Le monde des musicals

Version 1

An Ideal Husband (2018-05-Vaudeville Theatre-London)

Type de série: Revival
Théâtre: Vaudeville Theatre (Londres - Angleterre)
Durée : 2 mois 1 semaine
Nombre :
Première Preview : Friday 20 April 2018
Première : Thursday 03 May 2018
Dernière : Saturday 14 July 2018
Mise en scène : Jonathan Church •
Chorégraphie :
Producteur :
Avec : Edward Fox (Earl of Caversham), Freddie Fox (Lord Goring), Frances Barber (Mrs Cheveley), Nathaniel Parker (Sir Robert Chilton), Sally Bretton (Lady Chiltern).

Version 2

Drifters Girl (The) (2020-10-Garrick Theatre-London)

Type de série: Original
Théâtre: Garrick Theatre (Londres - Angleterre)
Durée : 1 an 11 mois 4 semaines
Nombre :
Première Preview : Thursday 01 October 2020
Première : Thursday 22 October 2020
Dernière : Saturday 15 October 2022
Mise en scène : Jonathan Church •
Chorégraphie : Karen Bruce •
Producteur :
Commentaires : The Queen of British Soul and West End leading lady BEVERLEY KNIGHT stars in the world premiere of a brand new musical - THE DRIFTERS GIRL.

Version 3

Hobson's Choice (2016-06-Vaudeville Theatre-London)

Type de série: Revival
Théâtre: Vaudeville Theatre (Londres - Angleterre)
Durée : 3 mois
Nombre :
Première Preview : Wednesday 08 June 2016
Première : Wednesday 08 June 2016
Dernière : Saturday 10 September 2016
Mise en scène : Jonathan Church •
Chorégraphie :
Producteur :
Avec : Martin Shaw, Naomi Frederick, Bryan Dick Gabrielle Dempsey and Joanna McCallum
Commentaires : Martin Shaw is one of the UK’s favourite actors, well-known for starring in Inspector George Gently, Judge John Deed, and The Professionals on television. His stage roles include Saturday, Sunday, Monday opposite Laurence Olivier; he was Tony Award nominated for An Ideal Husband on Broadway and won a Drama Desk award. Recent West End credits include A Man for All Seasons and Twelve Angry Men.
Presse : "Brighouse’s play may be creaking, but Church proves it’s good for a few more outings yet." Clare Allfree for Daily Telegraph

"As the bibulous bully of the title, Martin Shaw is virtuosic and palpably practised; it looks as if he’s acting." Dominic Maxwell for The Times

Version 4

Price (The) (2019-02-Wyndham s Theatre-London)

Type de série: Revival
Théâtre: Wyndham s Theatre (Londres - Angleterre)
Durée : 2 mois 1 semaine
Nombre :
Première Preview : Tuesday 05 February 2019
Première : Monday 11 February 2019
Dernière : Wednesday 24 April 2019
Mise en scène : Jonathan Church •
Chorégraphie :
Producteur :
Avec : David Suchet (Gregory Solomon), Brendan Coyle (Victor Franz), Adrian Lukis, Sara Stewart.

Version 5

Resistible rise of Arturo Ui (The) (2013-09-Duchess Theatre-London)

Type de série: Revival
Théâtre: Duchess Theatre (Londres - Angleterre)
Durée : 2 mois 1 semaine
Nombre :
Première Preview : Wednesday 18 September 2013
Première : Wednesday 25 September 2013
Dernière : Saturday 07 December 2013
Mise en scène : Jonathan Church •
Chorégraphie :
Producteur :
Avec : Henry Goodman (Arturo Ui), Michael Feast (Roma), William Gaunt (Old Dogsborough), Joe McGann (Giri/O’Casey), Keith Baxter (Actor), Mark Carlisle, Alex Giannini, Amanda Gordon, Charlie Hamblett, Lucas Hare, Hugh John, Richard Mark, Lizzy McInnerny, Peter Moreton, Steve Simmonds, Colin Stinton, David Sturzaker, Benny Young
Presse : "Swaggeringly confident production, with Henry Goodman giving an electrifying performance in the title role, this is a show you really should see."
Charles Spencer for Daily Telegraph

