Tel: 0800 944 44

Type de série: Original London
Théâtre: Bridewell Theatre (Londres - Angleterre) Durée : 3 semaines Nombre : 20 représentationsPremière Preview : jeudi 28 août 1997Première : jeudi 28 août 1997Dernière : samedi 20 septembre 1997Mise en scène : Steven Dexter • Chorégraphie : Mitch Sebastian • Avec : Paul Baker (Harry Witherspoon), Frances Ruffelle (Annabel Glick), Tracie Bennett (Rita La Porta), Philip Cox ( Vinnie Di Ruzzio),
Alix Longman (Dominique), Nigel Williams, Bernard Tagliavini, Catherine Dyer, Paul Williams, James Nash (Tony Hendon)Commentaires : Lucky Stiff premiered off-Broadway at Playwrights Horizon on April 1988 for a limited two week run. It subsequently was revived at various USA venues and received a British premiere in Lincoln in 1994. This West End production went down well with critics and audiences, and was felt to be one the rare occasions when a musical farce succeeded. (It is usually claimed that a farce needs non-stop pace and action, whereas songs in a show tend to slow down the action, making farces and musicals basically incompatible.)
Théâtre: Bridewell Theatre (Londres - Angleterre) Durée : 3 semaines Nombre : 20 représentationsPremière Preview : jeudi 28 août 1997Première : jeudi 28 août 1997Dernière : samedi 20 septembre 1997Mise en scène : Steven Dexter • Chorégraphie : Mitch Sebastian • Avec : Paul Baker (Harry Witherspoon), Frances Ruffelle (Annabel Glick), Tracie Bennett (Rita La Porta), Philip Cox ( Vinnie Di Ruzzio),
Alix Longman (Dominique), Nigel Williams, Bernard Tagliavini, Catherine Dyer, Paul Williams, James Nash (Tony Hendon)Commentaires : Lucky Stiff premiered off-Broadway at Playwrights Horizon on April 1988 for a limited two week run. It subsequently was revived at various USA venues and received a British premiere in Lincoln in 1994. This West End production went down well with critics and audiences, and was felt to be one the rare occasions when a musical farce succeeded. (It is usually claimed that a farce needs non-stop pace and action, whereas songs in a show tend to slow down the action, making farces and musicals basically incompatible.)