Le monde des musicals

Version 1

After Edward (2019-02-Sam Wanamaker Playhouse-London)

Type de série: Revival
Théâtre: Globe Theatre (Londres - Angleterre)
Salle : Sam Wanamaker Playhouse
Durée : 2 semaines
Nombre :
Première Preview : Thursday 21 March 2019
Première : Thursday 21 March 2019
Dernière : Saturday 06 April 2019
Mise en scène : Brendan O’Hea •
Chorégraphie :
Producteur :
Commentaires : Edward II wanders on to the empty stage, bloodied and confused. He has no idea where he is, or how he got here, but he does have an ominous feeling that something is wrong. As that feeling grows, so too does the threat on the other side of the auditorium doors.

Edward finds himself locked inside the theatre with some rather anarchic fellow inmates: Gertrude Stein, Harvey Milk and Quentin Crisp. As they set about unravelling what has happened, only one thing is certain: everything is not as it seems…

Version 2

Merchant of Venice (The) (2018-05-Globe Theatre-London)

Type de série: Revival
Théâtre: Globe Theatre (Londres - Angleterre)
Salle : Globe Theatre
Durée : 3 mois 3 semaines
Nombre : 4 représentations
Première Preview : Monday 14 May 2018
Première : Monday 14 May 2018
Dernière : Saturday 08 September 2018
Mise en scène : Brendan O’Hea •
Chorégraphie : Sian Williams •
Producteur :
Avec : Luke Brady (Bassanio), Steffan Cennydd (Lorenzo / Old Gobbo / Duke), Cynthia Emeagi (Jessica / Morocco), Sarah Finigan (Shylock), Colm Gormley (Gratiano), Russell Layton (Antonio / Launcelot Gobbo / Prince of Arragon), Rhianna McGreevy (Nerissa), Jacqueline Phillps (Portia)
Commentaires : We will be taking Twelfth Night, The Taming of the Shrew and The Merchant of Venice on tour to various venues across the world. On the night of the performance, audiences will vote on which play they want to see performed. The tour will start and end on the Globe stage.

How did a company tour in Shakespeare’s day? We know that when the theatres closed, a small group of actors, juggling a variety of roles in three or four plays from their extensive repertoire, would leave London and head off on tour. We also know that the choice of play or entertainment was left to the most powerful person of the household.

So, following in the tradition of our resident playwright, and in a first for Shakespeare’s Globe, between May and September 2018 a company of eight actors will offer audiences a choice of three plays: The Merchant of Venice, The Taming of the Shrew and Twelfth Night. They will perform all three at the Globe before setting out on a national and international tour. And also in keeping with tradition – and with thrilling unpredictability – the choice of play will be put back into the hands of the most powerful members of the house: the audience.

Brendan O’Hea, director, actor, and passionate education practitioner, has previously performed in a number of productions at Shakespeare’s Globe including Cymbeline (2015), Measure for Measure (2015), A Midsummer Night’s Dream (2014), and Henry V (2012).
‘The combination of Shakespeare, the Globe and touring ticks every box for me. The chance to share those glorious words and my experience of playing that beautiful theatre with audiences throughout the world excites me beyond measure. And I’m relishing the opportunity to direct three of Shakespeare’s most popular plays in a unique and unpredictable presentation.’
Brendan O’Hea

Version 3

Taming of the Shrew (The) (2018-05-Globe Theatre-London)

Type de série: Revival
Théâtre: Globe Theatre (Londres - Angleterre)
Salle : Globe Theatre
Durée : 3 mois 4 semaines
Nombre : 3 représentations
Première Preview : Friday 11 May 2018
Première : Friday 11 May 2018
Dernière : Friday 07 September 2018
Mise en scène : Brendan O’Hea •
Chorégraphie : Sian Williams •
Producteur :
Avec : Luke Brady (Lucentio), Steffan Cennydd (Hortensio / Pedant), Cynthia Emeagi (Baptista), Sarah Finigan (Bianca / Grumio), Colm Gormley (Petruchio), Russell Layton (Tranio / Widow), Rhianna McGreevy (Katherina), Jacqueline Phillps (Gremio / Vincentio)
Commentaires : We will be taking Twelfth Night, The Taming of the Shrew and The Merchant of Venice on tour to various venues across the world. On the night of the performance, audiences will vote on which play they want to see performed. The tour will start and end on the Globe stage.

