Charlie Price is forced to step in and save his family's shoe factory in Northern England, following the sudden death of his father. Help comes from the unlikeliest angel, a fabulous drag performer named Lola. Together, this improbable duo not only revitalizes the nearly bankrupt business, but helps one another grow into the men their fathers always dreamed their sons would become and transforms an entire community through the power of acceptance.
Act I
Charlie Price grows up as the fourth-generation "son" in his family business, Price & Son, a shoe factory in Northampton. Another young boy, growing up in the Midlands, is as fascinated by shoes as Charlie is bored by them, but in this case it is a pair of red women's heels that have attracted his attention, aggravating his strict father. Years pass. Charlie's father is aging and hopes that Charlie will take over the factory, but Charlie is eager to move to London with his status-conscious fiancée, Nicola, and pursue a career in real estate ("The Most Beautiful Thing").
Charlie has barely made it into his new flat in London when his father dies suddenly. Charlie hurries home for the funeral, where he finds the factory near bankruptcy. The factory makes good quality men's shoes, but they are not stylish and not cheap, and the market for them is drying up. Charlie is determined to save the factory and his father's legacy, though he has no desire to run Price & Sons himself. The workers, many of whom have known Charlie his entire life, don't understand why Charlie had moved away in the first place, and many are hostile and skeptical of the new management.
Returning to London, Charlie meets his friend and fellow shoe salesman Harry in a pub to ask for help with the factory. Harry can only offer a temporary solution and advises Charlie not to fight the inevitable ("Take What You Got"). Leaving the pub, Charlie witnesses a woman being accosted by two drunks. He intervenes and is knocked unconscious. He comes to in a seedy nightclub, where the woman he attempted to rescue is revealed to have been the club's Drag Queen headliner, Lola, who performs with her backup troupe of drag dancers, the "angels" ("Land of Lola"). Recuperating from his ordeal in Lola's dressing room, an uncomfortable Charlie notices that the performers' high-heeled boots are not designed to hold a man's weight, but Lola explains that the expensive and unreliable footwear is an essential part of any drag act.
Charlie returns to the factory and begins reluctantly laying off his workers. Lauren, one of the women on the assembly line, explodes at Charlie when given her notice, and stubbornly tells him that other struggling shoe factories have survived by entering an "underserved niche market". This gives Charlie an idea ("Land of Lola" reprise), and he invites Lola to come to the factory to help him design a women's boot that can be comfortable for a man ("Charlie's Soliloquy"/"Step One").
Lola and the angels arrive at the factory, and she is immediately unsatisfied with Charlie's first design of the boot. Quickly getting the women of the factory on her side, she draws a quick design of a boot, explaining the most important factor is by far the sex appeal ("The Sex is in the Heel"). George, the factory manager, realizes a way to make her design practical, and an impressed Charlie begs Lola to stay until a prestigious footwear show in Milan in three weeks' time, to design a new line of "kinky boots" that could save the factory. Lola is reluctant, since she is already receiving crass comments from some of the factory workers, but is flattered by Charlie's praise and agrees.
Charlie announces that the factory will be moving ahead with production on the boots. He thanks Lauren for giving him the idea, and offers her a promotion. She accepts, and is horrified but thrilled to realize she is falling for him ("The History of Wrong Guys").
The next day, Lola shows up in men's clothes and is mocked by the foreman, Don, and his friends. An upset Lola takes refuge in the bathroom, and Charlie attempts to comfort her. Lola explains that her father trained her as a boxer, but disowned her when she showed up for a match in drag. The two discover their similarly complex feelings toward their fathers, and Lola introduces herself by her birth name: Simon ("Not My Father's Son").
Nicola arrives from London, and presents Charlie with a plan for the factory that her boss has drawn up: closing it and converting it into condominiums. Charlie refuses, but is shocked to discover that his father had agreed to this plan before he died, presumably because Charlie was not there to run it. He refuses to sell, and soon the workers are celebrating as the first pair of "kinky boots" is finished ("Everybody Say Yeah").
Act II
Many of the factory workers are not enthusiastic about the radical change in their product line. Some of them, especially the intimidating Don, make Lola feel very unwelcome. Lola taunts him back, enlisting the help of the female factory workers to prove that Lola is closer to a woman's ideal man than Don ("What a Woman Wants"). Lola presents Don with a unique wager to see who is the better "man": Lola will do any one thing that Don specifies if Don will do one thing that Lola specifies. Don's challenge is for Lola to fight him in a boxing match at the pub. Charlie, remembering Lola's background, is horrified. Lola easily scores against Don in the ring but ultimately lets Don win the match ("In This Corner"). Afterwards, in private, Don asks why she let him win, and Lola replies that she could not be so cruel as to humiliate Don in front of his mates. She gives him her part of the challenge: "accept someone for who they are."
