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Coliseum Theatre
Londres
Angleterre

Construction: 1904
Topologie du théâtre
Nombre de salles actives: 1
Salle 1: (2358)    1904 - Actif
Accès
En métro: Leicester Square
En bus: 3, 6, 9, 12, 13, 14, 15, 19, 22, 23, 24, 29, 38, 88, 91, 94, 139, 159, 176, 453
Adresse: St. Martin's Lane, London, WC2
Evolution
Bâtiment: The London Coliseum (also known as the Coliseum Theatre) is a theatre on St. Martin's Lane, central London. It is one of London's largest and best-equipped theatres and opened in 1904, designed by theatrical architect Frank Matcham (designer of the London Palladium), for impresario Oswald Stoll. Their ambition was to build the largest and finest music hall, describe as the 'People's palace of entertainment' of its age. It is currently the home of the English National Opera
Nom: London Coliseum
Propriétaire(s):


Remarquable:
Matcham’s little-altered masterpiece, a superb variety theatre in the heart of the West End, incorporating every convenience for the comfort of a new breed of theatre-goer.
thm-img

(2358)    1904 - Actif

The year was 1902, and the new-found opulence and bravado that came to typify Edwardian London were in full flow. King Edward VII exemplified the art of pleasure-seeking, particularly during the social ‘Season’, lasting from Easter to August, when both English and visiting American society had to be seen ‘in Town’. For lesser mortals the corner pub provided solace among the endless rows of Victorian terraced houses filling out a rapidly expanding suburbia. In both city and suburbs there was ‘new money’ to be found, and elaborate variety theatres were more than ready to charm that money from willing pockets.
This was the background against which a new job came into the Holborn offices of Frank Matcham and Co.: the commission to interpret the ultimate vision of young entrepreneur Oswald (later Sir Oswald) Stoll, who in 1899 had created, with Edward Moss, 15 years his senior, the theatrical operator Moss Empires Ltd. What Stoll wanted was a grand new family-oriented variety theatre, the Theatre de Luxe’ of London, to be built at the foot of St Martin’s Lane, close to Trafalgar Square and the National Gallery. Matcham would certainly have been familiar with the area, having recently added the London Hippodrome (for Moss Empires), nearby in Charing Cross Road, to his tally of over 60 theatres designed and built during the previous 25 years. In the 18th century St Martin's Lane was best known for drinking and fighting, but by 1900 the rather jaded brick-fronted residential buildings on the theatre site, immediately north of the long, narrow Brydges Place (formerly Taylor's Buildings), were free from sin and ripe for redevelopment.
From the site the land falls steadily away to Trafalgar Square with its dominant Nelson’s Column, fountains and pigeons, overlooked by the church of St Martin-in-the-Flelds, James Gibbs's masterpiece of 1722; Matcham would have known that something very special was required of him among such illustrious neighbours. It would be of absolutely no use to create a building that conformed to the rhythm and scale of the existing low-rise architecture; on the other hand, a gargantuan block would be equally inappropriate. Matcham solved the problem brilliantly, dividing the terracotta-faced (now painted) frontage by the deft use of
a triple-arcaded ground storey, restricting its visual height to that of the existing adjacent buildings. His pièce de résistance was the introduction of an exuberant tower above the main entrance, at the southern end of the elevation, topped by a revolving illuminated globe bearing the word ‘coliseum’.
The free baroque asymmetrical façade Is cleverly balanced by a pavilion tower at its northern end, In a relaxed yet controlled design from a man at the peak of his career. The linking body of the theatre Is capped by a continuous balustrade behind which was a refreshment room within a glazed Iron framework, a unique feature In a London theatre; It was removed In 1951. At the end of the 20th century all that remained of this elegant structure were graceful imprints on the tower walls. Entry is via a small, glazed semicircular canopy into an ornate vestibule with banded marble walls under an elaborate Byzantine mosaic dome, signed Diesperser. Oddly, this Byzantine theme Is quickly
abandoned, and the spacious main foyer is comparatively delicate, relying for its welcoming qualities on cream and gold Adamesque ornament. The barrel-vaulted box office was originally a ladies’ powder room.
Stoll's concept at the Coliseum was innovative in every sense, from the lifts provided for the convenience of the audiences to the royal lounge designed to move silently on tracks from the street to the royal box, where it would double as a retiring room. Presumably this did not work well, as it was almost Immediately abandoned in favour of a small retiring room adjacent to the main foyer, redecorated for King George V (from which redecoration an amazing panelled WC and washbasin enclosure survives today), and a second, larger room behind the present royal box. Rising from the main foyer to the simple ‘classical’ dress-circle foyer Is a superb grand staircase of stubby marble balusters and a heavy handrail. Long gone, however, are the, tearooms at all levels, the baronial smoking hall and the state-of-the-art information bureau, a startllngly new Idea in 1902.
The white, cream and gold auditorium, designed to seat over 3,000, is a wonderful three-tier space, richly ornamented in eclectic classical detail. Pairs of bow-fronted boxes under domed canopies adjoin niches originally designed to accommodate an auditorium choir, but now converted to boxes. Over the whole stretches a fine domed celling. Matcham was no stranger to modern engineering practices, and the cantilevered balconies make use of the finest early 20th-century technology.
Behind the proscenium arch, the Coliseum is quite massive in scale. It was originally fitted out with a triple revolve incorporating an outer table 75 feet in diameter, all of which was removed in 1977. Seventy- one counterweight sets were provided, along with 10 sets of two-ton counterweights intended to raise heavy props. In the 1970s a cyclorama track was in situ on the rear wall, but this was seen In pieces, lying on the stage of the disused Alexandra Palace Theatre in north London - where it was almost certainly removed In a compromise effort to preserve it, there being In the late 1990s a sadly unfulfilled move to create a Museum of Theatre Technology.
Ellen Terry, Sarah Bernhardt and Dlaghilev all appeared at the Coliseum in its early 20th-century glory days. Later, for seven years from 1961, it was used as a cinema before becoming home to the Sadler's Wells Opera Company, now the English National Opera. Long may It continue to be so.
Lack of finance over decades saw the theatre in what seemed to be an unstoppable decline. But with a life-saving Heritage Lottery Fund contribution, and the artistry of Nick Thompson of RHWL Architects, the beauty of Matcham’s glorious design was again revealed, both internally and externally, on 21 February 2004, to open with The Rhinegold.

