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Théâtre ()


De Tennessee Williams


Résumé: Blanche DuBois, a faded and fragile Southern belle, arrives to visit her younger sister Stella, now living in a seedy district of New Orleans. Blanche is near the end of a downhill path in her life, but she comes repeatedly into confrontation with Stella's sexually aggressive husband, Stanley Kowalski, whose coarseness both offends and attracts her educated sensitivity. As jazz from the local bars blares through the night, tensions rise to an inevitable breaking point.


Type de série: Revival
Théâtre: National Theatre (Londres - Angleterre)
Salle : Lyttelton Theatre
Durée : 1 mois 2 semaines
Nombre : 64 représentations
Première Preview : samedi 28 septembre 2002
Première : mardi 08 octobre 2002
Dernière : samedi 23 novembre 2002
Mise en scène : Trevor Nunn
Chorégraphie :
Avec : Glenn Close (Blanche DuBois ), Iain Glen (Stanley Kowalski), Essie Davis, Sam Douglas, George Eggay, Valerie Farr, Jonathan Forbes, Joanna Hole, William Hoyland, Sue Kelvin, Wendy Morgan, Gary Oliver, Robert Pastorelli, Jack Pierce, Katherine Reilly, Andrew Westfield, Miquel Brown, Billie Baker
Presse : PAUL TAYLOR for THE INDEPENDENT says, "Blanche is too tough and Kowalski too sensitive in this miscast 'Streetcar' " and goes on to say, "This Streetcar offers a less than enthralling three-hour ride." MICHAEL BILLINGTON for THE GUARDIAN says, "The greatness of Glenn Close's performance in Trevor Nunn's fine revival." SHERIDAN MORLEY for TELETEXT says, "[Glenn Close] Casting mistake....Misbegotten production." NICHOLAS DE JONGH for THE EVENING STANDARD says, "Glenn Close proves a weird if compelling choice for Blanche debois." He goes on to say, " Trevor Nunn's rather Operatic production is surprisingly off-key with its vitality." CHARLES SPENCER for THE DAILY TELEGRAPH says, "A less than desirable Streetcar....It's a poor production" BENEDICT NIGHTINGALE for THE TIMES says, "Glenn Close... a performance that was incisive yet passionate, intelligent yet deeply moving." JACKIE FINLAY for BBC ONLINE says, "Nunn's production, and Close's performance...make a powerful impression." "JOHN PETER for THE SUNDAY TIMES says, "With a thrilling central performance from Glenn Close, the NT's production..is nothing short of irresistible."


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