in A Musical for original star Kelli O'Hara, which marked her first Tony win after being nominated six times.
Presse : Les critiques sont très bonnes:

"Bartlett Sher’s resplendent production" Ben Brantley for New York Times

"This splendid revival emerges as majestic and intimate simultaneously." Joe Dziemianowicz for New York Daily News

"You can’t overstate how stunningly beautiful, how achingly well sung this new revival of 'The King and I' is." Elisabeth Vincentelli for New York Post

"Nothing is lost in translation; this King and I speaks a universal language of love." David Cote for Time Out New York

"This production of "The King and I" is definitely something wonderful." Jennifer Farrar for The Associated Press

"The mutual fascination and eternal struggle for understanding across the cultural divide between East and West is played out on a magnificent scale in Lincoln Center Theater's breathtaking revival of 'The King and I.'" David Rooney for The Hollywood Reporter

"Broadway’s darling, Kelli O’Hara, is ravishing as the English governess to the children in the royal household of the King of Siam, played by the powerfully seductive Japanese movie star Ken Watanabe. But the production itself, with its operatic sweep and opulent aesthetic, is the star of its own show." Marilyn Stasio for Variety

Version 4

King and I (The) (2018-07-Palladium Theatre-London)

Type de série: Revival
Théâtre: Palladium Theatre (Londres - Angleterre)
Durée : 2 mois 4 semaines
Nombre :
Première Preview : Thursday 21 June 2018
Première : Tuesday 03 July 2018
Dernière : Saturday 29 September 2018
Mise en scène : Bartlett Sher
Chorégraphie :
Producteur :
Avec : Kelli O'Hara, Ken Watanabe, Ruthie Ann Miles (Lady Thiang), Dean John-Wilson (Lun Tha), Na-Young Jeon (Tuptim).

Version 5

My Fair Lady (2018-04-Vivian Beaumont Theatre-New York)

Type de série: Revival
Théâtre: Lincoln Center for the Performing Arts (New-York - Etats-Unis)
Durée : Se joue actuellement
Nombre : 39 previews -
Première Preview : Thursday 15 March 2018
Première : Thursday 19 April 2018
Dernière : Open end, ouvert actuellement jusqu'au Thu 01 January 1970
Mise en scène : Bartlett Sher
Chorégraphie : Christopher Gattelli
Producteur :
Avec : Laura Benanti (as Eliza Doolittle until Feb 17), Harry Hadden-Paton (as Henry Higgins), Norbert Leo Butz (as Alfred P. Doolittle until Jan 6), Danny Burstein (as Alfred P. Doolittle from Jan 8 to Apr 28), Rosemary Harris (as Mrs. Higgins), Allan Corduner (as Colonel Pickering), Jordan Donica (as Freddy Eynsford-Hill), Linda Mugleston (as Mrs. Pearce), and Clarke Thorell (as Zoltan Karpathy)
Commentaires : The original cast included two-time Emmy Award-nominated "Six Feet Under" star Lauren Ambrose, taking on the lead role of Eliza Doolittle, with "Downton Abbey" and "The Crown" actor Harry Hadden-Paton making his NY stage debut as Henry Higgins, whilst two-time Tony winner Norbert Leo Butz and "Game of Thrones" favorite Diana Rigg have been cast as Alfred P. Doolittle and Mrs. Higgins, respectively.