The London Coliseum (also known as the Coliseum Theatre) is a theatre on St. Martin's Lane, central London. It is one of London's largest and best-equipped theatres and opened in 1904, designed by theatrical architect Frank Matcham (designer of the London Palladium), for impresario Oswald Stoll. Their ambition was to build the largest and finest music hall, describe as the 'People's palace of entertainment' of its age. It is currently the home of the English National Opera

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Infos complémentaires:

London Coliseum

Matcham’s little-altered masterpiece, a superb variety theatre in the heart of the West End, incorporating every convenience for the comfort of a new breed of theatre-goer.

Hairspray
[23 avril 20 - 29 août 20]

Musical
Revival

1) Hairspray (Revival)

Joué durant  4 mois 1 semaine

Première preview: jeu. 23 avril 2020
Première: jeu. 23 avril 2020
Dernière: sam. 29 août 2020

Metteur en scène: Jack O'Brien •  
Chorégraphe: Jerry Mitchell •  
Avec: Michael Ball, Marisha Wallace, Lizzie Bea 

Commentaire:   

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Musical
Concert

26) Pirate Queen (The) (Concert)

Joué durant  

Nb de représentations: 1 représentations
Première preview: dim. 23 février 2020
Première: dim. 23 février 2020
Dernière: dim. 23 février 2020

Metteur en scène:  
Chorégraphe:  
Avec: Rachel Tucker (Grace O'Malley), Jai McDowall (Tiernan), Matt Pagan (Donal) 

Commentaire: A charity concert production with proceeds to Leukaemia UK.  (plus) 

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Musical
Revival

25) Mikado (The) (Revival)

Joué durant  1 mois

Nb de représentations: 9 représentations
Première preview: lun. 28 octobre 2019
Première: lun. 28 octobre 2019
Dernière: sam. 30 novembre 2019

Metteur en scène: Jonathan Miller •  
Chorégraphe:  
Avec: John Tomlinson, Elgan Llŷr Thomas, Richard Suart, Andrew Shore, Ben McAteer, Soraya Mafi, Sioned Gwen Davies and Yvonne Howard. 

