Le monde des musicals

0001 - Jailhouse Rock - Film (1957)

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Musique: Jeff Alexander •
Paroles:
Livret: Guy Trosper •
Production originale:
1 version mentionnée

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Dispo: Résumé  Génèse  

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Jailhouse Rock is a 1957 American musical drama film directed by Richard Thorpe and starring Elvis Presley, Judy Tyler, Mickey Shaughnessy, Vaughn Taylor, and Jennifer Holden.

Genèse: Production Jailhouse Rock was Presley's third film and his first for MGM. It was filmed at MGM Studios (now Sony Pictures Studios) in Culver City, California. Filmed in black-and-white, the film was the first production that MGM filmed with the recently developed 35 mm anamorphic lens by Panavision. The film was originally titled The Hard Way, which was changed to Jailhouse Kid before MGM finally settled on Jailhouse Rock. It was not listed with the studio's planned releases for the year, which it published in Variety magazine, because it was based on an original story by Nedrick Young, a blacklisted writer. In addition, the studio traditionally did not produce any original scripts that were not adaptations of already-successful works such as books or theater plays. During the production of the movie, Pandro Berman's attention was centered on another of his productions, the 1958 film The Brothers Karamazov. He let the head of the studio, Benny Thau, and Abe Lastfogel, president of the William Morris Agency, decide the cast. Richard Thorpe, who had the reputation of quickly finishing his projects, was chosen to direct the film. The first scene to be filmed was the title dance sequence to the song "Jailhouse Rock". Alex Romero, who created moves inspired by Fred Astaire and Gene Kelly, who incidentally was present at the wings when the first dress rehearsals for the scene were executed, tried his best to choreograph the sequence. Presley was not convinced by Romero's initial choreography, so on the next day Romero played some music and asked Presley to dance, using his own moves to choreograph the final sequence. Impressed with the dance sequence, Kelly himself applauded the final product. It has been since confirmed by Russ Tamblyn that on the night prior to the shooting of the scene, he visited Presley at his penthouse suite at the Beverly Wilshire Hotel in Beverly Hills. Although they had never met before, the one week older Tamblyn and Presley got along fine, immediately, then practiced a few moves and by the next morning, Presley had the complicated scene totally within his grasp, resulting in the scene often been cited as his greatest musical moment on screen. Shooting of the film began on May 13, 1957, with the newly created choreography. Presley's characteristic hairstyle and sideburns were covered with a wig and makeup for the scenes in musical number and those set in the jail. During the performance, one of Presley's dental caps fell out and became lodged in his lung. He was taken to the Cedars of Lebanon Hospital, where he spent the night after the cap was removed. Shooting was resumed the next day. Throughout the film, Presley mimed the songs, which had been previously recorded in the studio and were added to the finished scenes. Thorpe, who usually filmed scenes in a single take, finished the rest of the movie by June 17, 1957. Jailhouse Rock was Judy Tyler's last film; two weeks after shooting was completed, she died in an automobile accident that also killed her husband. Presley, moved by the death of his co-star, did not attend the film premiere. Box office The film peaked at number 3 on the Variety box office chart, and reached number 14 for the year at the box office. According to MGM records, the film earned $3.2 million in the US and Canada and $1,075,000 elsewhere during its initial theatrical run, resulting in a profit of $1,051,000. In 1957, Presley was ranked the fourth leading box office commodity in the film industry. According to Variety, by 1969, Jailhouse Rock's gross income in the United States and Canada was comparable to that of The Wizard of Oz (1939).