Marking the first Broadway revival in 25 years, the brand new production is directed by Tony Award winner Bartlett Sher and is another shining example of Sher doing what Sher does best. Following his tremendous successes with South Pacific and The King and I, he has created yet another lavish and nostalgic representation of a timeless classic. With grand sets and elaborate costumes most directors would die for and rousing musical numbers galore, the audience is spoilt by an embarrassment of riches. Sher's interpretation of the ending of the piece may also surprise some attendees, but is actually more in line with the musical's original source material - George Bernard Shaw's Pygmalion. Kudos to Lincoln Center Theater for once again proving itself as the frontrunner in staging Broadway musical revivals.
Presse : "The plush and thrilling Lincoln Center Theater revival or Lerner & Loewe's My Fair Lady reveals Eliza Doolittle as a hero instead of a puppet — and reveals the musical, despite its provenance and male authorship, as an ur-text of the #MeToo moment. Indeed, that moment has made My Fair Lady, which had its Broadway premiere in 1956, better than it ever was." Jesse Green for New York Times

"Broadway’s My Fair Lady takes you to showtune heaven in a new production that’s both opulent and daring." Joe Dziemianowicz for New York Daily News

"We’ve grown accustomed to the grace of Bartlett Sher’s revivals of American stage classics, but that doesn’t mean we should take them for granted. Working in blessed harmony with his trusty creative team—including set designer Michael Yeargan and costumer Catherine Zuber—Sher is not an iconoclast or radical re-sculptor; instead, he acts as a restorer, leaving the shows on their pedestals but stripping off years of obscuration to reveal layers the works have possessed all along. So it is with the splendid new Lincoln Center Theater revival of My Fair Lady." Adam Feldman for Time Out New York

"There's a breathtaking visual in Lincoln Center Theater's new My Fair Lady when Lauren Ambrose emerges as Eliza Doolittle, transformed from common-as-muck flower girl into regal stunner, done up to attend the posh Embassy Ball... Comparable delights intoxicate the eyes and ears throughout this sumptuous staging from Bartlett Sher, a director who has proved to be among the very best at chiseling surprising nuance out of vintage musicals." David Rooney for Hollywood Reporter

"If you’ve got it, flaunt it. The splendid Beaumont stage at Lincoln Center was made for great classic musicals like Lerner and Loewe’s My Fair Lady, and helmer Bartlett Sher was born to stage them. This jubilant revival is meticulously mounted and entirely welcome – despite the eccentric casting choice of Lauren Ambrose as Eliza Doolittle." Marilyn Stasio for Variety

Version 6

Oslo (2017-04-Vivian Beaumont Theatre-Lincoln Center-NY)

Type de série: Broadway Transfer
Théâtre: Lincoln Center for the Performing Arts (New-York - Etats-Unis)
Durée : 2 mois
Nombre :
Première Preview : Thursday 23 March 2017
Première : Thursday 13 April 2017
Dernière : Sunday 18 June 2017
Mise en scène : Bartlett Sher
Chorégraphie :
Producteur :
Avec : Jefferson Mays (Terje Rød-Larsen), Jennifer Ehle (Mona Juul), Michael Aronov (Uri Savir), Anthony Azizi (Ahmed Qurie), Adam Dannheisser (Yossi Beilin), Daniel Jenkins (Ron Pundak/Jan Egeland), Dariush Kashani (Hassan Asfour), Daniel Oreskes (Shimon Peres/Yair Hirshfeld), Henny Russell (Marianne Holst/Toril Grandal), Joseph Siravo (Joel Singer), T. Ryder Smith (Jonah Jorgen Holst/Finn Grandal)
Commentaires : One of 2016's best reviewed plays, J. T. Rogers' Oslo transfers to Broadway in 2017. This Vivian Beaumont Theater staging retains all of the Off-Broadway cast, including two-time Tony winner Jennifer Ehle (The King's Speech, The Coast of Utopia) and Tony winner Jefferson Mays (I Am My Own Wife, A Gentleman's Guide to Love & Murder). Tony winner Bartlett Sher, who oversaw the latest Broadway revivals of The King and I and Fiddler on the Roof, directs
Presse : "Even if you never thought about traveling to Norway, you’ll probably want to visit the inevitably titled “Oslo,” the absorbing drama by Mr. Rogers... At a very full three hours, with many international stops, this play is long and dense enough to make you wonder if you should have packed an overnight bag. Yet what Mr. Rogers and the director, Bartlett Sher, have created is a streamlined time machine, comfortably appointed enough to forestall jet lag." Ben Brantley for New York Times

