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Musique:

Type de série: Original London
Théâtre: Lyric Theatre (Londres - Angleterre) Durée : 7 mois Nombre : 240 représentationsPremière Preview : mardi 17 septembre 1985Première : mardi 17 septembre 1985Dernière : samedi 19 avril 1986Mise en scène : John Dexter • Chorégraphie : Leo Andrew • Avec : Jean-Pierre Aumont (Honoré Lachailles), Geoffrey Burridge (Gaston Lachailles), Carrie Ellis (Liane d'Exelmans), Beryl Reid (Inez Alvarez (Mamita)), Amanda Waring (Gigi), Siân Phillips (Aunt Alicia), Rex Robinson (Charles/Head Waiter), David De Van (Maitre Duclos/Hotel Manager), John Aron (Manuel/Maitre Du Fresne/Telephone) Installer), Alexandra Denman (Lucille (Gigi's) Mother)Commentaires : Lerner & Loewe’s 1958 MGM film, “Gigi” was based on the novel by Colette and collected 9 Academy Awards. They were encouraged to create a stage version, though this did not happen until 1973 when the Broadway production with Alfred Drake, Agnes Moorhead and Daniel Massey turned out to be a flop, running just three months. It took another 12 years before the show came to London, this time scaled down, using actors capable of creating a “boulevard” style rather than singers, and re-written in a simpler, less extravagant style. The production ran seven months
Théâtre: Lyric Theatre (Londres - Angleterre) Durée : 7 mois Nombre : 240 représentationsPremière Preview : mardi 17 septembre 1985Première : mardi 17 septembre 1985Dernière : samedi 19 avril 1986Mise en scène : John Dexter • Chorégraphie : Leo Andrew • Avec : Jean-Pierre Aumont (Honoré Lachailles), Geoffrey Burridge (Gaston Lachailles), Carrie Ellis (Liane d'Exelmans), Beryl Reid (Inez Alvarez (Mamita)), Amanda Waring (Gigi), Siân Phillips (Aunt Alicia), Rex Robinson (Charles/Head Waiter), David De Van (Maitre Duclos/Hotel Manager), John Aron (Manuel/Maitre Du Fresne/Telephone) Installer), Alexandra Denman (Lucille (Gigi's) Mother)Commentaires : Lerner & Loewe’s 1958 MGM film, “Gigi” was based on the novel by Colette and collected 9 Academy Awards. They were encouraged to create a stage version, though this did not happen until 1973 when the Broadway production with Alfred Drake, Agnes Moorhead and Daniel Massey turned out to be a flop, running just three months. It took another 12 years before the show came to London, this time scaled down, using actors capable of creating a “boulevard” style rather than singers, and re-written in a simpler, less extravagant style. The production ran seven months