Commentaire: Une production de l'ENO  (plus) 

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Musical
Revival

24) On Your Feet! (Revival)

Joué durant  2 mois 2 semaines

Première preview: ven. 14 juin 2019
Première: ven. 14 juin 2019
Dernière: sam. 31 août 2019

Metteur en scène: Jerry Mitchell •  
Chorégraphe: Sergio Trujillo •  
Avec:  

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Musical
Revival

23) Notre-Dame de Paris (Revival)

Joué durant  

Nb de représentations: 7 représentations
Première preview: mer. 23 janvier 2019
Première: mer. 23 janvier 2019
Dernière: dim. 27 janvier 2019

Metteur en scène: Gilles Maheu •  
Chorégraphe: Martino Muller •  
Avec: Angelo Del Vecchio (Quasimodo), Hiba Tawaji (Esmeralda), Daniel Lavoie (Frollo), Richard Charest (Gringoire), Alyzee Lalande, Idesse (both Fleur-de-Lys), Martin Giroux (Phoebus), Jay (Clopin). 

Commentaire: The original French production will be performed in London with English surtitles  (plus) 

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Musical
Revival

22) Porgy and Bess (Revival)

Joué durant  1 mois 1 semaine

Première preview: jeu. 11 octobre 2018
Première: jeu. 11 octobre 2018
Dernière: sam. 17 novembre 2018

Metteur en scène: James Robinson •  
Chorégraphe: Dianne McIntyre •  
Avec: Eric Greene (Porgy), Nicole Cabell (Bess), Nmon Ford (Crown), Latonia Moore (Serena), Gweneth-Ann Rand (Serena) - Oct 27/31/Nov 10), Nadine Benjamin (Clara), Tichina Vaughn (Maria), Donovan Singletary (Jake), Frederick Ballentine (Sporting Life), Rheinaldt Tshepo Moagi (Mingo), Chaz'men Williams-Ali (Robbins/Crab Man), Byron Jackson (Frazier), Sarah-Jane Lewis (Annie), Nozuko Teto (Strawberry Woman), Njabulo Madlala (Jim), Whitaker Mills (Undertaker), Thando Mjandana (Nelson). 

Commentaire: More than 80 years after its premiere, Porgy and Bess receives its first ENO staging. Written for a large cast, with a 40-voice chorus specially formed for this production, and full orchestra, Porgy and Bess is infused with unforgettable melodies, including the much-loved ‘Summertime’. This is a stage work that is emotionally charged, powerful and moving, delivered through jazz, ragtime, blues and spirituals.  (plus) 

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Musical
Revival

21) Chess (Revival)

Joué durant  1 mois

Première preview: jeu. 26 avril 2018
Première: mar. 01 mai 2018
Dernière: sam. 02 juin 2018

Metteur en scène: Laurence Connor •  
Chorégraphe: Stephen Mear •  
Avec:  

Commentaire: Landmark musical in first major West End revival in over 30 years.  (plus) 

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Musical
Revival

20) Iolanthe (Revival)

Joué durant  1 mois 3 semaines

Première preview: mar. 13 février 2018
Première: mar. 13 février 2018
Dernière: sam. 07 avril 2018

Metteur en scène: Cal McCrystal •  
Chorégraphe:  
Avec: Samantha Price, Ellie Laugharne, Yvonne Howard, Marcus Farnsworth 

Commentaire: Cal McCrystal (One Man, Two Guvnors) directs a production that embraces the chaotic physical comedy and irreverence that are his hallmarks. Outstanding young mezzo-soprano and ENO Harewood Artist Samantha Price leads a cast of ENO favourites, including Andrew Shore as the Lord Chancellor.  (plus) 

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Musical
Revival

19) Kiss me Kate (Revival)

Joué durant  1 an 1 semaine

Première preview: mer. 20 juin 2018
Première: mar. 20 juin 2017
Dernière: sam. 30 juin 2018

Metteur en scène: Jo Davies •  
Chorégraphe: Will Tuckett •  
Avec: Quirijn de Lang (Fred Graham/Petruchio), Stephanie Corley (Lilli Vanessi/Katharine), Zoe Rainey (Lois Lane/Bianca), Alan Burkitt (Bill Calhoun/Lucentio), Jack Wilcox (Hortensio), Aiesha Pease (Hattie), Stephane Anelli (Paul), Joseph Shovelton (Gunman), John Savournin (Gunman), James Hayes (Harry Trevor/Baptista), Malcolm Ridley (Harrison Howell), Claire Pascoe (Ralph - Stage Manager), Michelle Andrews (dancer), Rachael Crocker (dancer), Freya Field (dancer), Kate Ivory Jordan (dancer), Harrison Clark (dancer), Jordan Livesey (dancer), Ben Oliver (dancer), Ross Russell (dancer). 