Charlie is pouring his own money into the factory to ensure it will be ready in time for Milan, and he is getting frantic that the product is not right, angrily forcing his staff to redo what he considers to be shoddy work. Nicola arrives, fed up with Charlie's obsession over the factory, and breaks up with him. Lola has been making some decisions about production and preparations without consulting Charlie. When he discovers that she has decided to have her angels wear the boots on the runway rather than hiring professional models, an overwhelmed Charlie lashes out at her, humiliating her in front of the other workers. Lola storms out, and the factory workers go home. Alone, Charlie struggles with the weight of his father's legacy and what it means to be his own man ("Soul of a Man").
Lauren finds Charlie and tells him to come back to the factory. It is revealed that Don has persuaded all the workers to return to work and to sacrifice a week's pay to ensure the boots can be finished in time for Milan. Charlie is astonished and grateful, and asks if Don has paid up on his wager by accepting Lola. Lauren explains that the person that Don has accepted is Charlie himself.
As he heads to the airport for Milan, Charlie leaves a heartfelt apology on Lola's voicemail. Meanwhile, Lola performs her act at a nursing home in her home town. After she leaves the stage, she speaks to her now wheelchair-bound father, who is dying in the home, and reaches a sense of closure ("Hold Me in Your Heart").
Charlie and Lauren arrive in Milan, but without models Charlie is forced to walk the runway himself. Lauren is thrilled by his dedication ("The History of Wrong Guys (Reprise)") but the show threatens to be a disaster. Just as all seems lost, Lola and her angels arrive to save the day. Lauren and Charlie share their first kiss, and the whole company celebrates the success of the "Kinky Boots" ("Raise You Up/Just Be").
Try-out : Bank of America Theatre (Chicago): Octobre 2012
Following the show's conception in 2006, the creative team was assembled by 2010. The original production of Kinky Boots premiered at the Bank of America Theatre in Chicago in October 2012, with both direction and choreography by Jerry Mitchell, and starring Stark Sands and Billy Porter as Charlie and Lola, respectively. It made its Broadway debut at the Al Hirschfeld Theatre on April 4, 2013 following previews that began on March 3, 2013. The musical began its US tour in 2014.
Having been less well received by theatre critics and at the box office, initially, than another 2013 Broadway production, Matilda the Musical, Kinky Boots entered the 2013 awards season as an underdog. However, less than a month after opening, Kinky Boots surpassed this rival with audiences in weekly box office gross and later enjoyed a post-Tony boost in advance sales. The production earned a season-high 13 nominations and 6 Tony wins, including Best Musical and Best Score for Lauper in her first outing as a Broadway songwriter, making her the first woman to win alone in that category. The musical's cast album premiered at number one on the Billboard Cast Albums Chart and number fifty-one on the Billboard 200 chart.
Act I
"Price & Son Theme/The Most Beautiful Thing" – Mr. Price, Young Charlie, Young Simon/Lola, Nicola, Charlie & Company
"Take What You Got" – Harry, Charlie & Club Patrons
"Land of Lola" – Lola & Angels
"Land of Lola" (reprise)[27] – Lola & Angels‡
"Charlie's Soliloquy" – Charlie
"Step One" – Charlie
"Sex is in the Heel" – Lola, Pat, George, Angels, Lauren, Charlie & Factory Workers
"The History of Wrong Guys" – Lauren
"Not My Father's Son" – Lola & Charlie
"Everybody Say Yeah" – Charlie, Lola, Lauren, Angels & Factory Workers
Act II
"Price & Son Theme" (reprise) – Company‡
"What a Woman Wants" – Lola, Pat, Don, George & the Ladies of the Factory
"In This Corner" – Lola, Don, Pat, Trish, Angels & Factory Workers
"Charlie's Soliloquy" (reprise) – Charlie
"Soul of a Man" – Charlie
"The History of Wrong Guys" (reprise) – Lauren‡
"Hold Me in Your Heart" – Lola
"Raise You Up/Just Be" – Company
Aucun dossier informatif complémentaire concernant Kinky Boots
Aucun dossier informatif complémentaire concernant Kinky Boots
Version 1
Kinky Boots (2013-04-Al Hirschfeld Theatre-Bway)
