Tel:   0800 944 44
 graphic logo  


L'événement culturel de l'été à Bruxelles!    

Retour à la page précédente



Théâtre ()


Musique:
Paroles:
Livret: William Shakespeare

Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Olivier Theatre
Durée : 2 mois 3 semaines
Nombre : 52 représentations
Première Preview : vendredi 11 mai 2001
Première : mercredi 23 mai 2001
Dernière : jeudi 16 août 2001
Mise en scène : Nicholas Hytner
Chorégraphie :
Avec : Alex Jennings, Claire Skinner, Richard Addison, Geoffrey Beevers, Melanie Clark Pullen, Elaine Claxton, Phil Daniels, Joe Dixon, Branwell Donaghey, Alex Dower, Peter Eastland, Steven Elliot, Deborah Findlay, John Normington, Nicholas Prideaux, Stephen Rashbrook, Ann-Marie Roberts, Daniel Roberts, Iain Robertson, Nick Sampson, Jennifer Scott-Malden, Katy Secombe, Florence Sparham, Julian Wadham, Katie Wimpenny, Brigid Zengeni.
Presse : JANE EDWARDES for TIME OUT says,"Hytner has proved, once again, that he knows how to tame the National's arena stage." CHARLES SPENCER for THE DAILY TELEGRAPH says, "There are a few good moments in this production at the National's Olivier, but many more that are either mediocre or downright disgraceful. It is a shock to discover that Hytner - a director I have always admired - is capable of such crass vulgarity."BENEDICT NIGHTINGALE for THE TIMES says, "A decidedly uneven affair: fine Leontes, strangely underpowered Hermione, and modern dress that adds a bit but, in one major instance, subtracts lots." MICHAEL BILLINGTON says, "By opting for modern dress, Hytner...anchors Leontes's jealousy in a plausible world of tortured politesse, and provides a perfect setting for a major performance from Alex Jennings as Leontes." PAUL TAYLOR for THE INDEPENDENT says,Hytner's production is at its best when giving us a sharp, fresh sense of the ethos that helps explain Leontes' sudden descent into madness." BEN DOWELL for THE STAGE says, "Modern take is full of wonder." NICHOLAS DE JONGH for THE EVENING STANDARD says, "Even though Hytner's modernising touches are shrewd, his production disappoints."


Top