"Henry Goodman is a knockout as Arturo U."
Lyn Gardner for The Guardian

"This accomplished production...has a golden ticket when it comes to its leading actor. Henry Goodman, who in the past has won much acclaim for roles with a markedly Jewish slant, now dazzles as a very loosely veiled Adolf Hitler. It’s a hell of a role and Goodman gives a hell of a performance to match."
Fiona Mountford for The Evening Standard

"The role of Arturo Ui calls for bravura, high-definition acting and that's what it gets, in spades, from Henry Goodman in Jonathan Church's splendid production."
Paul Taylor for The Independent

Version 6

Singin' in the Rain (2012-02-Palace Theatre-London)

Type de série: Revival
Théâtre: Palace Theatre (Londres - Angleterre)
Durée : 1 an 3 mois 3 semaines
Nombre :
Première Preview : Saturday 04 February 2012
Première : Wednesday 15 February 2012
Dernière : Saturday 08 June 2013
Mise en scène : Jonathan Church •
Chorégraphie : Andrew Wright •
Producteur :
Avec : Adam Cooper (Don Lockwood), Louise Bowden (Kathy Selden), Jennifer Ellison (Lina Lamont), Stephane Annelli (Cosmo Brown), Peter Forbes (RF Simpson), Sandra Dickinson (Dora Bailey/Miss Dinsmore), Gillian Parkhouse, Nancy Wei George, David Lucas, Mark Hadfield, Frankie Jenna, Karen Aspinall, Emma Caffrey, Matthew Croke, Brendan Cull, Adam Denman, Kelly Ewins-Prouse, Charlene Ford, Olivia Fines, Tim Hodges, Nia Jermin, Peter Le Brun, Matthew Malthouse, Adam Margilewski, Oliver Metzler, Joseph Prouse, Charlotte Scott, Zara Warren.

Version 7

Taken at Midnight (2015-01-Haymarket Theatre-London)

Type de série: West End Transfer
Théâtre: Haymarket Theatre (Londres - Angleterre)
Durée : 1 mois 2 semaines
Nombre :
Première Preview : Thursday 15 January 2015
Première : Monday 26 January 2015
Dernière : Saturday 14 March 2015
Mise en scène : Jonathan Church •
Chorégraphie :
Producteur :
Avec : Penelope Wilton (Irmgard), Martin Hutson (Hans Litten), Allan Corduner (Franz Litten), Pip Donaghy (Erich Muhsam), Mike Grady (Carl von Ossietzky), John Light (Dr Conrad), David Yelland (Lord Clifford Allen), Marc Antolin (Gustav Hammerman), Christopher Hogben (Hotelier), Dermont McLaughlin (SA Officer)
Commentaires : Transfert à londres de la production du Chichester Festival
Presse : "Much sensitivity and skill have been brought to bear on Jonathan Church’s production, all of which makes one wish that the play itself were less pro forma than it is. Time and again, there is the sense that the actual events must have been infinitely more disturbing, and the gathering portentousness of the writing has the perverse effect of closing off the experience, instead of enlarging a playgoer’s empathic response." Matt Wolf for The New York Times

"a superb performance by Penelope Wilton as Irmgard. Wilton increasingly reminds me of the great Peggy Ashcroft in her ability to convey moral authority without any ostentatious display of acting technique..."
Michael Billington for The Guardian (Review of the Chichester production)

"Penelope Wilton achieves a perfect mix of passion and authority in this affecting portrait of a woman resisting the tyranny of the Nazis. Her performance vibrates with indignation, yet is skilfully measured — it’s a study of heartbreak, but also of grace." Henry Hitchings for The Evening Standard