"As America and the world hurtle toward greater polarization, the play provides a small measure of hope. It’s about recognition, too, of what Rød-Larsen and Juul were able to build: a quaint lighthouse in the fog of war." Adam Feldman for Time Out New York

"This is a play alive with tension, intrigue, humor, bristling intelligence and emotional peaks that are subdued yet intensely moving, which concludes unexpectedly on a poignant note of hope." David Rooney for Hollywood Reporter

"“Oslo,” a new drama by J.T. Rogers, is unequivocally fascinating. Would that some playwright would write as gripping a play about some contemporary political issue." Marilyn Stasio for Variety

Version 7

Oslo (2017-09-Lyttelton Theatre-NT-London)

Type de série: Original
Théâtre: National Theatre (Londres - Angleterre)
Salle : Lyttelton Theatre
Durée : 1 semaine
Nombre :
Première Preview : Tuesday 05 September 2017
Première : Tuesday 12 September 2017
Dernière : Saturday 23 September 2017
Mise en scène : Bartlett Sher
Chorégraphie :
Producteur :
Commentaires : Direct from Broadway for a limited season
Nominated for 7 Tony® Awards including Best Play and Best Direction of a Play

Version 8

Oslo (2017-10-Harold Pinter Theatre-London)

Type de série: West End Transfer
Théâtre: Harold Pinter Theatre (Londres - Angleterre)
Durée : 2 mois 2 semaines
Nombre :
Première Preview : Saturday 30 September 2017
Première : Wednesday 11 October 2017
Dernière : Saturday 30 December 2017
Mise en scène : Bartlett Sher
Chorégraphie :
Producteur :
Commentaires : Direct from a multi award-winning season on Broadway and a critically acclaimed, sold-out run at the National Theatre, the gripping political thriller Oslo arrives in the West End for a strictly limited season from 2 Oct.
Winner, Best Play at the 2017 Tony Awards
Presse : ‘Can we make peace with enemies? Oslo gives us hope.’
New York Daily News

‘Vivid and thoughtful, crackling theatre.’
New York Times

Version 9

South Pacific (2008-04-Vivian Beaumont Theatre-Broadway)