Commentaire: Opera North most recently revived Kiss Me Kate in a new production directed by Jo Davies and choreographed by Will Tuckett. Co-produced with the Welsh National Opera, it played as part of the the celebrations of Shakespeare 400 and opened at the Leeds Grand Theatre in September 2015 before touring to Theatre Royal Newcastle, The Lowry Salford, and Theatre Royal Nottingham. The production returns to the Leeds Grand Theatre in May 2018.  (plus) 

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Musical
Original

18) Bat Out of Hell (Original)

Joué durant  2 mois

Première preview: lun. 05 juin 2017
Première: mar. 20 juin 2017
Dernière: mar. 22 août 2017

Metteur en scène: Jay Scheib •  
Chorégraphe: Emma Portner •  
Avec:  

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Musical
Revival

17) Sunset Boulevard (Revival)

Joué durant  1 mois

Première preview: ven. 01 avril 2016
Première: lun. 04 avril 2016
Dernière: sam. 07 mai 2016

Metteur en scène: Lonny Price •  
Chorégraphe: Stephen Mear •  
Avec: Glenn Close (Norma Desmond), Michael Xavier (Joe Gillis), Siobhan Dillon (Betty Shaefer), Fred Johanson (Max), Julian Forsyth (Cecil B DeMille), Mark Goldthorp (Sheldrake), Fenton Gray (Manfred), Haydn Oakley (Artie Green), James Paterson (Jonesy), Carly Anderson, Michelle Bishop, Jacob Chapman, Nadeem Crowe, Cornelia Farnsworth, Ria Jones, Katie Kerr, Aaron Lee Lambert, Matthew McKenna, Jo Morris, Tanya Robb, Ashley Robinson, Vicki Lee Taylor, Gary Tushaw, Adam Vaughan and Stuart Winter. 

Commentaire:   

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Musical
Revival

16) Mikado (The) (Revival)

Joué durant  2 mois 2 semaines

Première preview: sam. 21 novembre 2015
Première: sam. 21 novembre 2015
Dernière: sam. 06 février 2016

Metteur en scène: Jonathan Miller • Elaine Tyler-Hall •  
Chorégraphe: Anthony Van Laast •  
Avec: Richard Suart (Ko-Ko), Anthony Gregory (Nanki-Poo), Mary Bevan (Yum-Yum), Graeme Danby (Pooh-Bah), Yvonne Howard (Katisha), Robert Lloyd (The Mikado of Japan), George Humphreys (Pish-Tush), Rachael Lloyd (Pitti-Sing) 

Commentaire:   

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Opéra
Revival

15) Traviata (La) (Revival)

Joué durant  1 mois

Première preview: lun. 09 février 2015
Première: lun. 09 février 2015
Dernière: ven. 13 mars 2015

Metteur en scène: Peter Konwitschny •  
Chorégraphe:  
Avec: Elizabeth Zharoff (Violetta), Ben Johson (Alfredo), Anthony Michaels-Moore, Clare Presland (Flora), Paul Hopwood (Gaston), Matthew Hargreaves (Baron Douphol), Charles Johnston (Marquis d'Obigny), Martin Lamb (Dr Grenvil), Valerie Reid (Annina) 

Commentaire: Amongst the most popular of Verdi's operas, La traviata is the work of a master of the musical drama. Its perfumed arias and soaring choruses vividly depict the ravishingly decadent but glamorous world of Parisian high society as the background to a heart rending story of romantic happiness destroyed. Original book called La Dame aux Camelias. Sung in English with English surtitles.

Une production de l'ENO (English National Opera)  (plus) 

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Musical
Revival

14) Kismet (Revival)

Joué durant  2 semaines

Nb de représentations: 19 représentations
Première preview: mar. 26 juin 2007
Première: mer. 27 juin 2007
Dernière: sam. 14 juillet 2007

Metteur en scène: Gary Griffin •  
Chorégraphe: Nikki Woollaston •  
Avec: Hajj/Poet ... Michael Ball / Lalume ... Faith Prince / Marsinah ... Sarah Tynan / Imam ... Donald Maxwell / Wazir ... Graeme Danby / Caliph ... Alfie Boe / Chief Policeman ... Rodney Clarke 

Commentaire:   

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Musical
Revival

13) On the Town (Revival)

Joué durant  1 mois

Première preview: ven. 20 avril 2007
Première: ven. 20 avril 2007
Dernière: ven. 25 mai 2007

