Le monde des musicals

Musical (1964)

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Musique: Anthony Newley • Leslie Bricusse •
Paroles: Anthony Newley • Leslie Bricusse •
Livret: Anthony Newley • Leslie Bricusse •
Production à la création:

Le titre complet est en fait: "The Roar of the Greasepaint -- The Smell of the Crowd"

Resembling a music hall production more than a book musical, the allegorical plot examines the maintenance of the status quo between the upper and lower classes of British society in the 1960s. The two main characters are Sir and Cocky. Since Sir forever is changing the rules of the game of life, downtrodden young Cocky always gets the short end of the stick. Assisting Sir is his eager disciple Kid, anxious to pick up bits of wisdom while helping keep Cocky in his place.

With this project, Bricusse and Newley had hoped to match the success of their 1962 hit Stop the World - I Want to Get Off. The show toured the UK in anticipation of a London opening, but audience interest was minimal, and it never reached the West End. American theatre producer David Merrick saw it in Liverpool and, aware production costs could be kept low, decided to bring it to the States, starting with a lengthy national tour. An original cast recording was released by RCA Victor long before the show reached New York City, and Tony Bennett's version of "Who Can I Turn To?" proved to be a hit that kept the show in the public's awareness. The tour was so successful that most of Merrick's investment was paid back while the show was on the road. It was the 1964 UK production of the musical in which Elaine Paige made her first professional appearance on stage.

After seven previews, the Broadway production, directed by Newley and choreographed by Gillian Lynne, opened on May 16 at the Shubert Theatre, where it ran for 231 performances. The cast included Newley as Cocky, Cyril Ritchard as Sir, and newcomer Sally Smith as Kid, with Joyce Jillson in a supporting role. Conductor Herbert Grossman served as Music Director.

With this project, Bricusse and Newley had hoped to match the success of their 1962 hit Stop the World - I Want to Get Off. The show toured the UK in anticipation of a London opening, but audience interest was minimal, and it never reached the West End. American theatre producer David Merrick saw it in Liverpool and, aware production costs could be kept low, decided to bring it to the States, starting with a lengthy national tour. An original cast recording was released by RCA Victor long before the show reached New York City, and Tony Bennett's version of "Who Can I Turn To?" proved to be a hit that kept the show in the public's awareness. The tour was so successful that most of Merrick's investment was paid back while the show was on the road. It was the 1964 UK production of the musical in which Elaine Paige made her first professional appearance on stage.

After seven previews, the Broadway production, directed by Newley and choreographed by Gillian Lynne, opened on May 16 at the Shubert Theatre, where it ran for 231 performances. The cast included Newley as Cocky, Cyril Ritchard as Sir, and newcomer Sally Smith as Kid, with Joyce Jillson in a supporting role. Conductor Herbert Grossman served as Music Director.

Act I
The Beautiful Land
A Wonderful Day Like Today
It Isn't Enough
Things to Remember
Put It in the Book
With All Due Respect
This Dream
Where Would You Be Without Me?
Look at That Face
My First Love Song
The Joker
Who Can I Turn To?

Act II
A Funny Funeral
That's What It Is To Be Young
What a Man!
Feeling Good
Nothing Can Stop Me Now!
Things to Remember (Reprise)
My Way
Who Can I Turn To? (Reprise)
The Beautiful Land (Reprise)
Sweet Beginning

Aucun dossier informatif complémentaire concernant Roar of the Greasepaint (The)