Type de série: Revival
Théâtre: Lincoln Center for the Performing Arts (New-York - Etats-Unis)
Durée : 2 ans 4 mois 3 semaines
Nombre : 37 previews - 996 représentations
Première Preview : Saturday 01 March 2008
Première : Thursday 03 April 2008
Dernière : Sunday 22 August 2010
Mise en scène : Bartlett Sher
Chorégraphie : Christopher Gattelli
Producteur :
Avec : Kelli O’Hara (Ensign Nellie Forbush), Paulo Szot (Emile de Becque), Laurissa Romain (Ngana), Luka Kain (Jerome), Helmar Augustus Cooper (Henry), Loretta Ables Sayre (Bloody Mary), LiJun Li (Liat), Maryann Hu (Bloody Mary’s Assistant), Emily Morales (Bloody Mary’s Assistant), Kimber Monroe (Bloody Mary’s Assistant), Danny Burstein (Luther Billis), Victor Hawks (Stewpot), Noah Weisberg (Professor), Matthew Morrison (Lieutenant Joseph Cable), Skipp Sudduth (Captain George Brackett), Sean Cullen (Commander William Harbison), George Merrick (Lieutenant Buzz Adams), Christian Delcroix (Yeoman Herbert Quale), Matt Caplan (Radio Operator Bob McCaffrey), Genson Blimline (Seabee Morton Wise), Nick Mayo (Seabee Richard West), Jeremy Davis (Seabee Johnny Noonan), Robert Lenzi (Seabee Billy Whitmore), Mike Evariste (Sailor Tom O’Brien), Jerold E. Solomon (Sailor James Hayes), Christian Carter (Sailor Kenneth Johnson), Charlie Brady (Petty Officer Hamilton Steeves), Zachary James (Marine Staff Sergeant Thomas Hassinger), Andrew Samonsky (Lieutenant Eustis Carmichael), Lisa Howard (Lieutenant Genevieve Marshall), Laura Marie Duncan (Ensign Dinah Murphy), Margot De La Barre (Ensign Connie Walewska), Garrett Long (Ensign Sue Yeager), Becca Ayers (Ensign Cora MacRae); Islanders, Sailors, Seabees, and Party Guests: Becca Ayers, Genson Blimline, Charlie Brady, Matt Caplan, Christian Carter, Helmar Augustus Cooper, Jeremy Davis, Margot De La Barre, Mike Evariste, Laura Griffith, Lisa Howard, Maryann Hu, Zachary James, Robert Lenzi, Garrett Long, Nick Mayo, George Merrick, Kimber Monroe, Emily Morales, Andrew Samonsky, Jerold E. Solomon
Commentaires : Ce revival a remporté cinq Drama Desk Awards, dont celui du Best Revival et a recueilli 11 nominations aux Tony Awards, dont celles du meilleur renouveau, du meilleur réalisateur, du meilleur chorégraphe, des quatre catégories d’acteur et des quatre catégories de conception. Il a remporté le prix de la meilleure reprise et six autres Tonys. Le regretté Robert Russell Bennett a été reconnu pour «sa contribution historique au théâtre musical américain dans le domaine des orchestrations, représentée à Broadway cette saison par South Pacific de Rodgers et Hammerstein.
Presse : Bien que certains critiques aient eu des réactions mitigées aux performances d’O’Hara, Szot et Morrison, la production a reçu des critiques majoritairement élogieuses.
Ben Brantley a écrit dans le New York Times: «Je sais que nous ne sommes pas censés nous attendre à la perfection dans ce monde imparfait, mais que je sois maudit si je peux trouver un défaut sérieux dans cette production. (Oui, le deuxième acte reste plus faible que le premier, mais M. Bartlett Sher le fait presque oublier). Toutes les rôles secondaires, y compris ceux de l'ensemble, semblent précisément individualisés, jusqu'à la manière dont ils portent les costumes d’époque soigneusement étudiés de Catherine Zuber.»

John Lahr dans le New Yorker a déclaré que la partition de Rodgers et Hammerstein était la «star incontestable» de la soirée, mais il a aussi loué le «superbe» Szot et sa voix «crémeuse retentissante».
Richard Zoglin dans Time a déclaré que le chanteur avait réduit la «grandiloquence opératique» et avait ainsi trouvé «de nouvelles profondeurs d’émotion dans une chanson touchante comme "This Nearly Was Mine"».
David Rooney dans Variety a salué sa voix «veloutée».
Ben Brantley dans le New York Times a été impressionné par son baryton «profond».
Clive Barnes dans le New York Post a déclaré qu’il avait une « voix splendide » et une «belle présence» et qu’il jouait «superbement».
Et Peter Marks dans le Washington Post a décidé que l’artiste était le «centre passionné» du spectacle.

Lahr a estimé qu’O’Hara apportait un «bel éclat» à Nellie, mais que l’actrice était «trop classe et trop consciente pour s’adapter aux contours comiques idiosyncrasiques du rôle».
Zoglin a déclaré qu’elle «tombe à quelques crans de moins sur le compteur d’adorabilité».
Rooney a déclaré que sa «voix crémeuse» était «parfaite», mais qu’elle avait «plus de sophistication innée» que son personnage n’aurait dû en avoir.
Brantley a noté qu’elle avait créé un «portrait superbement ombragé» de Nellie.
Barnes a déclaré qu’elle avait offert une «recréation étrangement précise» de la version de Martin de «Honey Bun» mais qu’elle avait joué Nellie selon ses «propres termes».
Et Marks a trouvé sa caractérisation crédible et «convaincante».