Metteur en scène: Jude Kelly •  
Chorégraphe: Stephen Mear •  
Avec: Helen Anker (Ivy Smith), Caroline O’Connor (Hildegarde Esterhazy), Lucy Schauffer (Clair DeLoon), Ryan Molloy (Ozzie), Joshua Dallas (Gabey), Sean Palmer ( Chip Offenbloch), Andrew Shore/Graeme Danby (Judge), Janine Duvitski (Lucy), June Whitfield (Madame Dilly), Rodney Clarke (Master of Ceremonies), Alison Jiear, Julia Hinchcliffe 

Commentaire: In 2005 when this revival was first staged, there was some fuss about whether the country’s National “opera” should be presenting a Broadway “musical”. Any doubts were answered by sell-out shows and the ENO having to stage extra performances to meet the demand for tickets. This was a straight-forward revival of that earlier success, with some cast changes – especially the three principal sailors, and the introduction of June Whitefield into the small but telling role as the deliciously tipsy Madame Dilly. One or two critics continued to moan about the suitability of this show at an “opera house”, but overall it was highly praised and once more a total sell-out.  (plus) 

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Musical
Revival

12) On the Town (Revival)

Joué durant  2 mois 2 semaines

Nb de représentations: 17 représentations
Première preview: sam. 05 mars 2005
Première: jeu. 10 mars 2005
Dernière: sam. 28 mai 2005

Metteur en scène: Jude Kelly •  
Chorégraphe: Stephen Mear •  
Avec: Willard W. White (Workman), Helen Anker (Ivy Smith), Caroline O’Connor (Hildegarde Esterhazy), Lucy Schauffer (Clair DeLoon), Timothy Howar (Ozzie), Aaron Lazar (Gabey), Adam Garcia (Chip Offenbloch), Andrew Shore (Judge), Janine Duvitski (Lucy), Sylvia Syms, Alison Jiear, Rodney Clarke, Greg Winter, Tom Dwyer 

Commentaire: With the exception of the veteran Willard W. White in a very small role, the cast for this show did not contain any of the ENO’s regular company, and, primarily, was a dance show rather than a singing show. This raised a lot of questions as to why the country’s National “opera” should be presenting a show performed by imported West End singers and dancers, and should have installed a £100,000 sound system for just 17 performances. However, everyone agreed it was a worthwhile revival after more than 40 years, and it proved highly popular, selling out the enormous Coliseum with no difficulty.  (plus) 

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Musical
Original London

11) Street Scene (Original London)

Joué durant  

Première preview: jeu. 12 octobre 1989
Première: jeu. 12 octobre 1989
Dernière: Inconnu

Metteur en scène: David Pountney •  
Chorégraphe:  
Avec: Abraham Kaplan ... Terry Jenkins / Greta Fiorentino ... Susan Bullock / Salvation Army Girl ... Marian Martin / ... Melodie Waddingham / Carl Olsen ... Arwel Huw Morgan / Emma Jones ... Meriel Dickinson / Olga Olsen ... Angela Hickey / Shirley Kaplan ... Blythe Duff / Henry Davis ... Neil Patterson / Willie Maurrant ... Daniel Ison 

Commentaire:   

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Musical
Original London

10) Pacific Overtures (Original London)

Joué durant  2 mois 2 semaines

Nb de représentations: 27 représentations
Première preview: jeu. 10 septembre 1987
Première: jeu. 10 septembre 1987
Dernière: jeu. 26 novembre 1987

Metteur en scène: Keith Warner •  
Chorégraphe: David Toguri •  
Avec: Richard Angas (Reciter), Malcolm Rivers (Kayama), Christopher Booth-Jones (Manjiro), John Kitchiner (Lord Abe), Graham Fletcher (Commodore Perry), Michael Sadler (Tamate), Simon Masterton-Smith (The Shogun’s Mother), Terry Jenkins (Madam) 

Commentaire: This revolutionary work had a musical score which started with the haunting and mournful sounds of shamisen, shakuhachi and Japanese tonal ranges and gradually, as the country became more Westernised, so did the music - until the final scene is one of frantic heavy rock. It was a history of Japan written from the viewpoint of the Japanese and performed in the style of Kabuki Theatre, with “invisible” stage hands, all the women’s roles played by men, and a “reciter” who comments on the action, reciting the occasional haiku. The critics split exactly in half: it was the most astonishing, original, exciting, profound and brilliant musical; it was a pretty but incomprehensible bore.  (plus) 

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Musical
Revival

9) Cinderella (Revival)

Joué durant  

Première preview: jeu. 18 décembre 1958
Première: jeu. 18 décembre 1958
Dernière: Inconnu