How did a company tour in Shakespeare’s day? We know that when the theatres closed, a small group of actors, juggling a variety of roles in three or four plays from their extensive repertoire, would leave London and head off on tour. We also know that the choice of play or entertainment was left to the most powerful person of the household.

So, following in the tradition of our resident playwright, and in a first for Shakespeare’s Globe, between May and September 2018 a company of eight actors will offer audiences a choice of three plays: The Merchant of Venice, The Taming of the Shrew and Twelfth Night. They will perform all three at the Globe before setting out on a national and international tour. And also in keeping with tradition – and with thrilling unpredictability – the choice of play will be put back into the hands of the most powerful members of the house: the audience.

Brendan O’Hea, director, actor, and passionate education practitioner, has previously performed in a number of productions at Shakespeare’s Globe including Cymbeline (2015), Measure for Measure (2015), A Midsummer Night’s Dream (2014), and Henry V (2012).
‘The combination of Shakespeare, the Globe and touring ticks every box for me. The chance to share those glorious words and my experience of playing that beautiful theatre with audiences throughout the world excites me beyond measure. And I’m relishing the opportunity to direct three of Shakespeare’s most popular plays in a unique and unpredictable presentation.’
Brendan O’Hea

Version 4

Twelfth Night (2018-05-Globe Theatre-London)

Type de série: Revival
Théâtre: Globe Theatre (Londres - Angleterre)
Salle : Globe Theatre
Durée : 4 mois
Nombre : 4 représentations
Première Preview : Monday 07 May 2018
Première : Monday 07 May 2018
Dernière : Thursday 06 September 2018
Mise en scène : Brendan O’Hea •
Chorégraphie : Sian Williams •
Producteur :
Avec : Luke Brady (Feste), Steffan Cennydd (Viola), Cynthia Emeagi (Olivia), Sarah Finigan (Sir Andrew Aguecheek), Colm Gormley (Malvolio), Russell Layton (Sir Toby Belch), Rhianna McGreevy (Duke Orsino), Jacqueline Phillps (Maria / Sebastian)
Commentaires : We will be taking Twelfth Night, The Taming of the Shrew and The Merchant of Venice on tour to various venues across the world. On the night of the performance, audiences will vote on which play they want to see performed. The tour will start and end on the Globe stage.

How did a company tour in Shakespeare’s day? We know that when the theatres closed, a small group of actors, juggling a variety of roles in three or four plays from their extensive repertoire, would leave London and head off on tour. We also know that the choice of play or entertainment was left to the most powerful person of the household.

So, following in the tradition of our resident playwright, and in a first for Shakespeare’s Globe, between May and September 2018 a company of eight actors will offer audiences a choice of three plays: The Merchant of Venice, The Taming of the Shrew and Twelfth Night. They will perform all three at the Globe before setting out on a national and international tour. And also in keeping with tradition – and with thrilling unpredictability – the choice of play will be put back into the hands of the most powerful members of the house: the audience.

Brendan O’Hea, director, actor, and passionate education practitioner, has previously performed in a number of productions at Shakespeare’s Globe including Cymbeline (2015), Measure for Measure (2015), A Midsummer Night’s Dream (2014), and Henry V (2012).
‘The combination of Shakespeare, the Globe and touring ticks every box for me. The chance to share those glorious words and my experience of playing that beautiful theatre with audiences throughout the world excites me beyond measure. And I’m relishing the opportunity to direct three of Shakespeare’s most popular plays in a unique and unpredictable presentation.’
Brendan O’Hea