Version 10

South Pacific (2011-08-Barbican Theatre-London)

Type de série: Revival
Théâtre: Barbican (Londres - Angleterre)
Salle : Theatre
Durée : 1 mois 1 semaine
Nombre :
Première Preview : Monday 15 August 2011
Première : Tuesday 23 August 2011
Dernière : Saturday 01 October 2011
Mise en scène : Bartlett Sher
Chorégraphie :
Producteur :
Avec : Samantha Womack (Nellie), Paulo Szot (sharing the role of Emile), Jason Howard (sharing the role of Emile), Daniel Koek ( Lt Joe Cable), Alex Ferns (Luther Billis), Loretta Ables Sayre (Bloody Mary)
Commentaires : This production opened in 2008 at New York’s Lincoln Center, running for two years and winning seven Tony Awards. The show had been re-created for a UK tour starting at the Barbican. With a 25 piece orchestra, it featured the Brazilian baritone Paulo Szot and Loretta Abies Sayre from the original New York production. Paulo Szot was replaced by Jason Howard for the first three weeks of September. The production received three Olivier nominations, including Best Musical Revival, but won none. During the post-Barbican tour various cast changes included Rebecca Thornhill as Nellie Forbush, Matthew Cammelle as Emile de Beque and Jodi Kimura as Bloody Mary. The tour has been extended to at least August 2012, when it will plays Sheffield Lyceum, after which it is booked for a two week run in Dublin.
Presse : "It's a perfectly decent revival of a Rodgers and Hammerstein classic but with little of the pizzazz."
Michael Billington for The Guardian

"Though not quite as lavish as the original Lincoln Centre production, this touring version with beautiful South Sea island designs and a fine 25-piece pit orchestra making the most of the brilliant score, still proves a moving and uplifting experience."
Charles Spencer for The Daily Telegraph

"Somewhere along the line he [director Bartlett Sher] has managed to eliminate both the romance and the fantasy."
Paul vale for The Stage

"Polished rather than dazzling - lyrical, occasionally beguiling but not truly powerful."
Henry Hitchings for The Evening Standard

"Though it is undoubtedly a very good, immensely thoughtful doesn’t dazzle in the way one might expect. It is beautifully sung and delivered with plenty of zest and energy, yet it still seems a little stiff and emotionally restrained."
Sarah Hemming for The Financial Times

"For all the talk of how the production draws out the darkness of the racial issues by reincorporating discarded material, this comes across as a highly accomplished, but faintly bland and traditional treatment. ..Unfortunately, there's next to no sexual chemistry between the two leading performers. That's symptomatic of a production that seems to have lost something in crossing the Atlantic and is deficient in that spark that turns respect into rapture."
Paul Taylor for The Independent

Version 11

To Kill a Mockingbird (2018-12-Shubert Theatre-Broadway)

Type de série: Original
Théâtre: Shubert Theatre (Broadway - Etats-Unis)
Durée : Se joue actuellement
Nombre : 25 previews -
Première Preview : Thursday 01 November 2018
Première : Thursday 13 December 2018
Dernière : Open end, ouvert actuellement jusqu'au Thu 01 January 1970
Mise en scène : Bartlett Sher
Chorégraphie :
Producteur :
Avec : Jeff Daniels (as Atticus Finch), Celia Keenan-Bolger (as Scout), Will Pullen (as Jem), Gideon Glick (as Dill), Frederick Weller (as Bob Ewell), Gbenga Akinnagbe (as Tom Robinson), Stark Sands (as Horace Gilmmer), Dakin Matthews (as Judge Taylor), Erin Wilhelmi (as Mayella Ewell), Neal Huff (as Link Deas), Phyllis Somerville (as Ms. Dubose), Liv Rooth (as Miss Stephanie), Danny Wolohan (as Boo Radley), and LaTanya Richardson Jackson (as Calpurnia), with Danny McCarthy, Baize Buzan, Thomas Michael Hammond, Ted Koch, David Manis, Aubie Merrylees, Doron JéPaul Mitchell, Jeff Still, Shona Tucker, and Rebecca Watson
Commentaires : Academy Award winner Aaron Sorkin's new stage adaptation of Harper Lee's classic novel To Kill a Mockingbird, directed by Tony winner Bartlett Sher, is scheduled to officially open on Broadway on December 13, 2018, following previews from November 1.