Metteur en scène:  
Chorégraphe:  
Avec: Avec: Ted Durante, Jimmy Edwards, Enid Lowe, Betty Marsden, Robin Palmer, Tommy Steele, Bruce Trent, Kenneth Williams, Yana 

Commentaire:   

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Musical
Original London

8) Bells are ringing (Original London)

Joué durant  8 mois 2 semaines

Nb de représentations: 292 représentations
Première preview: jeu. 14 novembre 1957
Première: jeu. 14 novembre 1957
Dernière: lun. 28 juillet 1958

Metteur en scène: Jerome Robbins • Bob Fosse •  
Chorégraphe: Jerome Robbins • Bob Fosse •  
Avec: Sue Summers ... Jean St. Clair / Gwynne ... Allyn McLerie / Ella Peterson ... Janet Blair / Carl ... Harry Naughton / Inspector Barnes ... Donald Stewart / Francis ... C. Denier Warren / Sandor ... Eddie Molloy / Jeff Moss ... George Gaynes / Larry Hastings ... Robert Henderson / Telephone Man ... Keith Galloway 

Commentaire:   

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Musical
Original London

7) Damn Yankees (Original London)

Joué durant  

Nb de représentations: 258 représentations
Première preview: jeu. 28 mars 1957
Première: jeu. 28 mars 1957
Dernière: Inconnu

Metteur en scène: George Abbott •  
Chorégraphe: Bob Fosse •  
Avec: Lola … Belita
Applegate … Bill Kerr
Joe Hardy … Ivor Emmanuel
Meg … Betty Paul
Ensemble … Donald Stewart, Robin Hunter 

Commentaire:   

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Musical
Original London

6) Pajama Game (The) (Original London)

Joué durant  

Nb de représentations: 588 représentations
Première preview: jeu. 13 octobre 1955
Première: jeu. 13 octobre 1955
Dernière: Inconnu

Metteur en scène: George Abbott • Jerome Robbins •  
Chorégraphe: Bob Fosse •  
Avec: Max Wall (Hines), Frank Lawless (Prez), Felix Felton (Hasler), Edmund Hockridge (Sid Sorokin), Elizabeth Seal (Gladys), Joan Emney (Mabel), Joy Nichols (Babe Williams), Jessie Robins (Mae), Olga Lowe (Brenda), Arthur Lowe (Salesman) 

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Musical
Original London

5) Can-Can (Original London)

Joué durant  

Nb de représentations: 394 représentations
Première preview: Inconnu
Première: jeu. 14 octobre 1954
Dernière: Inconnu

Metteur en scène: Abe Burrows •  
Chorégraphe: Michael Kidd •  
Avec: Bailiff ... Bernard Quinn
Registrar ... Richard Lawrence
Policemen ... George Pastell 

Commentaire:   

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Musical
Original London

4) Guys and Dolls (Original London)

Joué durant  

Nb de représentations: 555 représentations
Première preview: jeu. 28 mai 1953
Première: jeu. 28 mai 1953
Dernière: Inconnu

Metteur en scène:  
Chorégraphe:  
Avec:  

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Musical
Original London

3) Call Me Madam (Original London)

Joué durant  

Nb de représentations: 486 représentations
Première preview: Inconnu
Première: sam. 15 mars 1952
Dernière: Inconnu

Metteur en scène: Richard Bird •  
Chorégraphe: George Carden •  
Avec: Mrs. Sally Adams ... Billie Worth
The Secretary of State ... Robert Henderson
Supreme Court Justice ... Mayne Lynton
Congressman Wilkins ... Sidney Keith
Henry Gibson ... David Storm
Kenneth Gibson ... Jeff Warren
Senator Gallagher ... Launce Maraschel
Secretary To Mrs. Adams ... Mary Dean
Butler ... Richard Courtney
Senator Brockbank ... Arthur Lowe 

Commentaire:   

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Musical
Original London

2) Kiss me Kate (Original London)

Joué durant  11 mois 3 semaines

Nb de représentations: 400 représentations
Première preview: jeu. 08 mars 1951
Première: jeu. 08 mars 1951
Dernière: sam. 23 février 1952

Metteur en scène: John C. Wilson •  
Chorégraphe: Hanya Holm •  
Avec:  

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Musical
Original London

1) Annie get your gun (Original London)

Joué durant  

Nb de représentations: 1304 représentations
Première preview: Inconnu
Première: sam. 07 juin 1947
Dernière: Inconnu

Metteur en scène: Joshua Logan •  
Chorégraphe: Helen Tamiris •  
Avec:  

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