Musical
Revival

3) Seven Brides for Seven Brothers (Revival)

Joué durant  1 mois 2 semaines

Première preview: 26 November 1999
Première: 01 December 1999
Dernière: 15 January 2000

Compositeur: Al Kasha • Gene de Paul • Joel Hirschhorn •  
Parolier: Al Kasha • Joel Hirschhorn • Johnny Mercer •  
Libettiste: David Landay • Lawrence Kasha •  

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Metteur en scène: Phil Willmott •  
Chorégraphe: Jack Gunn •  

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Avec: Kieran Creggan (Adam), Fiona Benjamin (Milly), James Bowden, Andrew Lawden, Samuel James, Matthew Dennison, Daniel Redmond, Julian Essex-Spurrier, Kate Burrell, Laura Conway, Lorraine Graham, Joanne Kirkland, Laura Roxburgh, Rachel Matthews. 

Commentaire: Phil Willmott’s annual Christmas musical at the pocket-handkerchief sized BAC stage was established as a source of exuberant, low-cost, high-entertainment theatre - and, once again - his production received excellent notices.  (plus) 

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Musical
Revival

2) King and I (The) (Revival)

Joué durant  1 mois 1 semaine

Première preview: 03 December 1998
Première: 03 December 1998
Dernière: 09 January 1999

Compositeur: Richard Rodgers •  
Parolier: Oscar Hammerstein II •  
Libettiste: Oscar Hammerstein II •  

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Metteur en scène: Phil Willmott •  
Chorégraphe: Jack Gunn •  

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Avec: Lindsey Danvers (Anna), Alan Mosley (King), Jacqui-Lee Pryce (Lady Thiang), Lara Parmiani (Tuptim), Learie Foster (Lun Tha), Phil Willmott (Sir Edward) 

Commentaire: Following the previous year’s success in fitting “Sound of Music” into the Battersea Arts Centre’s main house - which is more a gymnasium than an auditorium - this was again judged to be a great success.  (plus) 

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Musical
Revival

1) Sound of Music (The) (Revival)

Joué durant  1 mois 1 semaine

Première preview: 29 November 1997
Première: 04 December 1997
Dernière: 10 January 1998

Compositeur: Richard Rodgers •  
Parolier: Oscar Hammerstein II •  
Libettiste: Howard Lindsay • Russel Crouse •  

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Metteur en scène: Phil Willmott •  
Chorégraphe: Jack Gunn •  

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Avec: Penny-Belle Fowler (Maria), Tim Berrington (Captain von Trapp), Roz McCutcheon (Mother Abbess), Charlotte Bicknell (Elsa), Phil Willmott (Max Detweiler), Katey Crawford Kastin (Liesl), Mark Powell (Rolf). 

Commentaire: This was a cut-down production, accompanied by just two pianos, but with a cast of 40. It was extremely well received by the critics and public, and acclaimed as a triumphant example of how a fringe, shoe-string production could work just as well as the grandest of stagings.  (plus) 

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