.png)
.png)
Pas de biographie disponible.
Compositeur Musique additionelle Librettiste Parolier Metteur en scène Chorégraphe Producteur création Producteur version
Musical
Musique: Michael John LaChiusa • Paroles: Michael John LaChiusa • Livret: Michael John LaChiusa • Production originale: 1 version mentionnée
Dispo: Résumé Génèse Isnpiration Liste chansons
As though seers through the lens of a combination time machine and bawdy, old-time kinescope the joys of sex are here for the asking in this adult musical fantasy suggested by Arthur Schnitzler's La Ronde.
Genèse: The musical premiered Off-Broadway at the Mitzi E. Newhouse Theater (at Lincoln Center) on December 30, 1993 in previews and closed on March 27, 1994, after 101 performances. Directed and musically staged by Graciela Daniele the show was much in the vein of Stephen Sondheim's Sunday in the Park with George in that the staging was like a classic painting coming to life. It received eight Drama Desk Award nominations including Best Musical, three for LaChiusa (Outstanding Book of a Musical, Music and Lyrics categories), two for Daniele (Choreographer and Director categories) and nominations for actors Judy Blazer, John Cameron Mitchell and Donna Murphy. The original cast album was released in 1994 by RCA Victor. The musical received its professional European premiere in 2001 at London's Bridewell Theatre, as part of a series of musicals introducing the works of the next generation of major American musical theatre writers. It was directed by the theatre's co-Artistic Director Clive Paget with musical direction by Christopher Frost with a cast that featured Jenna Russell, Matt Rawle, Charles Shirvell and Nigel Richards. There were minor changes made to the score in this production as well as a substantial rewrite to "Scene 8" (The Writer and the Actress) overseen by the composer. In 2007, the musical received a controversial showing by The Satori Group at The Hustler Sound Stage, a building in Cincinnati that was once the headquarters for Hustler magazine, when publisher Larry Flynt was a local celebrity during the 1970s. Also in 2007, "Hello Again" premiered in Germany, at the Akademietheater im Prinzregententheater Munich. The production was directed by Silvia Armbruster with musical direction by Philip Tillotson, and the text was translated by Roman Hinze. In May 2008, it was given its Scandinavian premiere in Gothenburg and Borås in Sweden in a production directed by Vernon Mound with musical direction by Derek Barnes. The production used the revisions made for the London version and the text was translated by Fredrik Fischer and Linnea Sjunnesson together with members of the cast. The Transport Group presented the first New York City revival, opening on March 19, 2011 through April 3. This production features new orchestrations by Mary-Mitchell Campbell and was staged non-traditionally in a raw space in SoHo by Jack Cummings III. "Hello Again" was revived at the Union Theatre, London, opening in September 2019. This new production was directed by Paul Callen, musical direction and orchestrations by Henry Brennan, choreography by Genevieve Leeney, costume design by Reuben Speed, lighting design by Ben Bull, production photography by Mark Senior, casting by Adam Braham, and produced by Sasha Regan with associate producer, Maison Kelley.
Résumé: Ten nameless characters pair up in ten different scenes of sexual pleasure and/or despair. One character from each scene moves on to the next, seemingly dumping his old partner in favour of new prey. The play, begins in 1900 with a Prostitute soliciting an unwilling Soldier: The next scene takes place in the 1940s, and the Soldier, afraid of dying in the war, tussles with a sympathetic Nurse. Next, the Nurse becomes a 1960s dominatrix over her patient, an upper-crust College Boy with wild leanings. In the 1930s, the College Boy reappears as the impotent partner of an adulterous Young Wife who can only have relations with him in seedy, out-of-the-way places. Meeting the woman's Husband in the next scene, we see why she's been driven to such moral turpitude. In her loneliness, the Wife dances a haunting pas-de-deux with the mirror image of her repressed, sensual self: Experiencing the Wife's scene from a totally different perspective, we then meet the Husband as a closet homosexual.
Création: 30/12/1993 - Mitzi E. Newhouse Theatre (New-York) - représ.
Musical
Musique: Michael John LaChiusa • Paroles: Michael John LaChiusa • Livret: George C Wolfe • Michael John LaChiusa • Production originale: 1 version mentionnée
Dispo: Résumé Synopsis Génèse Liste chansons
The show is presented as a series of vaudeville sketches, complete with signs at the beginning and the end (but abandoned for most of the show) announcing the next scene propped on an easel at the side of the stage. Queenie and Burrs, whose relationship is disintegrating, host a party fueled by bathtub gin, cocaine, and uninhibited sexual behavior. It quickly evolves into an orgy that culminates in tragedy. The guests include fading star Dolores; Kate, Queenie's best friend and rival; Black, Kate's younger lover, who has his eye on Queenie; Jackie, a rich, "ambisextrous" kid who has his eye on everyone, regardless of gender or age; Oscar and Phil D'Armano, a gay couple/brother act; lesbian stripper Miss Madelaine True and her morphine-addicted girlfriend Sally; colored prizefighter Eddie, his white wife Mae and Mae's underaged Lolita-like sister, Nadine.