Harper Lee's debut novel was published in 1960 and won the Pulitzer Prize for Fiction. It has gone on to sell over 50 million copies in print to date and has been published in over 40 different languages.

Version 12

To Kill a Mockingbird (2020-06-Gielgud Theatre-London)

Type de série: West End Transfer
Théâtre: Gielgud Theatre (Londres - Angleterre)
Durée : 2 ans 11 mois 1 semaine
Nombre :
Première Preview : Thursday 21 May 2020
Première : Thursday 11 June 2020
Dernière : Saturday 20 May 2023
Mise en scène : Bartlett Sher
Chorégraphie :
Producteur :
Avec : Rhys Ifans (Atticus Finch)
Commentaires : Bartlett Sher's production of To Kill A Mockingbird, adapted for the stage by Aaron Sorkin from Harper Lee's classic novel, will transfer to the Gielgud Theatre from May 2020. The production transfers following a hugely successful run on Broadway, where it starred Jeff Daniels. The West End transfer was announced on 31st October 2019, marking the one year anniversary since the production opened on Broadway at the Shubert Theatre.

Version 13

Women on the Verge (2010-10-Belasco Theatre-Broadway)

Type de série: Original
Théâtre: Belasco Theatre (Broadway - Etats-Unis)

Durée : 1 mois 4 semaines
Nombre : 30 previews - 69 représentations
Première Preview : Friday 08 October 2010
Première : Thursday 04 November 2010
Dernière : Sunday 02 January 2011
Mise en scène : Bartlett Sher
Chorégraphie : Christopher Gattelli
Producteur :
Commentaires longs: Delayed previews twice in order to allow the creative team and cast to work on the complex cinematic transitions between scenes.
Limited engagement. The limited run was to have ended on 1/23/2011 but closed early.
During previews: "My Crazy Heart" opened the show and was performed by the Women. / Where "My Crazy Heart" is now, there was a reprise. / "Madrid" opened the second Act. / "Shoes From Heaven" was the original finale.
Presse : NEW YORK TIMES REVIEW: "They’re giving out the wrong drug at the Belasco Theater, where “Women on the Verge of a Nervous Breakdown” opened on Thursday night. As in the 1988 Pedro Almodóvar movie that inspired this star-jammed musical, Valium is consumed in large quantities by many characters. That is so pharmaceutically irresponsible. What this production needs — immediately and intravenously — is Ritalin. "

Version 14

Women on the Verge (2015-01-Playhouse Theatre-London)

Type de série: Original London
Théâtre: Playhouse Theatre (Londres - Angleterre)
Durée : 4 mois 1 semaine
Nombre :
Première Preview : Thursday 18 December 2014
Première : Monday 12 January 2015
Dernière : Saturday 23 May 2015
Mise en scène : Bartlett Sher
Chorégraphie :
Producteur :
Avec : Tamsin Greig (Pepa), Hadyn Gwynne (Lucia), Seline Hizli (Marisa), Jerome Pradon (Ivan),Anna Skellern (Candela), Ricardo Afonso (Taxi Driver), Haydn Oakley (Carlos), Willemijn Verkaik (Paulina), Rebecca McKinnis (Christina), Sarah Moyle (Pepa’s Concierge), Marianne Benedict, Holly James, Michael Matus, Alastair Natkiel, Nuno Queimado and Dale Rapley.