Type de série: OriginalThéâtre: Al Hirschfeld Theatre (Broadway - Etats-Unis) Durée : 6 ans Nombre : Première Preview : 03 March 2013
Première: 04 April 2013
Dernière: 07 April 2019Mise en scène : Jerry Mitchell • Chorégraphie : Jerry Mitchell • Producteur : Star(s) : Avec: Stark Sands (Charlie Price), Billy Porter (Lola), Annaleigh Ashford (Lauren), Celina Carvajal (Nicola), Daniel Stewart Sherman (Don), Marcus Neville (George), Paul Canaan, Kevin Smith Kirkwood, Kyle Taylor Parker, Kyle Post, Charlie Sutton, Joey Taranto, Andy Kelso, Tory Ross, Jen Perry, Josh Caggiano, Aaron Bantum, Adinah Alexander, Eric Anderson, Eugene Barry-Hil, Stephen Berge, Caroline Bowman, Sandra DeNise, Eric Leviton, Ellyn Marie Marsh, John Jeffrey Martin, Nathan Peck, Robert Pendilla, Lucia Spina, Sebastian Hedges Thomas, Marquise Neal and Clifton OliverPresse : Les critiques sont trèd bonnes:
"It’s a shameless emotional button pusher." Ben Brantley for New York Times
"Even with some stumbles, 'Kinky Boots' is a high time." Joe Dziemianowicz for New York Daily News
"Likable but heavy-handed show." Elisabeth Vincentelli for New York Post
"The Feel-Good Musical of the Season." Erik Haagensen for Back Stage
"[For] a show that seems to make few false steps is so relentlessly tedious." Robert Feldberg for The Record
"Blissfully entertaining." Roma Torre for NY1
"Fair-to-middling musical entertainment. Michael Sommers for Newsroom Jersey
"A raucous crowdpleaser despite its obviousness." David Rooney for The Hollywood Reporter
"Never underestimate the power of a good-bad musical." Marilyn Stasion for Variety
Version 2
Kinky Boots (2015-08-Adelphi Theatre-London)
Type de série: Original LondonThéâtre: Adelphi Theatre (Londres - Angleterre) Durée : 3 ans 4 mois Nombre : Première Preview : 21 August 2015
Première: 15 September 2015
Dernière: 12 January 2019Mise en scène : Jerry Mitchell • Chorégraphie : Jerry Mitchell • Producteur : Star(s) : Avec: Killian Donnelly (Charlie) Matt Henry (Lola) , Amy Lennox (Lauren), Jamie Baughan (Don), Amy Ross (Nicola) and Michael Hobbs (George), Gemma Atkins, Paul Ayers, Jeremy Batt, Arun Blair-Mangat, Marcus Collins, Emma Crossley, Jordan Fox, Callum Francis, Robert Grose, Gillian Hardie, Chloe Hart, Sophie Isaacs, Luke Jackson, Robert Jones, Adam Lake, Catherine Millsom, Sean Needham, Tim Prottey-Jones, Verity Quade, Javier Santos, Dominic Tribuzio, Alan Vicary, Michael Vinsen and Bleu Woodward.Presse : "You could make a case against the musical as a piece of preachy uplift about sexual tolerance. But it won me over through the quality of the lead performances, the verve of its staging and its conviction, in its fetishistic worship of thigh-high boots, that there’s no business like shoe business."
Michael Billington for The Guardian
"It may at times look as colourful as a pride carnival parade, but you can hear the creak of the production-line...it might seem ungracious to give it a kicking. But a kicking I feel obliged to give it."
Dominic Cavendish for The Telegraph
"It's good fun but, in my view, a bit too formulaic to induce rapture. You can't deny, though, that it brings a dynamic new dimension to the idea of dragging your heels."
Paul Taylor for The Independent
"The score by Cyndi Lauper is middling US rock, by-the-yard fare. Harvey Fierstein’s script has a few jolly moments but as many cliches."
Quentin Letts for The Daily Mail
Version 3
Kinky Boots (2017-12-Operettenhaus-Hamburg)
Type de série: RevivalThéâtre: Operettenhaus (Hambourg - Allemagne) Durée : 10 mois Nombre : Première Preview : 29 November 2017
Première: 03 December 2017
Dernière: 30 September 2018Mise en scène : Chorégraphie : Producteur : Star(s) : Avec: Gino Emnes, Dominik Hees, Jeannine Michèle Wacker, Franziska Schuster, Benjamin Eberling, Tilman Madaus, Frank Logemann, Luther Simon, Steffi Irmen, Marlon Wehmeier, Kaatje Dierks, Sebastian Krolik, Fleur Alders, Denise Jastraunig
Trailer
Kinky Boots (2015-08-Adelphi Theatre-London)
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Trailer
Kinky Boots (2015-08-Adelphi Theatre-London)
Qualité: ***** Intérêt: *****
Langue: Anglais Durée:
Trailer
Kinky Boots (2015-08-Adelphi Theatre-London)
Qualité: ***** Intérêt: *****
Langue: Anglais Durée: