Le monde des musicals

Oslo (2017-04-Vivian Beaumont Theatre-Lincoln Center-NY)

Type de série: Broadway Transfer
Théâtre: Lincoln Center for the Performing Arts (New-York - Etats-Unis)
Durée : 2 mois
Nombre :
Première Preview : jeudi 23 mars 2017
Première : jeudi 13 avril 2017
Dernière : dimanche 18 juin 2017
Mise en scène : Bartlett Sher •
Chorégraphie :
Producteur :
Avec : Jefferson Mays (Terje Rød-Larsen), Jennifer Ehle (Mona Juul), Michael Aronov (Uri Savir), Anthony Azizi (Ahmed Qurie), Adam Dannheisser (Yossi Beilin), Daniel Jenkins (Ron Pundak/Jan Egeland), Dariush Kashani (Hassan Asfour), Daniel Oreskes (Shimon Peres/Yair Hirshfeld), Henny Russell (Marianne Holst/Toril Grandal), Joseph Siravo (Joel Singer), T. Ryder Smith (Jonah Jorgen Holst/Finn Grandal)
Commentaires : One of 2016's best reviewed plays, J. T. Rogers' Oslo transfers to Broadway in 2017. This Vivian Beaumont Theater staging retains all of the Off-Broadway cast, including two-time Tony winner Jennifer Ehle (The King's Speech, The Coast of Utopia) and Tony winner Jefferson Mays (I Am My Own Wife, A Gentleman's Guide to Love & Murder). Tony winner Bartlett Sher, who oversaw the latest Broadway revivals of The King and I and Fiddler on the Roof, directs
Presse : "Even if you never thought about traveling to Norway, you’ll probably want to visit the inevitably titled “Oslo,” the absorbing drama by Mr. Rogers... At a very full three hours, with many international stops, this play is long and dense enough to make you wonder if you should have packed an overnight bag. Yet what Mr. Rogers and the director, Bartlett Sher, have created is a streamlined time machine, comfortably appointed enough to forestall jet lag." Ben Brantley for New York Times

"As America and the world hurtle toward greater polarization, the play provides a small measure of hope. It’s about recognition, too, of what Rød-Larsen and Juul were able to build: a quaint lighthouse in the fog of war." Adam Feldman for Time Out New York

"This is a play alive with tension, intrigue, humor, bristling intelligence and emotional peaks that are subdued yet intensely moving, which concludes unexpectedly on a poignant note of hope." David Rooney for Hollywood Reporter

"“Oslo,” a new drama by J.T. Rogers, is unequivocally fascinating. Would that some playwright would write as gripping a play about some contemporary political issue." Marilyn Stasio for Variety