Genèse: Création The Wild Party opened at the Virginia Theatre on April 13, 2000 after 36 previews, and closed on June 11 after 68 performances. It was directed by Wolfe and choreographed by Joey McKneely. The cast included Toni Collette (making her Broadway debut) as Queenie, Mandy Patinkin as Burrs, and Yancey Arias as Black. Although her role was reduced over the course of workshop productions, Eartha Kitt, returning to Broadway after an absence of more than twenty years, created the role of Dolores. The four were backed by a large ensemble cast, each of whom has a featured song or key moments to take center stage. In 2001, LaChiusa said that the role of Queenie was written for the African-American actress Vanessa L. Williams, who was replaced with Colette when she became pregnant. LaChiusa said: "I don't think of it as something that was lost in the piece, but it would have been fascinating to see how an audience responded to a black Queenie. The show is all about the masks that we wear culturally and the removal of those masks over the course of the party. So it's all there...". A cast album was released on the Decca Records label.
Résumé: Presented in five acts or scenes, it takes the form of a number of vaudeville sketches which casually disintegrate as the evening wears on. Queenie and her partner Burrs plan to throw a "wild party", and invite a colourful cast of characters that epitomise the world of 1920s New York, including a fading star, an "ambisextrous" socialite, a gay brother act, a lesbian stripper, a boxer and an underage innocent girl. Queenie's best friend and rival Kate brings her new lover who attracts Queenie's attention, as as the party descends into gin, sin and booze, truths are exposed and questions are asked of all the guests.
Création: 13/4/2000 - August Wilson Theatre (Broadway) - 68 représ.
Musical
Musique: Michael John LaChiusa • Paroles: Michael John LaChiusa • Livret: Michael John LaChiusa • Production originale: 2 versions mentionnées
Dispo: Résumé Synopsis Génèse Liste chansons
John LaChiusa said his musical was inspired by New York after the September 11 th attacks, and that Charlotte’s struggle to quit smoking is "a metaphor for the crises that force people to reconsider who they are and what is important... After 9/11 nobody was thinking about how to get rich and famous. You wanted to be around the people you love. . . you realize that you don't always have to swim upstream and battle the elements. When you're little fish in a big pond, it's safer to swim in schools.”
Genèse: The musical premiered off-Broadway at the Second Stage Theatre in New York City on February 13, 2003 and closed on March 9, 2003. Directed and choreographed by Graciela Daniele, it starred Jennifer Laura Thompson in the lead role of Charlotte, and featured Hugh Panaro as Robert, Lea DeLaria as Cinder, and Jesse Tyler Ferguson as Marco. Alice Ripley starred, with Gregory Jbara and Chad Kimball, in a production running from October 9, 2007 to November 18, 2007 at The Blank Theatre, Hollywood, California. The Europen premiere was at the Finborough Theatre, London, from October 27, 2009 through November 21. The production was produced by JQ Productions and directed by Adam Lenson, with the cast featuring Ashley Campbell, Michael Cantwell, Katie Foster-Barnes, Nick Holder, Alana Maria, Laura Pitt-Pulford, Lee William- Davis and Julia Worsley.
Résumé: When Charlotte decides to give up smoking, she doesn't realise quite how difficult it will be. As she attempts to fill her nicotine-starved days, the events of a troubled past slowly begin to resurface; an abusive ex-boyfriend, a new life in New York, a bizarre roommate and a boss who is a little too hands on. As her emotional debris accumulates, we see Charlotte's vivid memories juxtaposed against her present day life. But even with her friends trying to help, can this Little Fish learn to survive in a pond as big as New York City?
Création: 13/2/2003 - Second Stage Theatre (Broadway (Off)) - représ.
Musical
Musique: Michael John LaChiusa • Paroles: Michael John LaChiusa • Livret: Michael John LaChiusa • Production originale: 1 version mentionnée
Dispo: Résumé Commentaire Génèse Liste chansons
Genèse: The musical was the inaugural show of Transport Group's 20th Century Project. The musical premiered Off-Broadway at The Gym at Judson on November 6, 2011 and closed on December 4, 2011. The musical received positive reviews. The show received its UK Premiere at the Jack Studio Theatre in London, produced by Pint of Wine Theatre Company, on April 9, 2019 and closed on April 27, 2019.
Résumé: In the early 1900s, in western New York State, at Niagara Falls, Anna Edson Taylor is a 63-year-old teacher. Needing money, she decides to become the first woman to go over Niagara Falls, and designs her own barrel. She is helped by her manager, Frank Russell. "Navigating both the treacherous Falls and a fickle public with a ravenous appetite for sensationalism, this unconventional heroine vies for her legacy in a world clamoring with swindling managers, assassins, revolutionaries, moralizing family, anarchists, and activists. Convinced that there is greatness in her and determined not to live as ordinary, she sets out to battle her fear and tempt her fate." The score incorporates turn-of-the-century themes. Anna attempts to take advantage of her fame on the lecture circuit, but that does not last. Anna dies in a nursing home at age 82, a pauper.
Création: 6/11/2011 - The Gym at Judson (Broadway (Off)) - représ.
Musical
Musique: Michael John LaChiusa • Paroles: Michael John LaChiusa • Livret: Sybille Pearson • Production originale: 1 version mentionnée
Dispo: Résumé
Somerset Maugham’s classic story “Rain” was adapted as a movie three times and his iconic character Sadie Thompson played by Gloria Swanson, Joan Crawford, and Rita Hayworth. Now it's musical's time
Genèse:
Résumé: The year is 1924, the setting a boarding hotel on the island of Western Samoa, where a missionary, a doctor, and their wives are scandalized by Sadie’s arrival, particularly when they learn what she does for a living. But the missionary has secrets of his own, and when he tries to save her soul, things get hotter than the South Pacific sun. Barry Edelstein makes his musical theatre directorial debut with this gorgeous and powerful new work that reveals the explosive nature of repressed desire.
Création: 1/4/2016 - Old Globe Theatre (San Diego) - représ.