Résumé: Construction worker Vince Everett (Elvis Presley) accidentally kills a drunken, belligerent man in a barroom brawl and is sentenced to 10–14 months, not less than 1 year in the state penitentiary for manslaughter. In the movie, he served 14 months. His cellmate, washed-up country singer Hunk Houghton (Shaughnessy) who was jailed for bank robbery, starts teaching Vince a few extra chords on the six-string acoustic guitar after hearing Vince sing and strum Hunk's guitar. Hunk then convinces Vince to participate in an upcoming inmate show, which is broadcast on nationwide television. Vince receives numerous fan letters as a result; but, out of apparent jealousy, Hunk ensures they are not delivered to Vince. Hunk then convinces Vince to sign a "contract" to become equal partners in his act once both of them are out of jail. Meanwhile, during an inmate riot in the mess hall, a guard shoves Vince, who retaliates by striking the guard. As a result, the warden orders Vince to be lashed with a whip. Afterwards, it was discovered that Hunk attempted to bribe the guards to drop the punishment but had insufficient currency. Within a few months, Vince officially becomes a star. However, Peggy is no longer on speaking terms with Vince, as his success has made him arrogant. Vince then signs a movie deal with Climax Studios. The studio head asks him to spend the day with Sherry Wilson (Jennifer Holden), the studio's new leading lady, for publicity purposes. The conceited actress is less than thrilled with her co-star at first; but she eventually falls in love with Vince after shooting a kissing scene, saying that she's "come all unglued" (indicating that she's no longer "stuck up"). Upon Vince's release 14 months later, the warden gives Vince his fan mail, kept from Vince. Hunk then promises Vince a singing job at a nightclub owned by a friend, where Vince meets Peggy Van Alden (Tyler), a promoter for pop singer Mickey Alba. Vince is surprised when the club owner denies him a job as a singer but offers him a job as a bar boy. Undeterred, Vince takes the stage when the house band takes a break and starts singing "Young and Beautiful." But one of the customers laughs obnoxiously throughout the performance, enraging Vince, who smashes his guitar on the customer's table and leaves the club. Peggy follows Vince and persuades him to record a demo so that he can listen to himself sing. Vince records "Don't Leave Me Now" which Peggy takes to Geneva Records. The manager seems unimpressed, but he reluctantly agrees to play the tape for his boss in New York. The next day, Peggy informs Vince that the song has been sold. She then takes him to a party at her parents' home, but Vince leaves after he offends a guest he mistakenly believes is belittling him. (The guests were talking about progressive jazz.) Angry and offended, Peggy confronts Vince, who kisses her brutally. Peggy resentfully calls the gesture "cheap tactics," to which Vince replies, "Them ain't tactics, honey; it's just the beast in me." Later, Vince and Peggy visit a local record store to check out Vince's new single, but they are shocked to discover that the Geneva Records manager gave the song to Mickey Alba, who recorded and released the song himself, thereby stealing Vince's song. Outraged, Vince storms into the label's office and confronts the manager, violently slapping him around. To avoid making the same mistake twice, Vince suggests that he and Peggy should form their own label. They do, naming the new label Laurel Records and hiring an attorney, Mr. Shores (Vaughn Taylor), to oversee their business. Vince then records "Treat Me Nice" and begins pitching it, but it is universally rejected. Peggy convinces her friend, disc jockey Teddy Talbot (Dean Jones), to air the song. He does, and it becomes an immediate hit. Later that evening, Vince asks Peggy out to celebrate the success of his new single, but is disappointed when he learns that she has accepted a dinner date for that evening with Teddy. Meanwhile, Vince makes arrangements for another television show. During a party, Hunk visits him after being paroled and persuades Vince to give him a spot on the upcoming show. Prior to taping, Vince rehearses "Jailhouse Rock" in a stylized cell block (a performance Elvis himself choreographed). Hunk's number is cut because of his outdated music style. Afterwards, Vince informs Hunk that according to his lawyer, the above-mentioned "contract" they signed in prison was worthless. However, as a consolation, and never forgetting that Hunk tried to intercede on his behalf when he was punished for striking the prison guard, Vince offers Hunk a job with his entourage for a fee equal to ten percent of Vince's annual gross, which Hunk accepts. Meanwhile, Hunk grows tired of Vince's self-centered attitude. When Peggy shows up unexpectedly at another of Vince's parties, Vince is happy to see her at first but becomes upset when she says the purpose of her visit is to talk about business. Mr. Shores then approaches Vince with an offer from Geneva Records to purchase Laurel Records and sign him to a rich contract. Peggy refuses to sell, but Vince announces that he will close the deal since he owns a controlling interest, which deeply devastates Peggy. Enraged by Vince's attitude—and his treatment of Peggy—Hunk provokes Vince to fight, who refuses to fight back. Hunk delivers several hard blows with the last one striking Vince in the throat, endangering his voice and therefore his singing ability. Vince is then rushed to a hospital, where he forgives Hunk and realizes he loves Peggy and she loves him. After being released from the hospital, Vince's doctor informs him that his vocal cords are fully recovered, but Vince is worried that his voice might have been affected. To test it, he sings "Young and Beautiful" to Peggy, which reassures him that his fears are unfounded.

Création: 8/11/1957 - *** Film (***) - représ.