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Type de série: Revival
Théâtre: Old Vic (Londres - Angleterre) Durée : 2 mois 1 semaine Nombre : Première Preview : vendredi 03 septembre 2010Première : mercredi 15 septembre 2010Dernière : samedi 27 novembre 2010Mise en scène : Anthony Page • Chorégraphie : Avec : Tom Burke (Otto), Lisa Dillon (Gilda), Andrew Scott, Nancy Crane, Matthew Gammie, John Hollingworth, Maggie McCarthy, Maya Wasowicz, Angus WrightPresse : "Last time Noel Coward's 1932 comedy was given a major revival, at the Donmar in 1994, it was presented as a raunchy, unashamed hymn to bisexuality and the delights of a menage a trois. But Anthony Page's infinitely subtler, and funnier, revival reminds us that Coward's cosmopolitan hedonism was always matched by an inbuilt puritanism, and that the play offers a genuine contest between the bohemian talentocracy and moral orthodoxy.." Michael Billington for The Guardian
"A long and largely unrewarding slog." Charles Spencer for The Daily Telegraph
"The first act is chewy and the second is interminable. The end is definitely worth seeing." Quentin Letts for The Daily Mail
"Slick and stylish production ." Julie Carpenter for The Daily Express
"Although the production could do with some neat cuts, it is full of intriguing subtleties and symmetries, cleverly accentuated. And the stellar acting makes Coward’s comic lines seem piercingly precise." Henry Hitchings for The Evening Standard
Théâtre: Old Vic (Londres - Angleterre) Durée : 2 mois 1 semaine Nombre : Première Preview : vendredi 03 septembre 2010Première : mercredi 15 septembre 2010Dernière : samedi 27 novembre 2010Mise en scène : Anthony Page • Chorégraphie : Avec : Tom Burke (Otto), Lisa Dillon (Gilda), Andrew Scott, Nancy Crane, Matthew Gammie, John Hollingworth, Maggie McCarthy, Maya Wasowicz, Angus WrightPresse : "Last time Noel Coward's 1932 comedy was given a major revival, at the Donmar in 1994, it was presented as a raunchy, unashamed hymn to bisexuality and the delights of a menage a trois. But Anthony Page's infinitely subtler, and funnier, revival reminds us that Coward's cosmopolitan hedonism was always matched by an inbuilt puritanism, and that the play offers a genuine contest between the bohemian talentocracy and moral orthodoxy.." Michael Billington for The Guardian
"A long and largely unrewarding slog." Charles Spencer for The Daily Telegraph
"The first act is chewy and the second is interminable. The end is definitely worth seeing." Quentin Letts for The Daily Mail
"Slick and stylish production ." Julie Carpenter for The Daily Express
"Although the production could do with some neat cuts, it is full of intriguing subtleties and symmetries, cleverly accentuated. And the stellar acting makes Coward’s comic lines seem piercingly precise." Henry Hitchings for The Evening Standard